Aqua Utopia｜海の底で記憶を紡ぐ
Sweet Seals For You, Always
TMBGareOK. The Official They Might Be Giants tumblr
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Fieri Frames
Show & Tell
tannertan36
The Bright Sessions
#extradirty
The Stonewall Inn
Mike Driver
One Nice Bug Per Day
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Love Begins
hello vonnie
h
Today's Document
if i look back, i am lost
The Bowery Presents
official daine visual archive
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@thesirencalls
I’ve tried to hold together my crumbling flesh with what little demonic power I have left, but… I’m approaching my limit. In separating and regaining my human soul, I’ve realized the gravity of the crime I’ve committed. I’ve realized how important everything was… Everything I’ve thrown away in my pursuit of power.
I would be dead without you. Like, a lot.
HARLEY QUINN (2019 – )
You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I’m yours. No matter what. Anything happens a minute either side of that and you’re on your own. Do you understand?
DRIVE (2011) dir. Nicolas Winding Refn
危険から脱する… ↳ : バイオハザード RESIDENT EVIL 3 REMAKE (2020)
FRAGILE | Death Stranding
Winona Ryder as Veronica Sawyer in Heathers (1988) dir. Michael Lehmann
I don’t break that easy. Name notwithstanding.
I’m Fragile, but i’m not that fragile.
“Well, congratulations. You won the game. Too bad you didn’t stop shit.”
Mama in Death Stranding
The Kubrick Stare, sometimes referred to as the Kubrick Glare, is a common camera shot of an actor in most of Stanley Kubrick’s films. The Kubrick Glare has been called the “heavy-browed look of insanity”. Roger Ebert said he simply thought Kubrick found it an interesting angle with which to shoot the human face. Regardless, the actor is filmed by Kubrick at a specific angle with their head tilted slightly down, looking up, sometimes with the teeth exposed but always with a detached, menacing, angry, diabolical, evil or mad look in their eye.
“The Kubrick Stare” in Film:
The Avengers (2012) dir. Joss Whedon
Gladiator (2000) dir. Ridley Scott
The Crow (1994) dir. Alex Proyas
American Beauty (1999) dir. Sam Mendes
Kill Bill: Vol. 1 (2003) dir. Quentin Tarantino
Psycho (1960) dir. Alfred Hitchcock
2001: A Space Odyssey (1968) dir. Stanley Kubrick
Donnie Darko (2001) dir. Richard Kelly
Mulholland Drive (2001) dir. David Lynch
persona 5: makoto niijima for shayne @yoshizawakasumi
gfx famiglia gift exchange
asoiaf & got characters // pt. XXXII - Aegon the Conqueror (ver. I, ver. II, ver. III)
“His mount was Balerion the Black Dread, but he flew only to battle, or to travel swiftly across land and sea.His commanding presence drew men to his banners, yet he had no close friends, save Orys Baratheon, the companion of his youth. Women were drawn to him, but Aegon remained ever faithful to his sisters. As king, he put great trust in his small council and his sisters, leaving much of the day-to-day governance of the realm to them…yet did not hesitate to take command when he found it necessary. Though he dealt harshly with rebels and traitors, he was open-handed with former foes who bent the knee.”
| this post on twitter | please do not repost or edit my works | this graphic dedicated to my friend masha-russia!
asoiaf & got characters // pt. XXXI - Aegon, Visenya, Rhaenys (ver. I, ver. II)
“A cloud of ravens burst from the towers of Dragonstone to bring Lord Aegon’s word to the Seven Kingdoms of Westeros. To the seven kings they flew, to the Citadel of Oldtown, to lords both great and small. All carried the same message: from this day forth there would be but one king in Westeros. Those who bent the knee to Aegon of House Targaryen would keep their lands and titles. Those who took up arms against him would be thrown down, humbled, and destroyed. […] Balerion, Meraxes, and Vhagar, ridden by Aegon, Rhaenys, and Visenya. The three-headed dragon of House Targaryen—three dragons, and three riders.”
(the second graphic was inspired by my favorite artwork of King Aegon with his sister-queens by Amok)
| this post on twitter | please do not repost or edit my works |
Once there was an explosion…
A bang which gave rise to life as we know it.
And then, came the next explosion…
An explosion that will be our last.
“In the elevator scene is where Driver realizes that the circumstances have led to this—they’re in an elevator and he knows what he has to do now, and he will lose her forever, so he kisses her goodbye, because he knows he now has to go to the dark side in order to protect her.”
Nicolas Winding Refn
