“Do not fear to lose what needs to be lost.”
— Sue Monk Kidd
The Bowery Presents

❣ Chile in a Photography ❣

JVL
YOU ARE THE REASON
Misplaced Lens Cap
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Aqua Utopia|海の底で記憶を紡ぐ
ojovivo
he wasn't even looking at me and he found me
2025 on Tumblr: Trends That Defined the Year

Discoholic 🪩
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tumblr dot com
trying on a metaphor
Jules of Nature
EXPECTATIONS
Xuebing Du
TVSTRANGERTHINGS
art blog(derogatory)
Stranger Things
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@theinspiredinfp
“Do not fear to lose what needs to be lost.”
— Sue Monk Kidd
Nikolai Sinezouboff - Dark Street (1933)
Notre Dame, c. 1883. Antoine Blanchard (French, 1910-1988). Oil
Things Fall Apart, Chinua Achebe This is 1 of 12 vintage paperback classics that comprise our current giveaway.
Angus McBean :: ‘Binkie Pulls The Strings’ for the British journal The Tatler, 1947 - Hugh ‘Binkie’ Beaumont, theater producer, manipulating Emlyn Williams and Angela Baddeley in his production of Terence Rattigan’s The Winslow Boyfrom the previous year. / original source: Flickr
Linda Evangelista and Kyle MacLachlan by Steven Meisel
Abandoned Castle Saulxures in France.
Living in the Countryside by Taschen. Photo - René Stoeltie
Henri Cartier-Bresson, Rüdesheim am Rhein, Germany, 1956
André Kertész Birds Eye View, Washington Square Park 1969
We didn’t go to this war. We didn’t have to hide to have sex. Our good fortune allowed us to feel a sadness that our parents didn’t have time for and a happiness that I never saw with them.
Beginners (2010) Dir. Mike Mills
sharon olds / julia de burgos / ikenaga yasunari / toni cadre bambara / zadie smith / alejandra caballero / louise glück / stefan zweig
“It was while writing a Diary that I discovered how to capture the living moments. Keeping a Diary all my life helped me to discover some basic elements essential to the vitality of writing. Of these the most important is naturalness and spontaneity. These elements sprung, I observed, from my freedom of selection: in the Diary I only wrote of what interested me genuinely, what I felt most strongly at the moment, and I found this fervor, this enthusiasm produced a vividness which often withered in the formal work. Improvisation, free association, obedience to mood, impulse, brought forth countless images, portraits, descriptions, impressionistic sketches, symphonic experiments, from which I could dip at any time for material. The Diary dealing always with the immediate present, the warm, the near, being written at white heat, developed a love of the living moment, of the immediate emotional reaction to experience, which revealed the power of recreation to lie in the sensibilities rather than in memory or critical intellectual perception.”
— Anaïs Nin, On Writing
“Had I not created my whole world, I would certainly have died in other people’s.”
— Anaïs Nin
Daniel Frasnay (1928-). Atelier de Joan Miro à Majorque. 1968. Tirage argentique d’époque. 18 x 18 cm_Lumière des roses