Fredric March and Claudette Colbert in The Sign of the Cross (1932)

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Fredric March and Claudette Colbert in The Sign of the Cross (1932)
Posing with a påskbål pile (Easter bonfire), 1932, Sweden.
The Modern Priscilla 1930-06
Cover art by M.E. Musselman
1920s Swimming pool, Vienna, Austria. From Art Deco and Art Nouveau, FB.
Alfred Cheney Johnston • Lillian Bond, 1820
Carole Lombard on Photoplay in June 1934
I think you're right, if God is still on speaking terms with me | Shanghai Express (1932)
Marlene Dietrich in Shanghai Express (1932)
1920s Bronze elevator doors at One North LaSalle Building in Chicago, Illinois. From Art Deco and Art Nouveau, FB.
1920s Velvet chairs and sofa, Austrian. From Pinterest.
Drawing by Domergue from The Tatler, June 3, 1925
Blue and Gold Beaded Evening Dress
c. 1926
French
Kent State University Museum
Title: Eástre (Hymn to the Sun) Artist: John Duncan Fergusson (Scottish, 1874-1961) Date: 1925 (cast 1971) Genre: portrait sculpture Movement: Modernism Medium: brass Location: National Galleries of Scotland, Edinburgh, Scotland, UK
This sculpture, titled after the pagan goddess Eástre, is thought to be a portrait of Fergusson's partner Margaret Morris, a dancer who choreographed a performance called Hymn to the Sun in 1925 to music by Rimsky-Korsakov.
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Oone of the Guardians of Traffic, which are massive 43-foot tall Art Deco sandstone pylons located on the Hope Memorial Bridge in Cleveland, Ohio. Completed in 1932, these sculptures were designed by sculptor Henry Hering and architect Frank Walker to symbolize progress in transportation. Each of the four pairs of pylons features a guardian holding a different type of vehicle, ranging from early covered wagons to modern motorized cars of that era. The statues have become iconic landmarks, famously inspiring the new name for Cleveland's professional baseball team, the Cleveland Guardians.
1924 Wedding gown designed by Madeleine & Madeleine. From Pinterest.
Colorful Fashions from Paris (1926)