Head of the Girl via Konstantin Makovsky
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Head of the Girl via Konstantin Makovsky
The Muse of Poesie via Konstantin Makovsky
Size: 116x250 cm Medium: oil, canvas
Head via Konstantin Makovsky
Girl with a yoke via Konstantin Makovsky
Portrait of the Girl via Konstantin Makovsky
Beauty preparing to bathe, Konstantin Makovsky
In from a Stroll, 1907, Konstantin Makovsky
Size: 139.4x78.1 cm Medium: oil, canvas
Konstantin Yegorovich Makovsky (June 20 [O.S. July 2] 1839 —September 17 [O.S. September 30] 1915) was an influential Russian painter, affiliated with the "Peredvizhniki (Wanderers)". Many of his historical paintings, such as The Russian Bride's Attire (1889), showed an idealized view of Russian life of prior centuries. He is often considered a representative of Academic art.
Female Nude Reclining on a Divan, 1825, Eugene Delacroix
Medium: oil, canvas
The Women of the Flame, 1870, Dante Gabriel Rossetti
Size: 100.7x75.3 cm Medium: chalk
Message From the Sea, John Everett Millais
Size: 99.06x134.62 cm
Apple Blossoms, 1856, John Everett Millais
Size: 172.7x110.5 cm
Sweet Emma Morland, 1892, John Everett Millais
Size: 121.3x90.8 cm Medium: oil, canvas
Sir John Everett Millais, 1st Baronet, (8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood.
A child prodigy, at the age of eleven Millais became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1850) generating considerable controversy, and painting perhaps the embodiment of the school, Ophelia, in 1851. However, by the mid-1850s Millais was moving away from the Pre-Raphaelite style and developing a new and powerful form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais notoriously allowed one of his paintings to be used for a sentimental soap advert). While these and early 20th-century critics, reading art through the lens of Modernism, viewed much of his later production as wanting, this perspective has changed in recent decades, as his later works have come to be seen in the context of wider changes and advanced tendencies in the broader late nineteenth-century art world.
Millais's personal life has also played a significant role in his reputation. His wife Effie was formerly married to the critic John Ruskin, who had supported Millais's early work. The annulment of the marriage and her wedding to Millais have sometimes been linked to his change of style, but she became a powerful promoter of his work and they worked in concert to secure commissions and expand their social and intellectual circles.
Before the Battle, 1858, Dante Gabriel Rossetti
Size: 42.5x28 cm Medium: watercolor
Photo by George Pitts
More of me in various stages of dress at https://www.patreon.com/KeiraGrant
The Pia of Tolomei, 1868, Dante Gabriel Rossetti
Size: 120.6x105.4 cm Medium: oil, canvas
Photographed by Robert J Davis
more of Keira: https://www.patreon.com/KeiraGrant
Girl with crawfish! Join me at https://www.patreon.com/KeiraGrant for more of my strange photography!
Self-shot