Tessa Virtue & Scott Moir || 2007 World Championships
Xuebing Du
Three Goblin Art

if i look back, i am lost
will byers stan first human second
sheepfilms
todays bird

PR's Tumblrdome

titsay
PUT YOUR BEARD IN MY MOUTH
Aqua Utopia|海の底で記憶を紡ぐ
Sade Olutola
ojovivo
Jules of Nature
Game of Thrones Daily
2025 on Tumblr: Trends That Defined the Year

Origami Around
One Nice Bug Per Day
he wasn't even looking at me and he found me
Today's Document

izzy's playlists!

seen from United States
seen from Brazil
seen from Indonesia
seen from Bangladesh

seen from United States
seen from United Kingdom
seen from United States

seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
@thedanceofdappledthings
Tessa Virtue & Scott Moir || 2007 World Championships
June, Ellen Day Hale
Carl Holsøe Interior with a Girl Reading, 1903
Young Decadent, Ramon Casas
At Church, 1905, Carl Larsson
Medium: watercolor,paper
https://www.wikiart.org/en/carl-larsson/at-church-1905
Der Schutzengel, Carl Larsson, 1898, Finnish National Gallery
http://kokoelmat.fng.fi/app?si=RAMSAY+611
Given your (accurate) criticisms of Mr Bennet's approach to parenting, why do you think he is portrayed in the text in a better light than say Mrs Bennet or Sir Walter? Is it because we're mainly in Lizzie's POV and she likes him?
See, I don’t know that he IS portrayed in a better light than Sir Walter or Mrs. Bennet, strictly speaking. He’s clearly more intelligent than those two, and certainly warmer towards Lizzie, even as he is dismissive and even cruel towards his other daughters, but his neglect and selfishness is clear.
I do think readers are more apt to forgive Mr. Bennet because they DO want to identify with Elizabeth, though Elizabeth has the pain and struggle later in the novel of facing up to the fact that her Fun Dad has actually behaved very crappily to everyone, and the threat to her own happiness has not been spared merely because she’s his favourite, so his preferential treatment begins to wear thin and feel hollow. Yes, he saved her from being forced to marry Mr. Collins; but indirectly his failure to provide for his daughters/address Lydia’s behaviour has shitcanned all possibility of anyone’s future security and happiness with respectable gentlemen.
It’s easy to blame Lydia/Wickham on the surface for wrecking the family, because they Do the Thing, but Mr. Bennet laid the groundwork for YEARS and made the entire catastrophe possible in the first place. He had to get, like, six different things wrong in order for Wickham and Lydia to even have the chance to run off.
It’s kind of a reflection of Lizzie’s own growth lessons in realizing her wit and intelligence do not necessarily make her a better person--her quick judgements of Wickham and Darcy are wrong, and her initial condemnation of Charlotte’s engagement feels wildly unfair. Likewise, Mr. Bennet’s wit is used to belittle his wife and daughters, while he’s doing nothing. A healthy retirement savings plan would no doubt ease Mrs. Bennet’s nerves to a great extent, and a better education would improve his ‘inferior’ daughters’ minds and habits, but Mr. Bennet doesn’t push for this. He sits on his ass, then points and laughs at the people he’s doing nothing to look after for being...poorly looked-after. He twists their irritating defects into purely the fault of their personal failings, and doesn’t for a moment consider that he could and should have any positive influence as a husband and parent and clearly the stronger mind and spirit in those dynamics. He’s intelligent, but he lacks any self-reflection to consider the possibility that he might be mistaken, or broader consideration of the feelings of others in how he wields his wit. Elizabeth must learn to do this, or else she will sit in her erroneous judgements like her father, smug and alone.
Spirit Of Spring, 1894, Alphonse Mucha
Medium: oil,canvas
ALINA ZAGITOVA (RUS 🇷🇺) Transitions out of 3F from Black Swan / Me Voy
By the Cellar, 1917, Carl Larsson
Medium: watercolor,paper
John William Waterhouse - A Song of Springtime, 1913 (detail)
Tanja Odermatt’s free program costume at the 2019 Finlandia Trophy.
(Source: Antti Lehto)
Solrosorna, Carl Larsson
Yosvani Ramos | Katia Carranza
Agon (Paris Opera Ballet, 2017)
Sense & Sensibility - 2008
Daria Ionova in The Young Lady and The Hooligan.