Boulevard Saint-Denis, Argenteuil, in Winter, 1875
Claude Monet
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2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸
hello vonnie
𓃗
"I'm Dorothy Gale from Kansas"
sheepfilms

Andulka
Sweet Seals For You, Always

ellievsbear
he wasn't even looking at me and he found me
Mike Driver
Show & Tell
NASA

titsay

★
we're not kids anymore.
YOU ARE THE REASON
will byers stan first human second

roma★
Noah Kahan
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@thesealts
Boulevard Saint-Denis, Argenteuil, in Winter, 1875
Claude Monet
Buy Artwork by Claude Monet
Searched all day for this painting... #MFA #museumday #thesea (at Museum of Fine Arts, Boston)
As flawless as ever. Viktor and Rolf in the techstyle exhibit at the MFA #museumday #internationalmuseumday #thesea (at Museum of Fine Arts, Boston)
It's the hashslinging slasher 💀💀💀
I did not come up here with most of these #books 😍😍😍 #shelfie #bicycledesign (alternate title: my smaller book collection )
@brianna__loves shared @naja's post with you. See it at
little luxuries
Why is it a luxury for people to have fundamental rights, such as safe working conditions? I ended my history discussion questions with this question. One my of assigned readings for this class is from Rosalind Williams' Dream Worlds. I read chapter 6 this week and it is really causing me to question so much about consumer culture, the sustainable/slow living culture, and real life for the majority of people (at least how it appears to me). It's clear that sustainable/slow living isn't cheap, at least not upfront, which makes it incredibly difficult for the number of people living from paycheck to paycheck or with limited incomes (like students college and high school) to live this ethical lifestyle. It's even harder when you don't know the quality of a product, because it is not as mass produced as products found in stores like Walmart or Target or at your local mall. It's one of the many reasons I started this website, and while I actively try to find affordable ethically produced objects I must admit it is very difficult. Granted I know that the money I invested in my Brother Vellies, for instance, is money well spent because the craftsmanship is impeccable and I like to think of it as the shoe equivalent of a cast iron pot. I know not everyone has the ability to spend nearly $300 on pair of shoes (side note: I saved my Christmas money to buy them as a Birthday gift). And while there are more affordable options like thrift shopping or buying stuff off ebay (which is also where I bought my second of BV's for $35) or catching an amazing sale on certain items, like the BV's at Nasty Gal for less than $100 #nolongeravaliable. These are not all options for a lot of people, thrifting takes time, a lot of time to find good items and knowing where to go (which takes even more time). Yes, I've lucked out a few times when I have gone and found gems but a lot of times it times a few hours which is not the best option when you are pressed for time. Finding good deals online takes a little bit less time, but it is still a considerable amount of time, luck, and following the right people/sites. Then however there is this issue of quality. When I ordered my BV's it was before Kanye, Zendaya, and Kendall Jenner were wearing them and before they won the CFDA/Vogue Fashion Fund Award. There were pretty much no sites (blogger and otherwise) that really displayed the shoes. They were mentioned a few times various major fashion magazines, but never really as the focal point. Know that has changed which is great, but at the time, I had no idea what I was getting myself into when I ordered the most expensive object I had ever purchased, I think I was 16 or 17. I was honestly terrified, especially when riots broke out in South Africa and slowed down the process of my shoe delivery (it took 6 months). This actually petrified me, because I thought I was getting ripped off, but BV stayed in contact with me through the entire ordeal. When they arrived I actually hated them (mainly the shape), but I also hated this pair of black shorts I bought from J.Crew but I ended falling in love with both of them. They were very different from anything I had ever owned before, but I soon grew to love them and was ecstatic I took the chance. The thought of actually hating them was nerve wrecking because they do not offer refunds, so I would have lost nearly $300. This is a reasonable fear, which feeds this idea of buying lesser quality items because there is less to lose financially. You never know the quality when you buy stuff online, where most ethically produced items live. On a different note, I bought shorts from Punjammies, a while back and I thought they were amazing and perfect, design wise they are, quality wise not so much for a few of my pair that started to rip and tear a few months in. The fabric worn down rather fast which is really disappointing, because they were not too expensive (I think I bought them during Black Friday, when they were having a sale). If I had known that 3 out of the 4 pair I bought would fall apart I wouldn't have bought those three pair. The shorts themselves were well made the fabric just wasn't thick enough, but that's kind of hard to tell online. Which brings me back to my original question. Why is it a luxury for people to have fundamental rights, such as safe working conditions? So many of the product I feature (or plan to) are scuttle on the cusp of luxury (I going to define that as below approx $600 with luxury being $700+ for a single item, I realize this isn't the most accurate scale but I did it to include Shinola watches in a general sense [ further reasoning: a Shinola (or any $600 dollar watch) wouldn't be considered luxury next to a Rolex (or any other watch above $3k) so technically the price scale varies between object categories]), but even then these ethically produced objects for sustainable/slow living are considerably more than other objects. I always say these more expensive items reflect the true cost of the item, were it to be made in an ideal world or closer to ideal. I still believe this to be true, but my bigger question is why humans allow for this to happen. How can we as humanity justify the price of cheap objects? Objects made with near (or in some cases) slave labor. Why is doing/supporting the right/better thing considered a luxury, not affordable to most? Why is it a luxury for people to have fundamental rights, such as safe working conditions and a living wage? I aim as I go into this new year (I realize February) that I will be able to showcase more affordable options (and detail them on the map), create some sort of guide for thrift shopping (not entirely sure yet it could be another map and probably will be), and also put a notice up of sales (which even is sometimes still to expensive).
Bought this at #rochebros and definitely a smart buy #fairtrade #organic #chocolate #thesea
If she wants a diamond
go out and rent that movie Blood Diamond. If she still wants a diamond after watching that then she’s a heartless fuck and you should dump her before she marries you, decides she’s unhappy three years later, cheats on you, divorces you, and takes all your shit. Think about it. She doesn’t even give a shit about children being forced into slavery for the fucking rock she practically pressured you into buying so you can prove your love to her. Fuck that shit. Remember, there are Marge Simpsons out there.
this is how my boyfriend be reaching in arguments.
…..I hope y'all know that conflict free diamonds are a thing that exist……………
Owen. Architecture. Rosalie House. Australia. photos: Toby Scott
Twelve international photographers participated in This Place, a monumental art project documenting Israel and the West Bank. Each artist brought their own perspective and unique approach to the medium of photography, resulting in a nuanced and multifaceted look at this complex part of the world.
Fazal Sheikh travelled to Israel and the West Bank five times during his residency in 2010 and 2011. Since then he has returned several times, as his exploration of Israeli and Palestinian life continues to expand and deepen. He has created three distinct but related bodies of work, collected in The Erasure Trilogy, each of which examines questions of memory and loss and the deeply human patterns of suppression and the struggle to remember. The Desert Bloom series, which Sheikh has committed to This Place and from which the works in this exhibition are taken, examines the way the desert has been altered by decades of militarisation, afforestation, mining, construction, destruction and demolition, including that of both present Bedouin homesteads and former Bedouin villages, whose people have been displaced and their settlements gradually erased. Sheikh interplays his photographs with a series of texts, creating a dialogue between word and image.
Born in 1965 in New York City, Fazal Sheikh is an artist who uses photographs to document people living in displaced and marginalized communities around the world. His principle medium is the portrait, although his work also encompasses personal narratives, found photographs, sound, and his own written texts. His overall aim is to contribute to a wider understanding of these groups, to respect them as individuals and to counter the ignorance and prejudice that often attaches to them. The recipient of many international prizes, Fazal Sheikh’s work has been exhibited in galleries and museums around the world, including Tate Modern, London, the Metropolitan Museum of Art, New York, and the Henri Cartier-Bresson Foundation, Paris. Sheikh’s ten books include The Victor Weeps, Moksha, and Ether, many of which have been made available online free of charge.
Fazal Sheikh (American, born 1965). From the Desert Bloom series, 2011. © Fazal Sheikh
Extinct cinder cone volcano in Lassen Volcanic National Park, 1971. (Ralph Crane—The LIFE Picture Collection/Getty Images)