My Various Social Links!
Figured it was time to update my pinned post, since I'm doing a lot of stuff lately.
Twitch
AO3
My stream archive YouTube channel
My Let's Play style YouTube channel
My blog index
Cosmic Funnies
trying on a metaphor

No title available
Xuebing Du

tannertan36
styofa doing anything
Cosimo Galluzzi
we're not kids anymore.

祝日 / Permanent Vacation

No title available
Misplaced Lens Cap

@theartofmadeline
Sweet Seals For You, Always

★
NASA
Jules of Nature
2025 on Tumblr: Trends That Defined the Year

❣ Chile in a Photography ❣
No title available
Stranger Things
seen from Canada

seen from United States
seen from Germany
seen from United States

seen from Canada
seen from Australia

seen from Colombia

seen from Germany

seen from Mexico
seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States

seen from Netherlands

seen from Malaysia
seen from United States
seen from Austria
seen from United States
@theeeveetamer
My Various Social Links!
Figured it was time to update my pinned post, since I'm doing a lot of stuff lately.
Twitch
AO3
My stream archive YouTube channel
My Let's Play style YouTube channel
My blog index
Obligatory lava chapter stream
Bro really out here like:
Genuinely embarrassing lmfao
reheating old dimidue nachos 7 years after fe3h came out
Can we finally stop doing the monastery?
When you're hella in the mood to play Sims 2 until you drift off into a coma, but you know Paralives is coming out in two days and you don't want to get burnt out on life simulators before that happens 😮💨
One last thing about Netflix DMC before I return to my hole
Here's the thing I need people to understand about Netflix's business model (and the business model of most of the entertainment industry right now)
Step 1: Greenlight a new show, but because you're nervous that something completely original might bomb, attach a preexisting franchise to it. Regardless of if that IP fits with the story you're trying to tell or not, you can at least guarantee fans of the preexisting IP will give it a shot.
Step 2: Bait the preexisting fans of that franchise into consuming your show to juice your early release numbers and push it to people who have never heard of the preexisting IP before
Step 3: Congratulations! By the time fans of the preexisting IP realize that the show doesn't respect the thing it's wearing as a skin suit, you've already pushed the show to the top so the normies who have never heard of preexisting IP are curious enough to watch it. As long as the show is good enough they will probably stick around long enough to justify making a few more seasons of it so they can continue profiting off of it.
Step 4: Discard fans of preexisting IP because you no longer need them. It's nice for the corporation if some of them like it and stick around, but normies and hate watchers will prop up your numbers from here on out.
In this case it's DMC, but just think of all the remake reboot reimagining recycled things that have come out in the last ten years or so. Studios are terrified of taking risks on new IPs so they just continue recycling the ol' reliables. Sometimes that's fine, because the people making the new thing respect the source material and genuinely want to do a good job, and sometimes it's terrible because they're just making slop so a big corporation's line can go up. Netflix makes slop, and they have for a looooong time now. There's literally directives in Netflix writer's rooms to "write like the audience is going to be playing on their phone the whole time." They don't respect you enough to create content (dare I say art) that they expect you to actually pay attention to. They're creating background noise for you to use as you scroll social media. That's the definition of slop.
It's fair for fans of DMC to be hurt and annoyed and upset by the blatant exploitation done to them by a corporation that was clearly never intending to respect the thing they love. They handed the series to a guy who explicitly stated that he hates that the series didn't die, because the only thing he liked about making a DMC anime is that he might get to be the Godsavior of DMC who we would all bow to and thank for reviving our favorite dead franchise. And he handed it to writers who, even if they did want to respect DMC, were kneecapped by executive directives that boil down to "you don't have to try and make a good show. Just treat everyone watching like phone obsessed zombies who won't even be paying attention."
And I hated season 1, and I hate that people say "well if you don't like it then don't watch it" because first, how was I supposed to know I wouldn't like it before I watched it? That's how they get you. Even if fans of the existing IP hate it, they got the subscriptions and views they wanted before you realized you didn't like it because we were all willing to give it a chance. Don't even get me started on all the false advertising they did for season 1 (and apparently season 2? I've seen people say they marketed the Dante vs. Vergil angle heavily and then they barely fight in season 2). Second, I didn't watch season 2 specifically because I don't want to reward this kind of exploitative behavior from big corporations.
Just to tag on, another way I know that they know they aren’t respecting DMC is because of all the false advertising. If you make something that respects the IP then you don’t have to false advertise to convince the people who already like DMC to watch it.
They know exactly what they made. The false advertising is intentional.
For season 1, Dante was front and center of all of the marketing. Why, when they know that they basically made a Lady anime with Dante tagging along for the ride? Because they know fans like Dante, and while very few people would have been mad about a Lady anime, there’s no question that it would not have gotten as much buzz from the fandom as a Dante led show. Cuz, you know, he’s the main character.
Again, I want to stress, they know what they made and they chose to present it deceptively, because they know that fans wouldn’t like what they made. Their first priority is building enough goodwill to get those fans in the door, and then once they have your views and money they tell you to fuck off
It’s like someone handing you a treasure map to gold, and you follow along only to find that it points to an outhouse overflowing with shit. Now your choice is to either cut your losses and walk away with the bad smell still in your nose, or root around in the shit for a little while in the hopes you find something worthwhile.
One last thing about Netflix DMC before I return to my hole
Here's the thing I need people to understand about Netflix's business model (and the business model of most of the entertainment industry right now)
Step 1: Greenlight a new show, but because you're nervous that something completely original might bomb, attach a preexisting franchise to it. Regardless of if that IP fits with the story you're trying to tell or not, you can at least guarantee fans of the preexisting IP will give it a shot.
Step 2: Bait the preexisting fans of that franchise into consuming your show to juice your early release numbers and push it to people who have never heard of the preexisting IP before
Step 3: Congratulations! By the time fans of the preexisting IP realize that the show doesn't respect the thing it's wearing as a skin suit, you've already pushed the show to the top so the normies who have never heard of preexisting IP are curious enough to watch it. As long as the show is good enough they will probably stick around long enough to justify making a few more seasons of it so they can continue profiting off of it.
Step 4: Discard fans of preexisting IP because you no longer need them. It's nice for the corporation if some of them like it and stick around, but normies and hate watchers will prop up your numbers from here on out.
In this case it's DMC, but just think of all the remake reboot reimagining recycled things that have come out in the last ten years or so. Studios are terrified of taking risks on new IPs so they just continue recycling the ol' reliables. Sometimes that's fine, because the people making the new thing respect the source material and genuinely want to do a good job, and sometimes it's terrible because they're just making slop so a big corporation's line can go up. Netflix makes slop, and they have for a looooong time now. There's literally directives in Netflix writer's rooms to "write like the audience is going to be playing on their phone the whole time." They don't respect you enough to create content (dare I say art) that they expect you to actually pay attention to. They're creating background noise for you to use as you scroll social media. That's the definition of slop.
It's fair for fans of DMC to be hurt and annoyed and upset by the blatant exploitation done to them by a corporation that was clearly never intending to respect the thing they love. They handed the series to a guy who explicitly stated that he hates that the series didn't die, because the only thing he liked about making a DMC anime is that he might get to be the Godsavior of DMC who we would all bow to and thank for reviving our favorite dead franchise. And he handed it to writers who, even if they did want to respect DMC, were kneecapped by executive directives that boil down to "you don't have to try and make a good show. Just treat everyone watching like phone obsessed zombies who won't even be paying attention."
And I hated season 1, and I hate that people say "well if you don't like it then don't watch it" because first, how was I supposed to know I wouldn't like it before I watched it? That's how they get you. Even if fans of the existing IP hate it, they got the subscriptions and views they wanted before you realized you didn't like it because we were all willing to give it a chance. Don't even get me started on all the false advertising they did for season 1 (and apparently season 2? I've seen people say they marketed the Dante vs. Vergil angle heavily and then they barely fight in season 2). Second, I didn't watch season 2 specifically because I don't want to reward this kind of exploitative behavior from big corporations.
Ok Tumblr we’re gonna have some beef
Can you please explain why my keyboard suddenly looks like this when I’m trying to comment reply?
1) ergonomically uncomfortable when typing because the space bar is so tiny. I don’t need the @ and period constantly at my finger tips. I can go to the secondary menu for @ and double space for period. I usually only see that keyboard when you specifically need to type your email in???
2) I cannot access commas or parenthesis???? I don’t see a question mark in there either
Like is this a glitch? I get the normal keyboard everywhere else in the app????
Some day, chat, I'll be able to make a post about asexual!Dante and not have someone be weird about it in the comments
Some day...
I’ve had enough
Soft teen dad Vergil (TT)♡
I'm also not in love with the narrative that Netflix DMC is a good show, and the only people who hate it are hardcore DMC fans who are just mad that it changed things/it's non-canon.
Just speaking about season 1 (because I'm not watching season 2), but if you strip it down to the studs, what is the anatomy of an episode?
75% of the dialogue is exposition or repeating something that already just happened on screen. There is no opportunity to allow the action or the characters to breathe because the showrunners are so desperately terrified you will miss something that the characters need to constantly be up your entire asshole explaining every minutia.
The narrative splits time between two main characters, one of whom isn't allowed to do anything of note for practically the entire runtime of the show and just spends all of his screen time getting exposited to while handcuffed. It's dead time that develops neither character, because one isn't on screen and the other is LITERALLY HANDCUFFED from participating in the plot.
There's no space for character growth or development for either character, because so many of the opportunities that could have been used for character building are consumed by characters needing to explain everything that's happening on screen.
Like I encourage you, if you go and watch it, to actually pay attention to just how much dialogue time is dedicated to directly explaining something about the world, something about the characters, or something that just happened instead of just showing you. It's a lot. That's terrible form for a visual medium, where your biggest advantage is that you can show over tell. I'm not even trying to be mean specifically about this show, too. This is how all Netflix shows have been written for the past several years. Live action ATLA had the exact same issue. The writers are literally given the directive to act as though everyone watching is only half paying attention and on their phones the entire time.
And on top of that, the CG isn't particularly good and can even be quite jarring in places. The actual action scenes worth watching are sparse and the flow is constantly broken up by dialogue explaining the action. The metaphors constructed are paper thing and collapse under even the most minor scrutiny (you wanted to show the plight of refugees so you made them LITERAL DEMONS FROM HELL?) The villain motivations make no sense with the established worldbuilding (White Rabbit is trying to save refugees by bringing them to the human world so they can escape Mundus, so his plan is to collapse the barrier standing between the human and demon worlds to... make it easier for Mundus to follow them?)
I'm not so narrow minded that I can't acknowledge quality, even if I don't think it fits for an established series that I love. I will swear up and down that DmC: Devil May Cry is a good game even if it's not a good DMC game, because even though the characters are significant (and worse) deviations from their canon counterparts and the writing is mid at best, it's got a very solid combat system, an enjoyable soundtrack, and the kinds of bombastic set pieces that draw me to DMC as a series.
I go by the standard of "if I could slap another name on this and still enjoy it, then would I be mad about it?" If I could slap another name on DmC: Devil May Cry and disassociate it from DMC proper then I would still pick it up and play it. If I disassociated Netflix DMC from DMC, then I would have the same conclusion. There is nothing in season 1 that makes me think season 2 would be a worthwhile watch, and based on what I'm seeing come out about the show's season 2, I was correct in that assumption.
That this show of all shows can be held up as some kind of quality piece of media is just more evidence that our attention spans are fried to a crisp and media literacy is dead.
Sigh
You know the worst part about being ace and feeling really represented by a character who has no romantic relationships?
It’s that there will always be some jackass down the line who sees that the character has no romantic relationships, and instead of seeing it as an intentional writing choice, will say “it’s free real estate!” And use it as an opportunity to stick them in the most bog-standard heterosexual relationship you’ve ever seen
I know I said I wasn’t gonna talk about it but this bit breached containment and I just. This was the one thing I never wanted DMC media to do
To be clear, this is not about shippers. It’s about something parading around as official DMC media. It’s not even like it’s game Dante and Lady, who are at least interesting characters with an interesting dynamic and chemistry. I get it when people ship them even if I personally don’t agree and don’t care for it and don’t think it should ever be canon. It’s Netflix’s weird skin suits parading around with Dante and Lady’s names, because they’re two people of the opposite sex and that means they must be attracted to each other, or whatever
And it’s not like Dante was ever officially asexual either so it’s not like I can cry erasure, but it definitely hurts because it’s not like asexuality gets a lot of representation in the first place
PSA:
I need to contain all my hater ass bitch energy to my 3H streams
I do not care if a second demon twin hits the towers. Netflix is dead to me
I will be celebrating May 12, 2026 by rewatching the 2007 anime and working on my lore project
thank you vergil devil may cry and dante devil may cry for showing me the way……
I got a chance to watch this video by @strange-aeons on reblog change rollout from last month and wanted to share a reasoning from someone who participated in development and rollout:
The reason OPs saw notes being taken away from their posts into reblogs was actually a bad idea for the rollout strategy, not the intentional end goal. We needed to decide where engagements would go for people still seeing the old (current) UI, and we somehow chose them to not go to root, like they have always been going to.
We didn’t want to isolate in how users participate in comments and reblogs - we just wanted to let users to engage with OPs and with reblogs if they want to. It was indeed a big change (especially moving the main post footer up to the OP in the reblog chain), and in retrospect we should have given a heads up, as well as performed proper beta testing (we only tested within staff).
One other goal from that change was actually to support a hierarchy and highlight best reblogs and comments on top. Personally I find notes consumption often being quite confusing on large posts, because we flatten out the whole reblog tree into a chronological list of individual reblogs and comments, and when you see a post for the first time, you can’t really read the conversations, as there are multiple conversations mixed together in that list. Reblog engagement was one of the milestones towards implementing a hierarchical view for reblogs-with-content.
As part of the rollout we actually discovered a bug where certain reblogs went completely unattributed, and this played a big role in reverting the launch.
We have been working on addressing those problems with a version that I think could both preserve reblogs model and remove the confusion on what exactly you are engaging with (is it OP, a particular reblog, the whole chain? no one can really tell). And we plan to send it to the early testers first. Let me know if anyone wants to test it too
I was just going to comment but I feel I have a lot more feedback to give than can be contained there.
I think your biggest issue here is that the rollout was confusing and sudden. At the initial launch it seemed like the goal was to make reblogs work like Xitter's QRTs, which would have been absolutely disastrous for the site. To this day I'm still not entirely sure how you wanted post attribution to work under the changes because it was not explained well, so users started filling in the gaps themselves (always a recipe for disaster).
Moreover, you have a fundamentally different userbase and site etiquette than the next closest comparable social media sites. Tumblr is still, at its core, a platform that appeals to creatives. Not every post is a masterwork, but there are a lot of people who use Tumblr specifically because it's one of the few social media sites where they can:
Still post long-form text content
Have evergreen engagement on any content they create
You got such a bad reaction because creative people don't like it when they don't get credit after they put in effort to make something, and you weren't 100% clear if they would still be getting the credit if they were the OP. They're worried that posting anything to the site could potentially lead to situations where their engagement (which is really important for, say, artists looking to try and pick up commission work) is cut off at the knees by the alterations.
Your next closest comparable social media sites, which I would say are probably Reddit and Xitter, only function as well as they do because they have fundamentally different purposes. Reddit is the modern internet's closest equivalent to a centrally de-centralized old school forum. Reddit is the parent forum, subreddits are the subforums for specific topics, and each post is its own miniature self-contained forum topic, and everything stays relatively siloed. There is no expectation, when posting on Reddit, that your post will have any sort of reach or discoverability outside of the specific community you put it on. That makes it an excellent website for hosting reality TV fan forums, support groups for specific illnesses, or advice communities, but a terrible platform for promoting your art. I'm guessing this is what you're currently trying to replicate with communities here on Tumblr.
Xitter is designed for low effort, quickfire stream of consciousness posting due to the low character limit and rapid forms of engagement. Xitter only really emerged as a big platform for creatives (specifically artists) because it had so many users and Tumblr dropped the ball so hard with the NSFW ban 8 years ago. Xitter's site functionality can work against creatives. Site etiquette DISCOURAGES QRTing creative works specifically because it siphons engagement from the OP. It still emerged as the go-to for creatives who felt alienated from Tumblr because it still has a lot of the discoverability tools Tumblr did (a tagging system, simple and effective ways to share specific posts from others with your followers without siphoning engagement) and, again, because there were so many potential eyes there. It can get away with the quirk of QRTs removing engagement from OP because the number of potential eyes on your work outweighs that drawback.
So, what users heard was, "we need to take the worst part of retweeting and bring it to Tumblr, which will in essence destroy the only thing Tumblr was still good at compared to other social media sites."
What absolutely baffles me is that Tumblr has a ton of strengths that other social media sites lack, but which corporate seems incapable of identifying or taking advantage of.
Even with the NSFW ban I'd say it's the best social media site for creatives (or it would be, if you had more users) due to the evergreen nature of posts and the ability to create long-form text content.
The reblog system makes it much harder for spam bots to get a foothold in conversations. The current internet is overrun with bots and AI generated nonsense which makes every social media site worthless for what it was originally conceptualized to do -- help us find human connection. For the most part I know that the people screaming in the tags and reblogs of my posts are real people, which is a HUGE plus and makes interacting with people here actually fun and enjoyable.
The level of control users have over their feeds, and SPECIFICALLY the fact that Tumblr doesn't just push you content that'll piss you off because being pissed off = engagement = money, is an anomaly in the modern era of social media sites. That could be a fantastic advantage right now because there are so many conversations happening about how social media is addictive, impacting our mental health, and destroying our ability to connect to other human beings. People are unplugging because it feels like there's no alternatives. Tumblr is already an alternative, people just don't know it
The tagging system has always been phenomenal and has allowed users to control how much reach any individual post has. If I want a post to be seen I can deck it out with a ton of tags, but if I just primarily want my followers to see it then I can leave it untagged or use a personal tag. If there's something I don't want to see I can blacklist easily.
And like, I'm an adult. I understand that we do not live in a utopia where Tumblr can just do whatever it wants without any consideration to metrics. You need users because you need advertisers because you need money because without money there is no Tumblr. Tumblr’s strengths are kind of what makes it hard to monetize and it’s the opposite of what makes a social media site profitable in 2026. Still, I won't pretend to understand what it takes financially to run something like Tumblr, but plenty of niche things are still profitable with the right people steering the ship and the right marketing.
By all means, make changes to make the site easier to use. I think giving users options to sort reblogs in different ways would be a fantastic change (I'd love to see an option where reblogs with the most engagements can be sorted to the top, or I could sort chronologically). I'd love if I could organize reblogs to show me a nested view, where chains could be easily followed.
I'd love to see changes to UI that actually make engagements easier to view (especially on desktop). Why is it that when I open the notes of a post they're contained to a tiny 3 inch box right under the post on desktop? Why not bump it out so it's floating on the side and I can actually use the full height of my screen to view them? Why don't comments nest beyond the parent comment -> replies and every reply to a reply has to @ the person they're replying to? Why do my comments sometimes seem like they don't organize chronologically? Makes it super hard to follow conversations.
I'd also like to see a system that keeps the appeal to creatives intact. People should absolutely get the engagement on their OP. They put the effort into making it! Reward that!
Reblogs are a bit confusing at first blush to a new user, but it's not impenetrable. The site was growing just fine fifteen years ago. I think folks are asking the wrong questions when developing fixes for it. It's like they see that something worked on Twitter and they just try to replicate it here without asking why it worked on Twitter.