[thespns]

independent    ,    mutually    private    and    selective      MARY JANE WATSON     based        around        INSOMIAC’S SPIDERMAN ( 2018 ) , SPIDER-MAN: INTO THE SPIDEY VERSE ( 2018 )  SAM RAIMI’S SPIDERMAN AND SPIDER-MAN: NO WAY HOME ( 2021 ),  various themes  are        present    due        to        the        nature        of        the    source        content,    extreme    themes    will    be    tagged. please    read    rules    before    interacting.  multiverse  ,   mixed  media  portrayal..  auditioned by        pam,    she    /    they    ,    26    ,  pnw    timezone.

★   CARRD.   ★  PATTY URIS.   ★    MULTIMUSE. 

ask    prompts    /    memes:   you  can  always  send  these  in  no  matter  how  old  the  ask  prompt  is.  this  is  the  easiest  way  to  start  writing  with  me,  other  than  plotting  or  liking  a  starter  call.  as  always,  you  can  continue  an  answered  ask    meme  /  prompt  as  a  thread.

[thespns]

in order to regain muse  and  activity I’m moving mary jane to @crscendo

[britomart]

MITSKI  ✧  “LOVE ME MORE”  (2022)

[promqueendyke]

angela deane + mitski, love me more

[lovestereo]

Visit Original Link

[thespns]

obsehrves​:

THESPNS.

          her  words  hit  mj  hard,  square  in  the  chest,  and  she’s  reeling,  head  nodding  —  because  she  understands.   she  understands  exactly,  in  a  way  that  almost  has  her  head  spinning.   ❛  he’s  not  really  that  easy  to  give  up  on.  ❜   she  says,  teeth  sinking  into  her  bottom  lip.   ❛  there  —  aren’t  a  lot  of  people  like  him.  ❜   she  had  never  cared  for  someone  the  way  she  did  him.   his  heart  was  so  good.   he  was  so  good.   he  had  so  quickly  become  her  favorite  person.   

            ❛  what  did  he  do?   your  peter  —  ❜   eyebrows  furrow.   she’s  curious,  she  can’t  seem  to  help  herself.   as  her  counterpart  said,  stories  can  echo  through  the  universe.   she’d  like  to  be  prepared.   after  all,  she  knew  as  well  as  anyone  that  peter  parker  operated  on  his  own.   he  made  decisions  without  stopping  to  think,  all  in  the  name  of  protecting  and  helping  those  he  cares  about.   his  heart  was  good,  but  stubborn,  always  thinking  he  knew  what  was  best.   she  was  lucky,  she  realized,  that  her  peter  did  not  try  to  push  her  away.   he  let  her  help.   ❛  what  choices  did  he  make  for  you?  ❜

  it looks  like she already  knew the answer. tipping  her head down, she tries to think of a logical way to explain this.  it’s always  been about  protection, her safety.  it was paved with good intentions but in the end, she valued truth above everything else. no matter how delirious or stubborn  that  made  her look.  “  he  pushed  me  away  more times than one. the root had always, always been for my protection and I understood that.  but peter, he never explained it like that  he  just .. “ went. “ and he didn’t let  me weigh in, argue, nothing. I know it’s because he loves me but I love him too. it hurts after a while. why can’t I worry ? who takes care of him ? “

taking a minute, mary jane presses her knuckles against her lips. “ he didn’t  let  me in. then our friend passed and .. things just got strained. “ everything building up to that point came crumbling down ever so quickly. she tried to regain focus from before, but it still brought tears to her eyes.  “ we  did  reconcile  though. not as fast as I wished, yet sooner than I had originally feared. “  there were complications in the easy way but still, mary jane wished they hadn’t been so stupid. “  through the gaps I changed, and he did too. I don’t blame him. I just wish he ran things by me back then instead of burdening himself, or .. unintentionally hurting me. “

[thespns]

jane  /  elverted.

      life  has  moved  on  for  the  girl  formally  known  as  eleven.  to  even  quantify  her  as  the  same  person  felt  …  strange,  almost  ALIEN.  it  felt  like  a  different  life  –  a  different   world  at  times.  over  the  years,  she’s  garnered  HER  OWN  foothold  in  society,  has  become  her  own  person  too.  something,  she  thinks  one  of  her  previous  guardians  would’ve  been  proud  to  see  her  in  …  if  he  had  been  alive  to  see  it.  

she  lives  now,  in  a  big  city  –  arguably  THE  BIGGEST,  and  it  feels  good.  the  chaotic  bustling  nature  of  it  making  her  feel  alive,  the  electricity  making  it  easier  to  have  that  horrid  past  of  her  feel  even  MORE  in  the  past.  the  door  knocks,  and  she  expects  one  of  her  neighbors  again.  the  mail  keeps  getting  mixed  up,  something  so  dreadfully  NORMAL  she  sometimes  thinks  about  asking  the  mailperson  to  do  it  on  purpose.  just  so  she  has  an  excuse  to  talk  to  more  people  too,  the  solitary  life  is  working  wonders  but  it  doesn't  help  her  feel  less  lonely.  pulling  at  her  long  sleeves,  she  traverses  to  the  door,  “  mrs.  philips,  we  really  need  to  talk  to  the  mail  person  about  – ”  upon  the  door  opening  she  realizes  it’s  …  not  the  familiar  woman  nearing  fifty  but  a  stranger,  her  face  falls.  strangers  in   strange  circumstances  still  make  her  uneasy.  jane  pulls  the  door  closer  to  herself,  closing  the  gap.  “ oh,  hi.  can  i  help  you  with  something ? ”

mary jane tried  not  to  look so  surprised  when the door flew open, granting her a first real look. this was nothing compared to the few ,  blurry  photos  she had tucked away in the file in her hands.  no longer a girl  but  she had grown a little older, in some way, it was bittersweet.  which is why she couldn’t screw around  or  fuck anything up. who knows  what else happened, was she the only one who had escaped ? were there others who weren’t aware of the situation ?

investigative  journalism was not for the ease of heart.  rules had to be broken sometimes, lies turn into white lies  but  for once, lying her way for a lead didn’t seem like it would work here. not to someone who’s likely  met deceit her entire life. she readjusts  her stance  and decides to bite the bullet.  those few sheets of paper in her  hands felt like anvils threatening to take her through the floor.  more government cover-ups at the expense of those who could not protect themselves.   while worried, danger came with the territory. “  I need help  with  something  but  i think  it’s  better  if  we  go  inside to talk.. and I know how dangerous that sounds, especially in the city so .. “  she rummages through her bag for a few things. “ ID and work badge to prove I’m nothing more than a journalist. no tricks. and my phone. I’m not calling anyone. “ she contemplates  handing over the bag but there’s boundaries. “ I just need one chance. “

[thespns]

vulchy​:

               @thespns​          (     ♡′𝘥     )

               ❛❛     do   you   really   think   you   know   exactly   where   i   stand﹐     𝘖𝘙   𝘋𝘐𝘋   𝘐   𝘑𝘜𝘚𝘛   𝘓𝘌𝘛   𝘠𝘖𝘜   𝘋𝘖𝘞𝘕     ？     ❜❜

          “  I think  you’re  way  in  over  your  head, pal.  “

[thespns]

which  tragic  character  from  ancient  greek  literature  are  you ?

antigone   ...    you are antigone, from the theban plays by sophocles. you are bold, unwavering in your morals and your passion, an unstoppable force of nature. but when you go head-to-head with an immovable object, your ideals can lead you to self-destruction. you are stubbornly resilient and fearless to a fault, and aren't afraid to stand alone in the face of death. antigone, in your quest for justice, don't forget: you are allowed to step back, to love life a little, to be young once more before soldiering on to the very very end. be selfish in your fierceness, just once.

tagged:   stolen  from  @elverted​  ( < 3 ) tagging: @obsehrves  @notwatson   @zloslwy  @mystere  @websup  and whoever wants

[thespns]

peter   parker.

“ somethin’ serious? “   peter echoes,   hand coming up to gently massage his cheek.   gaze wanders from mj,   his brain feeling as though it was short - circuiting.    “ oh.   wow,   that’s,   um   … “    actually,   he doesn’t know what that is.   swallowing a lump in his throat,   brows furrow deeply.   “ …   great.   yeah,  no,   ‘m    -     ‘m happy for you,   mj.   s’ really good.   s’ really  great. “   and he means it,   he does,   but the ache in his heart hasn’t yet mended and the whole situation feels so  sudden  to him.   granted,   it’s been a couple of months,   so maybe he’s just being overly sensitive.    rubbing at the nape of his neck,   he forces a smile,   eyes crinkling gently at her.

“ oh,   yeah,   um   …   ‘course. “

   “  yeah,  I  think  so.  “   she  looked  after  him while he  took in the news, and a part  of her felt anxious.  bad;  maybe it was too early  to have  conversations like this.  but they’re  supposed  to  friends, too.  things  ended  amicably enough  but it  had  been  hard  for her afterwards ( and she could see it on him now .. never doubting  his feelings about them  )  “ hey  pete .. talk to me, “  she tries  to  look at him and connect, but she would understand if he shrugged  her off.  “ I just  couldn’t  stop  thinking about .. everything and .. “  her  lips  press together, pausing. 

“  we don’t have to talk about this, I’m sorry. “

[ohisms]

𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 .    (  a  collection  of  100  nonverbal  action  prompts .   mature  and  potentially  triggering  themes  are  present .   add  “ + reverse ”  to  swap  assigned  roles . )

∗ o1﹕ sender  tucks  hair  out  of  receiver’s  face . ∗ o2﹕ sender  offers  receiver  a  bite  from  their  fork . ∗ o3﹕ sender  places  their  feet / legs  in  receiver's  lap . ∗ o4﹕ sender  offers  receiver  an  earbud  to  share  their  music . ∗ o5﹕ sender  comforts  receiver  in  the  aftermath  of  a  nightmare . ∗ o6﹕ sender  gives  receiver  company  in  the  hospital . ∗ o7﹕ sender  wraps  their  arms  around  a  hysterical  receiver  to  calm  them . ∗ o8﹕ sender  shows  up  at  receiver’s  home  late  at  night . ∗ o9﹕ sender  falls  asleep  leaning  against  receiver . ∗ 1o﹕ sender  wields  a  [ gun / knife ]  at  receiver . ∗ 11﹕ sender  runs  their  fingers  through  receiver’s  hair . ∗ 12﹕ sender  invites  receiver  to  dance . ∗ 13﹕ sender  takes  a  [ picture / video ]  of  receiver . ∗ 14﹕ sender  places  their  head  in  receiver’s  lap . ∗ 15﹕ sender  and  receiver  make  eye  contact  across  a  busy  room . ∗ 16﹕ sender  pushes  receiver  against  a  wall  to  kiss  them . ∗ 17﹕ sender  and  receiver  cook  together . ∗ 18﹕ sender  comes  to  receiver  after  being  injured . ∗ 19﹕ sender  sits  in  receiver’s  lap . ∗ 2o﹕ sender  lifts  receiver's  chin ,  invoking  eye  contact . ∗ 21﹕ sender  overtakes  receiver  in  combat . ∗ 22﹕ sender  finds  receiver  [ injured / bloodied ] . ∗ 23﹕ sender  straightens  an  article  of  receiver’s  clothes . ∗ 24﹕ sender  crawls  into  bed  with  receiver . ∗ 25﹕ sender  rolls  their  eyes  at  receiver . ∗ 26﹕ sender  lights  receiver’s  [ cigarette / joint ] . ∗ 27﹕ sender  is  caught  wearing  receiver's  clothes . ∗ 28﹕ sender  strikes  receiver  with  a  pillow . ∗ 29﹕ sender  writes  a  note  on  receiver’s  skin :  [ note ] . ∗ 3o﹕ sender  wraps  a  blanket  around  receiver’s  shoulders . ∗ 31﹕ sender  runs  and  jumps  into  receiver’s  arms . ∗ 32﹕ sender  shoves  receiver  out  of  anger . ∗ 33﹕ sender  hovers  over  receiver’s  shoulder  as  they  complete  a  task . ∗ 34﹕ sender  is  found  by  receiver  somewhere  they  shouldn’t  be . ∗ 35﹕ sender  curls  up  against  receiver  in  their  sleep . ∗ 36﹕ sender  is  found  drunk  by  receiver . ∗ 37﹕ sender  throws  an  item  of  sentiment  bitterly  at  receiver . ∗ 38﹕ sender  joins  receiver  in  the  shower . ∗ 39﹕ sender  is  caught  following  receiver . ∗ 4o﹕ sender  traces  one  of  receiver’s  [ scars / bruises ] . ∗ 41﹕ sender  twines  their  fingers  with  receiver’s . ∗ 42﹕ sender  barges  into  receiver’s  home  unannounced . ∗ 43﹕ sender  kicks  receiver’s  shin  beneath  a  table . ∗ 44﹕ sender  aggressively  shoves  past  receiver . ∗ 45﹕ sender  kisses  receiver’s  [ forehead / cheek ] . ∗ 46﹕ sender  pulls  receiver  out  of  harm’s  way . ∗ 47﹕ sender  is  found  sobbing  by  receiver . ∗ 48﹕ sender  locks  receiver  out  of  their  room . ∗ 49﹕ sender  brings  receiver  [ coffee / tea ]  in  the  morning . ∗ 5o﹕ sender  rests  their  forehead  against  receiver’s . ∗ 51﹕ sender  plays  a  song  for  receiver  that  reminds  them  of  them :  [ song ] . ∗ 52﹕ sender  takes  a  [ punch / stab / bullet ]  meant  for  receiver . ∗ 53﹕ sender  buys  receiver  a  drink  at  a  bar . ∗ 54﹕ sender  needs  receiver’s  help  getting  in  the  bath . ∗ 55﹕ sender  and  receiver  cross  paths  in  the  kitchen  late  at  night . ∗ 56﹕ sender  twists  receiver’s  arm  behind  their  back . ∗ 57﹕ sender  winks  at  receiver . ∗ 58﹕ sender  is  found  collapsed  by  receiver . ∗ 59﹕ sender  prevents  an  injured  receiver  from  getting  up . ∗ 6o﹕ sender  claps  a  hand  over  receiver’s  mouth  to  silence  them . ∗ 61﹕ sender  cages  receiver  against  a  [ wall / the floor ]  with  their  arms . ∗ 62﹕ sender  storms  away  from  receiver  during  an  argument . ∗ 63﹕ sender  is  found  by  receiver  sleeping  in  receiver’s  bed . ∗ 64﹕ sender  [ applies / touches up ]  receiver’s  makeup . ∗ 65﹕ sender  throws  receiver  into  a  wall  during  combat . ∗ 66﹕ sender  dances  sensually  with  receiver . ∗ 67﹕ sender  strikes  receiver  across  the  face . ∗ 68﹕ sender  places  their  hand  on  receiver’s  leg  while  driving . ∗ 69﹕ sender  pulls  a  chair  out  from  under  receiver . ∗ 7o﹕ sender  catches  receiver’s  wrist  when  they  turn  to  leave . ∗ 71﹕ sender  leaves  an  intimate  mark  on  receiver . ∗ 72﹕ sender  beats  receiver  in  a  video  game . ∗ 73﹕ sender  and  receiver  stand  in  stunned  silence  after  a  fight . ∗ 74﹕ sender  cares  for  receiver  while  they’re  sick . ∗ 75﹕ sender  and  receiver  go  on  a  hike . ∗ 76﹕ sender  is  caught  snooping  in  receiver’s  things . ∗ 77﹕ sender  and  receiver  cuddle  while  watching  television . ∗ 78﹕ sender  throws  something  aggressively  at  receiver . ∗ 79﹕ sender  creeps  up  behind  receiver  to  scare  them . ∗ 8o﹕ sender  and  receiver  go  shopping  together . ∗ 81﹕ sender  helps  receiver  [ dye / style ]  their  hair . ∗ 82﹕ sender  draws  receiver  into  a  kiss  by  the  back  of  their  neck . ∗ 83﹕ sender  is  discovered  having  a  panic  attack  by  receiver . ∗ 84﹕ sender  accidentally  injures  receiver  during  sparring . ∗ 85﹕ sender  grabs  receiver  roughly  by  the  hair . ∗ 86﹕ sender  brings  receiver  to  their  knees  during  combat . ∗ 87﹕ sender  shows  receiver  evidence  of  a  lie  they  told . ∗ 88﹕ sender  winks  [ seductively / mockingly ]  at  receiver . ∗ 89﹕ sender  yells  at  receiver  to  put  their  hands  in  the  air . ∗ 9o﹕ sender  helps  receiver  patch  up  a  wound . ∗ 91﹕ sender  holds  receiver  as  they  cry . ∗ 92﹕ sender  silently  and  angrily  points  receiver  towards  the  door . ∗ 93﹕ sender  gestures  for  receiver  to  sit  down . ∗ 94﹕ sender  pulls  receiver  into  their  lap . ∗ 95﹕ sender  cradles  receiver’s  face . ∗ 96﹕ sender  tackles  receiver  out  of  the  way  of  danger . ∗ 97﹕ sender  has  hidden  an  injury  from  receiver ,  and  receiver  finds  out . ∗ 98﹕ sender  confronts  receiver  about  their  unhealthy  behavior . ∗ 99﹕ sender  proposes  to  receiver . ∗ 1oo﹕ sender  has  just  died ,  receiver  finds  out .

[glimpseus-deactivated20230805]

violent   blue.                       ( template credit. )

extremely canon  divergent,  film based  compliant  (  vanessa  carlysle / copycat )  of  the  xmcu. featured at  @crscendo

[thespns]

edits  /   lady

[selena-soto]

[virtuante-deactivated20220416]

❝ 𝐈 𝐇𝐀𝐓𝐄 𝐓𝐇𝐀𝐓 𝐖𝐎𝐑𝐃: ⠀ 𝐇𝐄𝐑𝐎. ⠀𝐈𝐓'𝐒 𝐃𝐀𝐍𝐆𝐄𝐑𝐎𝐔𝐒. ⠀𝐀 𝐓𝐈𝐓𝐋𝐄 𝐎𝐓𝐇𝐄𝐑 𝐏𝐄𝐎𝐏𝐋𝐄 𝐇𝐀𝐍𝐆 𝐎𝐍 𝐘𝐎𝐔⠀― ⠀𝐀𝐍𝐃 ⠀𝐘𝐎𝐔'𝐑𝐄 𝐄𝐗𝐏𝐄𝐂𝐓𝐄𝐃 𝐓𝐎 𝐂𝐀𝐑𝐑𝐘 𝐈𝐓 𝐀𝐑𝐎𝐔𝐍𝐃.

[thespns]

no thoughts head empty I love she

[thespns]

@websup​ ... “  there  will  always  be  a  part  of  me  that  loves  you  no  matter  what.  ”

we  broke  up  but  I’m  still  in  love  with  you  /  accepting.

“  I  know, peter.  “   mary jane  was probably one of the few people in the world who knew that.  with  a heart  as  big  as  his, of course  she  knew  that.  there  was  the  answer.  she wasn’t  even  sure  if  it  had  been  the  one  she  was  looking for,  but it brought a semblance of calm ..  or at least, it calmed  something  down.  “  I  just  think ..  I’m  getting  into  something serious  with  someone,  .   and I  had to .. see if it was me, you know ? “ that  was  flighty,  or  horrible.    was  mary  jane  the  reason why it didn’t work.  it almost felt  hereditary at this point,  no matter  what  it felt  impossible  for her to escape that blaring image of her parents failed relationship,  but even if it was temporary ,  he  gave  her  relief. 

“  you’re important to me pete. thank  you  for  this. “