[thepitchforkreview]

"David Bowie is popular music’s ultimate Lazarus: Just as that Biblical figure was beckoned by Jesus to emerge from his tomb after four days of nothingness, Bowie has put many of his selves to rest over the last half-century, only to rise again with a different guise."—Ryan Dombal on Bowie's ★ // illustration by Jesse Harp via Issue #4 of The Pitchfork Review

[thepitchforkreview]

To celebrate its 35th anniversary, The Pitchfork Review’s Issue 8 cover pays tribute to Prince’s landmark album, Dirty Mind 

Read our cover story here 

[thepitchforkreview]

Hope you got your fill of lobster this summer! Happy Autumnal Equinox 

Illustration by elenikalorkoti in Issue 6 of The Pitchfork Review

[thepitchforkreview]

Grab Issue 7 for Meaghan Garvey's (3lc3lc3lc) piece on Future​—No Longer Can I Remain Earthbound: Future's Long Strange Trip from Pluto to the Underworld—complete with illustrations

[thepitchforkreview]

In this career overview, Barry Walters details how one of the most transgressive stars of the 1980s, Grace Jones, gave voice to the oppressed while offering a bold example of what it means to be free. 

This piece originally appeared in Issue 7 of The Pitchfork Review

[thepitchforkreview]

“I think that my goal is to not to fuck up whatever spell is being cast by the music.”—Wilco​'s Jeff Tweedy​ in Issue 7 of The Pitchfork Review​

[thepitchforkreview]

Illustrations by Lea Heinrich from Issue 7 of The Pitchfork Review​

[thepitchforkreview]

Raise your paw if you love The Pitchfork Review​!

[thepitchforkreview]

Issue 7 is available now

[thepitchforkreview]

Issue 7 of The Pitchfork Review features:

A cover story on Grace Jones

Interviews with Robyn, Jeff Tweedy, and Sufjan Stevens

A conversation with Terry Riley

Charles Aaron on Goodie Mob

John Roberts' photo spread of San Francisco's '70s art punk scene

Comics and illustrations galore

Much more!

[thepitchforkreview]

Issue 7 is available now

[thepitchforkreview]

Did somebody say game night? 

[thepitchforkreview]

"In Branson, what you see is what you get."—Liz Armstrong in White Lies: Branson’s Ballin’ Monoculture from Issue #6 // illustration by Ellen Van Engelen

[thepitchforkreview]

Lots of fun stuff planned for Pitchfork Fest! Stop by booth #34 for games, discounted subscriptions/issues, and more 🌟

[thepitchforkreview]

Lizzy Mercier Descloux: Behind the Muse by laurasnapes in Issue #6

[thepitchforkreview]

When are we going to step up as a species and identify what our values are? What do we want to become? What are we the victims of becoming? Capitalism is deciding what we’re becoming.

Antony in Issue #6 of The Pitchfork Review

[timlahan]

Turn it Off, from issue 6 of The Pitchfork Review.