Emily Palmquist - Easy Keeper, 2021 - Oil and gold enamel on canvas

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Emily Palmquist - Easy Keeper, 2021 - Oil and gold enamel on canvas
doing things at the right age is literally a made up concept. you can start/pursue anything at any age. btw.
remember remember
Harry Styles for the Gucci Mémoire d'une Odeur campaign, shot by Glen Luchford.
a stairs ,Shinjuku
You need a rest. You need empty moments in which you tolerate your anxiety and circling thoughts until they slow down and stop circling. You need slow, quiet activities that ground you and remind you to accept yourself in spite of huge obstacles and bad thoughts. You need to put solutions out of your mind for now, and engage in activities that have nothing to do with your ego. You need habits that strengthen your patience and focus, but also feel real and not arbitrary. You need to abandon your glorious future and build your imperfect present instead.
Ask Polly: “I’m Lazy, Reckless and Addicted To Social Media. Help!”
Barbara Kruger’s never really talked about Supreme, the skate company who’s been ripping off her ideas and prints letter for letter, color for color, for their red-and-white logo, which you have seen, because it is everywhere.
I emailed her casually to ask her about this. And today, she got back to me, and gave a candid statement on the matter of Supreme for the first time, ever, really. By emailing me a blank email, with an attachment. Which you can see above.
Snack break.
by Lucy Litman
I’ve been reading a lot of mary oliver lately and she’s just got a poem for everything
lydia davis, "what i feel"
[after spending weeks of trying and failing to read anything that might remind me of Lydia Davis, I instead, as always, just return to Lydia Davis.] - These days I try to tell myself that what I feel is not very important. I’ve read this in several books now: what I feel is important but not the center of everything. Maybe I do see this, but I do not believe it deeply enough to act on it. I would like to believe it more deeply.
What a relief it that would be. I wouldn’t have to think about what I felt all the time, and try to control it, with all its complications and all its consequences. I wouldn’t have to try to feel better all the time. In fact, if I didn’t believe what I felt was so important, I probably wouldn’t even feel so bad, and it wouldn’t be so hard to feel better. I wouldn’t have to say, oh, I feel so awful, this is like the end for me here, in this dark living room late at night, with the dark street corner outside under the street lights, I am so very alone, everyone else in the house asleep, there is no comfort anywhere, just me alone down here, I will never calm myself enough to sleep, never sleep, never be able to go on to the next day, I can’t possibly go on, I can’t live, even through the next minute.
If I believed that what I felt was not the center of everything, then it wouldn’t be, but just one of many things, off to the side, and I would be able to see and pay attention to other things that were equally important, and in this way I would have some relief.
But it is curious how you can see that an idea is absolutely true and correct and yet not believe it deeply enough to act on it. So I still act as though my feelings were the center of everything, and they still cause me to end up alone by the living-room window late at night. What is different, now, is that I have this idea: I have the idea that soon I will no longer believe my feelings are the center of everything. This is a real comfort to me, because if you despair of going on, but at the same time tell yourself that your despair may not be very important, then either you stop despairing or you still despair but at the same time begin to see how your despair, too, might move off to the side, one of many things.
- Lydia Davis, “What I Feel” from The Collected Stories of Lydia Davis
Frida Kahlo to Marty McConnell by Marty McConnell leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
“One Art” by Elizabeth Bishop for National Poetry Month
Jenny Holzer’s marquees, a solid reminder to be good.