Therefore I Review on Tumblr @thereforeireview - Tumblr Blog

Hey tumblr, how about Mary Tyler Moore? Is that explicit and offensive too? Are you going to flag this and warn me?

#Mary Tyler Moore #seventies #wholesome #tumblr purge #tumblr staff #jerks

“I've never posted often on #tumblr but now I can't see my own blog, am still being followed by porn bots & several of my screengrabs have been flagged as explicit, including this one of #ThePrincessBride. This film is of no offense to anyone!! I deplore censorship & stupidity! 🤦‍♀️”

For my few followers here, consider following my main blog or twitter, as I will not be posting my review articles and screen grabs on tumblr if a film such as THE PRINCESS BRIDE is deemed as explicit. Good gracious get yourself together tumblr!

#tumblr #tumblr staff #tumblr purge #explict #The Princess Bride #Embarrassing

THE PRINCESS BRIDE?????????????????

#tumblr staff #tumblr purge #this is ridiculous!

THIS IS FLAGGED? SERIOUSLY?!

I can’t even see my own tumblr on my laptop anymore and I am continually being followed by new porn spam bots but Highlander is deemed explicit?

Are you kidding me?

#tumblr staff #tumblr purge #ridiculous #highlander #what a joke

At I Think, Therefore I Review you'll find an extensive archive of commentaries on books, film, TV, and music-in addition to a few screen captures.

#The Bob Newhart Show #Bob Newhart #comedy #Classic TV #seventies

fernandabarrera

#CarrieOnForever

howardhawkshollywoodannex

Montgomery Clift in his film debut (he had already made Red River, but it was released second because of lengthy post-production) and Ivan Jandl in The Search (1948).

Ivan was born in Prague, was a child survivor of polio, and began in Czech radio, where he was discovered by Fred Zinnemann and brought to Hollywood for The Search, his only Hollywood film. The Czech government rejected further roles in Hollywood, choosing to keep him exclusively for the Czech film industry, but he made only three more films through 1951. He died of diabetes at the age of 50. He is pictured with his Golden Globe and honorary Oscar.

The Search was directed by Fred Zinnemann, his fourth entry on the New York Times list of the 1,000 Best Films, after Oklahoma, A Hatful of Rain and The Day of the Jackal.

Join us for the HorrorAddicts.net Online Writers Conference this February! All Genres Welcome! We're a Podcast, Publishing, and Media Network By Horror Addicts, For Horror Addicts and we are here this February 24-28 2019 for a week showing you HOW to Write, Network, Market, and Publish! Hone your craft with inspiration, wisdom, and expertise from new and established authors or learn publishing and editing tips from those in the biz. Whether you're near or they are far, we can all meet at the HorrorAddicts.net Online Writers Conference and Learn HOW! This conference is totally free and all online with both scheduled activities, chats, and technology as well as individually paced writing workshops. Our forum is broken down into informational, workshop, and fun sections further specialized into genre and writing, well, specifics so you can find the workshop you need at HOW. Come for one workshop, do them all, party the whole week. HOW you get your writing inspiration and craft or publishing and marketing tips is up to you!

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jazminesullivan

GERTIE BROWN & SAINT SUTTLE “Something Good-Negro Kiss,” the newly discovered William Selig silent film from 1898 is believed to be the earliest cinematic depiction of African-American affection. Thanks to scholars at the University of Chicago and the University of Southern California, the footage is prompting a rethinking of early film history. The performance by cakewalk partners Saint Suttle and Gertie Brown is a reinterpretation of Thomas Edison’s “The Kiss,” featuring May Irwin and John Rice. The film was announced December 12, 2018 as a new addition to the Library of Congress’ National Film Registry—one of 25 selected for their enduring importance to American culture. The 29-second clip is free of stereotypes and racist caricatures, a stark contrast from the majority of black performances at the turn of the century.