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Talk to me - EvanStan
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Mike Driver
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@theelectricpeach
List
Smut
Talk to me - EvanStan
Untitled foodplay/sensation play - Stucky
Porny asks to fandomfluffandfuck - Various
Non-Smut
Soft Stucky headcanons - Stucky
Sad Stucky headcanons - Stucky
“If a society puts half its children into short skirts and warns them not to move in ways that reveal their panties, while putting the other half into jeans and overalls and encouraging them to climb trees, play ball, and participate in other vigorous outdoor games; if later, during adolescence, the children who have been wearing trousers are urged to “eat like growing boys,” while the children in skirts are warned to watch their weight and not get fat; if the half in jeans runs around in sneakers or boots, while the half in skirts totters about on spike heels, then these two groups of people will be biologically as well as socially different. Their muscles will be different, as will their reflexes, posture, arms, legs and feet, hand-eye coordination, and so on. Similarly, people who spend eight hours a day in an office working at a typewriter or a visual display terminal will be biologically different from those who work on construction jobs. There is no way to sort the biological and social components that produce these differences. We cannot sort nature from nurture when we confront group differences in societies in which people from different races, classes, and sexes do not have equal access to resources and power, and therefore live in different environments. Sex-typed generalizations, such as that men are heavier, taller, or stronger than women, obscure the diversity among women and among men and the extensive overlaps between them… Most women and men fall within the same range of heights, weights, and strengths, three variables that depend a great deal on how we have grown up and live. We all know that first-generation Americans, on average, are taller than their immigrant parents and that men who do physical labor, on average, are stronger than male college professors. But we forget to look for the obvious reasons for differences when confronted with assertions like ‘Men are stronger than women.’ We should be asking: ‘Which men?’ and ‘What do they do?’ There may be biologically based average differences between women and men, but these are interwoven with a host of social differences from which we cannot disentangle them.”
— Ruth Hubbard, “The Political Nature of ‘Human Nature’“
There are multiple chapters that are set in hospitals where the characters are attempting to recover from injuries that never fully heal. I must once again stress that my experience in WWI was perfectly normal.
There is a giant horrible mudplain full of unrecoverable and perfectly preserved dead bodies that the characters have to walk through in a land where the air is poisoned gas, and on a compLETELY UNRELATED NOTE: WWI WAS TOTALLY FINE AND NORMAL!!
Uh??? Tolkien did not claim that???
"One has indeed personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918, all but one of my close friends were dead."
He talked about how WWI affected his writing all the time, he was not in denial for how it affected??? Am I missing something????
https://www.tolkiensociety.org/blog/2017/09/tolkien-as-war-novelist-another-way-of-dealing-with-trauma-through-writing/
what Tolkien was adamant about, which has been confusing people for several decades now, is that he wasn't writing about World War Two
He was also very clear that he was not writing allegory. Now, some people are not very clear on what allegory means. "Allegory" and "symbols" are not the same thing. Allegory is a type of symbolism, but there are a lot of ways of doing symbolism that aren't allegory ... and a lot of people are kind of fuzzy on that. The way allegory is most commonly used in literary and religious analysis is that there is a direct, almost 1:1 correspondence between the literary figure and what it is standing in for.
So, for example, Pilgrim's Progress is an allegory of Christian salvation. It's sort of a novel? There are characters who do stuff? but also they are very one-dimensional. The main character is a guy named Christian--yes, really!--who is journeying from his hometown ("the city of destruction") to the Celestial City (heaven). There is not much subtlety to it. It is pretty much what it is. There is no slippage, no playing around with the theme, no places where the symbolism is ambiguous. John Bunyan, the author, is hitting you over the head every step of the way with the Meaning That You Are Supposed To Be Getting From The Story.
Not all allegories are that crude or simplistic; the Narnia books are also allegory for Christianity. They have a lot more subtlety to them and a lot more nuance, and there's a lot of stuff in there that isn't allegorical, but on the crucial matters there is still a 1:1 correspondence. Aslan is Jesus. He's not like Jesus, he's not a character that has some similarities to Jesus or takes themes from the stories of Jesus, he is Jesus.
Tolkien is not doing allegory. Tolkien is taking the material of his life--his faith, his experiences in WWI, his linguistic and historical knowledge, his favorite books--and using them as the building blocks of his story. The themes and imagery and symbols draw heavily from all of that, the characters and settings draw heavily from all of that, but they are too complex to be allegorical. There's a lot of symbolism! It's not allegory.
So, for example, let's take the Dead Marshes referenced above. Does the experience of walking through this muddy wasteland with corpses all around that are rotting but still look like people draw from Tolkien's WWI battlefield experience of dead bodies in the trenches? Of course it does! but there are also a lot of differences. These dead are not from the current war, they are from a previous one--they are a reminder of old conflicts, of the ways the systems and powers of the current war have not come out of nowhere, there is history here. There is meaning that is not drawn from the Somme. And they are also drawing from literary references Tolkien was familiar with--primarily William Morris. Modern readers don't get the references because we have generally not read The House of the Wolflings, but that doesn't mean that the references aren't there.
So people read Tolkien's insistence that he didn't write allegory, and take that to mean that he's saying there isn't symbolic and thematic references. And that isn't what he meant! And also, we focus so much on the thematic references to WWI and Christianity, and we miss most of the other references, which makes it seem like Tolkien's only drawing on WWI, when he's actually doing something more complex.
I have seen a young lady with her table loaded with volumes loaded of fictitious trash, poring day after day and night after night over highly wrought scenes and skillfully portrayed pictures of romance, until her cheeks grew pale, her eyes became wild and reckless, and her mind wandered and was lost — the light of intelligence passed behind a cloud, and her soul was forever benighted. She was insane, incurably insane from reading novels.
-- an anonymous pastor in 1864, on the greatest threat to young women
Tony Curtis and Jack Lemmon in costume as Josephine and Daphne in the United Artists/Billy Wilder comedy Some Like It Hot, 1959. During an interview with Entertainment Weekly in 2006, Curtis shared the following recollections about making the movie: EW: You weren’t happy with the dresses they initially gave you. TC: Oh, horrible! They put Debbie Reynolds’ clothes on me from a costume company. Her waist was up around my armpits! And they tried some Loretta Young outfits. But all her clothes wanted to do was spin around. So Billy said let Orry-Kelly make them for you. Boy, did we get excited! We had custom garter belts and brassieres, shoes that fit us properly, and nice cloche hats and those high collars that Olivia de Havilland used to wear in those early movies. Oh, did I love them! EW: You look like Eve Arden. TC: And a little bit of Grace Kelly and my mother. EW: How long did it take for you and Jack to become Josephine and Daphne? TC: About 30 minutes for makeup. Then we’d put on our hair and the costumes. We’d be ready in about an hour and 15 minutes. EW: That’s pretty fast. TC: Yeah, we wanted to get that behind us. Neither Jack nor I liked sitting in a makeup chair too long. So we’d lie back in those chairs and reach across and hold each other’s hand. We’d just hang on to each other.
Stargate SG-1, 05.03 Ascension
yeah yeah rainbow capitalism is bad and whatever but like. when I was a child, being pro gay was not the popular or lucrative choice. I'm happy that times have changed.
I miss rainbow capitalism. I do. I miss when it felt like public opinion was still pro gay. I understand it was always an empty gesture, but it mattered in a sense of knowing how socially acceptable being queer is. If that makes sense.
It was always a thermometer, not a thermostat, and I’m begging people to understand that.
A lot of us are old enough to remember when a company risked mass boycotts and organized campaigns for daring to sponsor a Pride or LGBT+ event. A lot of us are old enough to remember when you could not find Pride flags or other rainbow items for sale in mainstream stores anywhere. What changed was that companies felt the LGBT+ community was worth selling to, worth publicly standing behind and worth acknowledging. And now that's changed again for many companies, which is a canary in the coal mine that should concern all of us.
world strongest
white american "communist": land back is actually the most imperialist thing you could possibly do. we should preserve the reservation system and continue to let indigenous people remain in a cycle of exploitation because they cannot consent to reclaiming the ancestral homelands that were stolen from them
everyone else: what the fuck are you talking about
oh I know how to make a poll's results look like the letter E watch this
what is the rightmost digit of the number of responses this poll has right now? (it should be visible before you vote.)
0, 1, or 2
3
4 or 5
6
7, 8, or 9
people in books and tv shows are always getting so upset they throw an untouched meal in the trash. that would never be me. i'd receive the worst news of my life and still be like Let me put this in the fridge.
Some of my favourite homophobic 2010s sidgeno tweets that sound exactly like rpfing tweets from the 2020s for pride month
some mr. spocks
i love him so much he truly is my favorite character of all time ever and forever in all universes
“Stress” by Yoan Capote
2004
Concrete and bronze
250 x 60 x 60 cms
Edition : -
Collection : Karen and Robert Duncan- Lincoln, Nebraska, USA
This piece was inspired by the artist’s personal experience of grinding his teeth as a result of stress; but the work is also a monument to the collective experience of contemporary urban life. The artist went to a clinic in Havana and took the molds of teeth of several anonymous people; he reproduced those teeth in bronze and conjoined the molds in a linear fashion. The bronze teeth bear the weight of each 500 pound concrete block. The sculpture symbolically uses the notion of gravity, material and its weight to create the sculpture and the idea of burden; it also examines the meaning of teeth as an important part of the body used to establish identification or the identity of a person.
Imagine Grace defined his name as the elegance definition of grace and Rocky spends years thinking how fucking ironic this clumsy leaky space blobs name is.
Until Grace slips out a sentence along the lines of "could you give me a little grace here" and Rocky immediately points out he used a word wrong so Grace has to explain that yeah, grace means elegance but it can also mean mercy sometimes too.
And Rocky has to suddenly reconcile that the clumsy leaky blob that saved his life twice, that almost certainly doomed himself to come back for him, name is Mercy.