The blue curtain - Ina Colliander , 1962.
Finnish, 1905–1985
Watercolour, 32 x 24 cm
occasionally subtle
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The blue curtain - Ina Colliander , 1962.
Finnish, 1905–1985
Watercolour, 32 x 24 cm
#vletter for @msfoxwoods is full of stars! (at Sunnyhills)
64 days in heaven and hell (109) Day 23, November 14 Van Gogh admired Gauguin’s latest works very much. He even advised his brother Theo, art dealer, to quickly sell a previous work of his, ‘since the two he’s going to send you from here are thirty times better’. He was referring to Human Misery and this ‘The Pigs’.
At this point in time, Van Gogh worshipped his friend more than ever and in return, Gauguin’s ego got inflated and his boastful behavior stimulated.
Paul Gauguin, Les cochons, ou En pleine chaleur (The Pigs, or In the Heat), November 1888. Oil on canvas, 73 x 92 cm. Private collection
Portrait of Madame Ginoux (L’Arlesienne), 1888
Vincent van Gogh
Ramparts at Collioure - Henri Martin
Portrait of Eugene Boch, 1888
Vincent van Gogh
Karl Hofer (German, 1878-1955), Selbstbildnis [Self-portrait], 1935. Oil on canvas, 115 x 91 cm.
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Orchard in Blossom, 1888
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Buy Artwork by Vincent van Gogh
beginning
Norah Neilson Gray ‘Mother and Child’ early 1920s.
After World War One,Gray built up her portrait practice, based in her studio at 141 Bath Street, Glasgow. She produced decorative but unsentimental images of young women and children. Her paintings are characterised by the unconventional placing of figures, unusual colour schemes and shadow patterns, as in Mother and Child.