Week 10 - American Abstraction/Pop Art, Op Art, Minimalism, and Conceptualism
This week we learned about American abstraction in chapter twenty-nine and pop art, op art, minimalism, and conceptualism in chapter thirty. In this post, I will first discuss what stood out to me in the chapter about American abstraction, then I will touch on what stood out to me on the chapter about pop art, op art, minimalism, and conceptualism.
While reading through the materials this week, action painting in chapter twenty-nine stood out to me. Reading about Jackson Pollock on page 521 was very interesting. According to the textbook, Jackson Pollock would use his entire body to create a painting. He would lay his canvas out on the floor and drip paint onto it from above. He became one with the painting. I think this method of painting is interesting because the artist would have to have complete faith in their own movements to create the effect they are looking for. These types of paintings make me think of last week’s video about how a lot of people look at art and think they could have done the same thing, but Pollock, for example, had to come up with the idea first and then he had to actually follow through with it. Something else that stood out to me in this chapter was Louise Nevelson’s “Black Wall” on page 532. “Black Wall” is a sculpture of everyday objects stacked in boxes so it looks like a sort of bookcase. I think it is very creative to take different objects and place them in such a way that they become art. I also like that it was all painted one color because the objects now stand out based on their forms rather than their color.
Chapter thirty was about pop art, op art, minimalism, and conceptualism. According to the textbook, this is where the style of comic book images come from. I have noticed in my life that comic book images tend to follow a similar style, so I found it interesting that it was brought up in the textbook. Roy Lichtenstein’s “Torpedo…Los!” on page 538 is an example of this style. In this chapter, I really enjoyed the parts about minimalism and conceptualism. According to the textbook, minimalism tries to take away the artist’s role in the work and leaves the viewer to their own interpretations. I think it is fun to observe art and try to decipher what the meaning behind it is. Conceptualism is art that is all about the meaning and less about the object. Like minimalism, I like to think about the meaning behind art. This is different, though, because the meaning is not left up to the viewer to decipher, and some of the time the meaning is written on the piece, itself, clear as day.
Therefore, I first discussed what stood out to me in the chapter about American abstraction, then I touched on what stood out to me on the chapter about pop art, op art, minimalism, and conceptualism. This week we learned about American abstraction in chapter twenty-nine and pop art, op art, minimalism, and conceptualism in chapter thirty.
I also thought that Jackson Pollock’s drip technique was fascinating. I like how you mention that he “became one with the painting.” I think this method is very creative because artists put everything they have into their artwork. When you mentioned that it is fun to decipher meanings behind art, I definitely relate to that. I feel that it is more interesting to figure out the message of a piece rather than it being obvious. Great post!














