Chapter Seven: Sense and Sensibility
The Born Again English Major has been rereading the works of Jane Austen, which a person ought to do from time to time, if she possibly can. The passionate heroine of Sense and Sensibility, Miss Marianne Dashwood, has become a source of interest and concern for the E.M. Marianne, as anyone who has read the novel knows, “was born to an extraordinary fate,” which was of course to live the latter part of her life in direct opposition to the deep feelings and strong opinions which she had held in her youth. How, then, could the novel’s ending possibly have been happy for her? Is it to be believed for a moment that Jane Austen has left a heroine, after the close of the last chapter, unhappy? Heaven forbid!
Elinor, Marianne’s sister, welcomes her fate eagerly. She cries “tears of joy” when she learns that Edward Ferrars is at last free to marry her. After they are engaged, “she was oppressed, she was overcome by her own felicity.” Together she and Edward walk and talk and plan, and the part she plays is an active one. In contrast, Marianne’s marriage to Colonel Brandon, which is “the darling object” of her friends, is planned for her; her role is passive, and “she found herself at nineteen submitting to new attachments, entering on new duties, placed in a new home, a wife, the mistress of a family, and the patroness of a village.” She submits! She enters on duties! She is placed! And this is Marianne, who had hoped to be “a sacrifice to an irresistible passion.” Can this be possible? And yet our narrator assures us that “Marianne could never love by halves; and her whole heart became, in time, as much devoted to her husband, as it had once been to Willoughby.”
Some critics (for whom the E.M. has the utmost respect of course) speculate that Jane Austen was using Marianne to make a statement, that there was no place in her respectable society for such heartfelt, passionate determination as Marianne’s. In order to be accepted, they argue, Marianne has to change. They think that Marianne represented a problem that needed to be solved.
But no, our narrator tells us that Marianne “was born to discover the falsehood of her own opinions...to overcome an affection...” So she took action! She discovered and she overcame! In fact, what she did was learn how to save herself. As anyone knows who has suffered through a terrible romantic betrayal, or a life-threatening illness, either one can spoil the appetite for drama. So both of those things striking her in one brief novel could probably indeed have led Marianne to find her real happiness with a man “who still sought the constitutional safeguard of a flannel waistcoat!” The Born Again English Major only wishes we could follow her to Delaford, to watch her bloom in those new roles of wife and patroness!











