Die temu ad die
Hmm. Accidentally looks like latin.
It accidentally is latin

tannertan36

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Lint Roller? I Barely Know Her

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@thehu-ster
Die temu ad die
Hmm. Accidentally looks like latin.
It accidentally is latin
Well, as my mother always says, "Fashion knows not of comfort." All that matters is the face you show the world.
(BELATED) #GGAW23 | FAVORITE OUTFITS
BLAIR WALDORF (PART ONE)
SEE PART TWO
"But you are not a designer. You are a, um..." "A dictator of taste."
(BELATED) #GGAW23 | FAVORITE OUTFITS
BLAIR WALDORF (PART TWO)
SEE PART ONE
blair waldorf + jenny humphrey | Oscar Wilde // Sylvia Plath // Jim Thompson // Jean-Paul Sartre // Charles Bukowski
Blair Waldorf looks that keep me up at night (pt. 1)
BLAIR WALDORF ❀ HI, SOCIETY
80s News Screens
ur twenties are for seeing how many mistakes u can make in the shortest amount of time possible and getting a cool haircut
“I think I fell in love with her in about 45 seconds, and then well, probably worked quite hard to cover that. It was really nice You know those chance meetings that happen where there’s a familiarity? I really felt that with Liv, it was lovely. It was like we had the right language to speak to each other immediately, and that doesn’t always happen. And I speak in a very convoluted way, so that was beautiful.” - emma d’arcy on ew’s west of westeros podcast
Rhaenyra x alicent is an interesting idea, especially since emma d'arcy, olivia cooke, milly alcock and emily carey all said they played their friendship as having romantic/erotic undertones.
right?! and they're doing it so well: rhaenyra sighing looking at alicent, alicent's obvious and masterfully depicted internalized homophobia, holding hands all the time, being protective of each other, standing up for each other...... the acting in this show is insane. and how their friendship and different personalities reflect the political landscape of the Dance: rhaenyra is wild and free and disruptive, alicent is bound to tradition and order ("don't you care about your position?" in the first episode; basically every scene with Otto; the scene with the low-key slut-shaming of Nyra going to a brothel, "i'm trying to protect you!" it's all there already!!!) whoever decided the dance should be about the most cathartic sapphic break up of westeros was RIGHT and they should say it. they took grrm's way of thinking about plot (as in, the plot blooms out of the characters instead of being imposed on them by some deus ex-machina mechanism, hello D&D?) to another level entirely xD
it's so bittersweet and i am looking forward to see them chasing each other to death, lol i particularly love love love the way this relationship impacts alicent's character. i don't know, man, i love characters who perform femininity perfectly, good girls who do as their fathers tell them to, who obey every rule, and still suffer for it. important characters, i think. hopefully, with the way they are investing screentime in her loneliness and her grief, and how it's not just a matter of "the good, feminist character" vs "the bad patriarchy side", we can treat her with the same tolerance we treat daemon (re: being nuanced, complex, etc) when we get to the proper Dance and things get ugly.
honestly, i can't help but think they were instructed to play it that way by the directors. or it was too clear in the script to ignore. in any case, i think it was intentional not only from the actors but from the writers’ room (and, i want to believe, with grrm's consent). i'm 100% for it.
Emma D’arcy and Olivia Cooke’s Instagram story reactions to the House of the Dragon casting announcement
Watching Emma D’arcy and Olivia Cooke interviews is self care
Violet and Corky WHEN
i love them both so much dsiuniugndsiugnduig (link to interview here, w/ olivia cooke and emma d’arcy, from the “house of the dragon” cast)
Listen, i'm not team green or black... I'm team, whatever these two are!