The Observance of Trifles

Holmesian comics and thoughts by BHC

[ghostbees]

The Illustrious Client

“He gave no explanations and I asked for none. By long experience I had learned the wisdom of obedience. But when I had left his room I walked down Baker Street, revolving in my head how on earth I was to carry out so strange an order.”

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The Three Garridebs

“The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation.”

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How Watson Learned the Trick

“I was thinking how superficial are these tricks of yours, and how wonderful it is that the public should continue to show interest in them.”

With about five hundred words, this literal bite-size breakfast scene is the shortest of all Holmes tales. Originally bound into a miniature book for Queen Mary's Dolls' House, it was more broadly republished than the earlier “The Field Bazaar” and tends to be the best known of the two stories, which are usually treated as parodies.

The fact that Holmes (a man who had never been interested in team sports) would suddenly care about cricket results and allow himself to forgo shaving (with the sole excuse that he owns only one razor which he has sent away for sharpening) makes his airy dismissal of Watson’s deductions quite suspicious. It’s also the first we hear of Barlow, his dentist, surely a man with a role to play when Holmes got his left canine knocked out in a fight.

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The Sussex Vampire

When publishing in the mid-1920s, Watson would have had a good idea of the growing appeal of the vampire figure to the popular imagination, but no amount of fiddling around with chronology could enable us to place the events of this adventure after the writing of Bram Stoker's Dracula. At the time of Holmes' and Watson's visit to Sussex, the famous vampire story was Sheridan Le Fanu's Carmilla.

Serialised in the early 1870s, the novella tells the professedly real story of the young Laura, and her sexually-charged relationship with the mysterious Carmilla. Holmes' own vampire case, though eventually not supernatural, also relies on preconceived notions and fears of ‘unpredictable’ foreign women. Carmilla was partly illustrated by D. H. Friston, who would be responsible for the very first portraits of Holmes and Watson a few years later.

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The Creeping Man

To the modern reader, the story of Professor Presbury’s transformation is pure fiction. It is not scientifically possible for someone to inherit the characteristics of an animal by absorbing part of it, and injecting someone with what is conceptually a form of hormone therapy will most likely do what hormone therapy does best. Which is not to turn an ageing man into a monkey, no matter how strong the testis extract is. 

We are quick to dismiss the tale as somewhat unworthy of our standard Holmes fare, but the events of this strange turn-of-the-century adventure are clearly referencing Brown-Séquard’s earlier dubious experiments in regaining ‘male vigour’ and has deep roots in both the contemporary fascination with ‘eternal youth’ treatments and the emergence of endocrinology. In the decade it was (finally) published in, huge advances had been made in our understanding of hormones, leading notably to the isolation and synthetisation of testosterone in 1935.

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The Problem of Thor Bridge

“Somewhere in the vaults of the bank of Cox & Co., at Charing Cross, there is a travel-worn and battered tin dispatch-box with my name, John H. Watson, M.D., Late Indian Army, painted upon the lid. It is crammed with papers, nearly all of which are records of cases to illustrate the curious problems which Mr. Sherlock Holmes had at various times to examine.”

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The Mazarin Stone

“Because the faculties become refined when you starve them. Why, surely, as a doctor, my dear Watson, you must admit that what your digestion gains in the way of blood supply is so much lost to the brain. I am a brain, Watson. The rest of me is a mere appendix. Therefore, it is the brain I must consider.”

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The Crown Diamond

The case of the Mazarin diamond started as a one-act play with a modest run, which as soon as it closed was given the short story treatment. It continues an odd spot of third-person narration, possibly because, like in “His Last Bow”, Watson is mostly absent from the narrative.

In the Strand version, we learn that Holmes has been tailing his suspect, disguised as an old woman. On the stage, it is primarily Watson who is taken in. When the doctor is enjoying a meditative cigarette in Baker Street, Holmes – or rather a “tall, bent old woman in black with veil and side-curls” – enters, taunts him, makes for the detective’s bedroom, and triggers an alarm that plunges the scene in complete darkness, save for an electric sign with the words “​​DON'T TOUCH!” When the lights go on again, Holmes is back in his usual dress: “A little comic relief, Watson. When I saw you sitting there looking so solemn, I really couldn't help it.”

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Preface to His Last Bow

“The Friends or Mr Sherlock Holmes will be glad to learn that he is still alive and well, though somewhat crippled by occasional attacks of rheumatism. He has, for many years, lived in a small farm upon the Downs five miles from Eastbourne, where his time is divided between philosophy and agriculture. During this period of rest he has refused the most princely offers to take up various cases, having determined that his retirement was a permanent one.”

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His Last Bow

“I feel twenty years younger...But you, Holmes—you have changed very little—save for that horrible goatee.” “These are the sacrifices one makes for one’s country, Watson,” said Holmes, pulling at his little tuft.

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Very apropos of the fabulous Chairs Against Milverton Day, a cartoon I did last year for The Watsonian!

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The Valley of Fear

It was late that night when Holmes returned from his solitary excursion. We slept in a double-bedded room, which was the best that the little country inn could do for us. I was already asleep when I was partly awakened by his entrance.

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The Dying Detective

Of the thirty-four stories published in the new century, very few are concerned with pre-hiatus events. Holmes’ strange tale of malingering is one of them. When disclosing these details more than two decades later, Watson may have reminisced calmly on this deceitful plot to which he and Mrs Hudson fell victim, but at the time, he could not have known that Holmes would soon play a similarly cruel trick by disappearing altogether. The fact that this is a story that uses no present-day framing and focuses on the action rather than Watson’s usual florid narration shows that the recollection no doubt stung a bit.

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The Disappearance of Lady Frances Carfax

“The train of reasoning is not very obscure, Watson,” said Holmes, with a mischievous twinkle. “It belongs to the same elementary class of deduction which I should illustrate if I were to ask you who shared your cab in your drive this morning.” “I don’t admit that a fresh illustration is an explanation,” said I, with some asperity.

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The Red Circle

Even though it seems sacrilegious to think of Watson without a moustache, it’s surprising how little presence it actually has in the text itself. As the narrator, Watson does tend to describe others rather than himself; men with lush facial hair abound in his stories, but the few instances we have of his own “modest moustache” are reports from others. It is mostly inferred from his military background, or military air, as Holmes puts it.

Indeed, although it wouldn't be mentioned until “The Naval Treaty”, nearly all illustrators depict Watson with it. Surprisingly, prior to being serialised in The Strand, Holmes also sometimes sported some peculiar facial hair, most shockingly in Charles Altamont Doyle’s drawings for the first book edition of A Study in Scarlet. By 1891, Paget’s depictions of the two men would set a template for all to follow...moustache included.

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The Devil's Foot

When Watson published “The Second Stain” in late 1904, his devoted readers were shocked to learn that Holmes – and presumably himself – did not reside in Baker Street anymore. The famous address had served them well, but now the detective had decided to retire to the Sussex countryside, seemingly alone. The previous year, Holmes had also relaxed his decade-long publishing ban, leading to the revelation of his return. The next two volumes of adventures provide a rich, if fragmentary, view of their post-221B life. One merely hopes that the two saw more of each other than the “occasional week-end visits” Holmes tells us about later on.

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The Stonor Case

The Speckled Band: An Adventure of Sherlock Holmes – originally The Stonor Case – is a 1910 adaptation for the stage of the popular 1892 story of the same name. Watson (and Doyle) were never master dramatists, but the play enjoyed a decent run, favourable reviews, and even a later revival. But with a plot that differs greatly from its source material, it unfortunately continues the dramatic trend of sidelining Watson, this time to Billy's benefit. 

The pageboy would be familiar to audiences, created by William Gillette for his own incredibly successful play, but he wouldn’t make it to the page until later. In this three-act presentation, he is Holmes’ helpmate, assisting him as errand boy but also sidekick. And when one needs to infiltrate a dangerous household, what other option is there than to disguise oneself as a widowed butler and one’s page as his daughter?

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