My Review of 50 Shades of Grey in 5 Movements
I saw 50 Shades of Grey (FSOG) last night. My husband and I went to a new theater in our home town and saw it on an XD screen (think IMAX size). I've had several people ask me if I was going to see it and then ask for my review. So here goes.
First, you can't just say "I liked it" or "I hated it" and have it mean anything unless you know something about the person giving the review. For example, If I were reviewing District 9 it would be important to know that post-apocalyptic dystopian fiction is my favorite genre. I love the social commentary and philosophical treatise on the nature of humanity. Similarly, if I were to tell you I didn't like The Godfather movies it would be important to point out that I have generally disliked every "Mob" movie I've ever seen. Yes, The Departed. Hated it.
For me to review FSOG for you, you need to know that I'm a romance novel reader. When I was 14 I bought a brown paper bag of romance novels for $1 at a neighbor's yard sale. They were "bodice rippers" and all historical. The first I read was Silver Rose by Penelope Neri.Ā
Since then I've read somewhere around 5,000 romance novels. No joke. I read one or two a week for the last 25 years (don't worry I read other things to. Last year I read 205 books down from 2013 when I read 243). I've also been writing romance novels and erotica since I was 18. I have a shelf of books staring at me right now with titles like; Writing Hot Sex andĀ The Love Plot: How to Plot Your Romance Novel in addition to the other titles I have on the craft of fiction writing.Ā
This is important because if you've never read a romance novel or did and didn't like it then there are some things you need to know. Remember those annoying analogy questions on the GRE? Like Aviary is to Birds as ___ is to Chickens? (Coop, it's coop.) Well, Romance Novels are to Novels as Soap Operas are to Film and TV. Know what I mean? Have you ever seen the story lines and dialog in a soap opera then you know they seem grossly exaggerated compared to the realism and subtlety we are used to in acting.
Romance novels follow a formula. One, they always, and I mean always, have a happy ending. This is actually the distinction between erotica (titillating books featuring sex) and romance (titillating books featuring sex and love). When I write erotica, two (or three!) people hook up, fuck like bunnies, and go about their business. Hot sex. That's the point. When I write romance (or erotic romance which tends to have more frequent and more detailed sex), two people may hook up, fuck like bunnies, but somewhere along the way realize they can't live without the other. That's what makes it romance.
Another rule, romance novels have one purpose: to evoke a specific set of emotions in the reader - you can call it butterflies in the stomach (romantic) or straight up arousal (erotica). When I write a romance novel I have no delusions that I'm writing the next great literary novel. I'm writing a variation on a tried and true and much loved story archetype.
And I do mean much loved. The romance genre does 1.8 billion (that's a "B") dollars a year and has devoted followers like me. So, readers are very savvy about the "rules" of romance and expect a novel to meet their base expectations in nearly every instance.
The most important rule, as a writer, is that a romance novel is about a once-in-a-lifetime love. Anything else in the book is a secondary (or precipitating) event to the story of this fairy-tale-style love. Why? Because, I'll reiterate, romance novels have one purpose: to evoke a specific set of emotions in the reader. That emotion is first love and, if you've ever been trapped in the throes of infatuation that typifies first love, tends to feel like no one in the history of earth has ever felt a love like this love, right here.Ā
To say it another way, a romance novel, unlike a non-romance novel that may serve the purpose of depicting a real-life relationship, is depicting the wild emotions of infatuation in new love. This is its purpose.Ā
When you know that the aims of the book are different you can begin to understand if a romance novel is a "good" one or not. This is why so many romance novel readers, like me, can ignore shitty dialog or stilted writing (which is an earned complaint about the FSOG books), because a book can have all those things and still evoke the emotion of young love.Ā
This is the problem with everyone's opinions on FSOG. Long before the movie I heard people complaining about the book. The hero was controlling and confusing, the heroine made bad decisions, the sex was unrealistically perfect. Well DUH! Is all I could think. It is a romance novel! Alpha male that needs knocked down a notch? Check. Vague heroine (so I can slip my own psyche into her role easily and thereby experience the emotions) whose brain stops functioning when said alpha male touches her? Check. Toe-curling, kegel muscle clenching, clitoris tingling sex? Check. Sounds good to me, where do I get a copy?
So my review depends on you. Pick the category that fits you to proceed.
1. You are a romance novel reader and you read FSOG and like it.
Girl, you will love this movie. We so infrequently get to see our favorite books on the screen (and let me just say RIP Zalman King). This certainly isn't your favorite book since you know romance novels but the movie takes away a lot of the horrible decisions EL James made. For example, the movie doesn't expect us to believe that a 22 year old exists in North America that hasn't even sent an email.Ā
Jamie Dornan, playing Christian Grey, is gorgeous. He has this little smirk of a smile which completely encapsulated the "I have a naughty secret" vibe of Christian. Dakota Johnson, playing Anastasia Steele, is beautiful and down to earth. The sex is the best thing on the big screen since 9 1/2 Weeks. They actually showed nudity not shadows and nipple-profiles.Ā
2. You are a romance novel reader and you read FSOG and didn't like it.
Girl, go see this movie. Unless your complaint about the book was the BDSM (what? you don't know what you are missing, msg me and I'll send you a list of great BDSM novels) then you'll hate it. If your complaint was the shitty writing then I think you'll like it. This is the closest thing to a romance novel movie we've ever had the chance to see.Ā
3. You are a romance novel reader or possibly a romance/erotica writer and you didn't read FSOG because that type of shitty, mainstream, vanilla excuse for erotic writing is an offense to your quality sensibilities.
I have no idea why EL James' book made millions while so many other, superbly written, romance novelists can't even feed their families. The publishing industry sucks. I don't get it either. There is literally nothing special about these books. They are meh.Ā
However, if you can admit that you are just jealous, even if rightfully so, and move past it then, like I said above, this is the closest you'll get to a romance novel movie.
4. You are living the BDSM lifestyle and object to the rules that are broken or the portrayal of BDSM as only resulting from childhood abuse.
I hear you. FSOG is not about a BDSM relationship. It is about a man who endured horrific child abuse in his early years and, when adopted by an affluent family, had learned by age 6 to find solace in hard work and perfection. But it gets worse. At 15 he is sexually abused by a friend of the family (an all too common truth). This child predator forces this boy to be her submissive for six years. Yes, six years. His whole, important, formative teen years are spent being groomed by a sex predator who happened to be a dominate.Ā
This is offensive to anyone who has a natural, healthy proclivity for domination or submission. Neither are pathologies. They aren't the result of some trauma or abuse. But, they can be. Especially if it is trained into a young and impressionable mind by a predator.
I'm sorry the popularity of this book has made your life even more difficult to explain to close minded people. I just challenge you to remember this is THREE movies not one. The second and third book are about healing this little boy. The man ends up not being a true dominate or sadist but a guy who survived hell and found control to be his coping mechanism. In the end they find a comfortable existence with domination and sadism playing a small role. This is why I think the books were so popular. Most American's aren't living BDSM but many might play with tying up or spanking and thus the book's "BDSM-lite" allure.
You probably won't find the movie titillating. And, since that's the point, I don't think you'd like it.
5. You are a domestic violence worker/domestic violence survivor and you worry about the effect this movie will have on our culture of violence towards women or on young impressionable minds.
I have the same worry. Our culture steeps young girls in myths about love and relationships. Romance novels can contribute to that if they exist in a vacuum. I would have been damaged by the "perfection" of romance novels if I didn't have parents who helped me see how real relationships work. We see violence against women so ubiquitously that it becomes blase to us. This is a huge problem.
Banning this movie will work about as good as banning art ever does. That is to say, not at all. This movie is not the cause of the problem and eradicating it won't solve the problem. This problem is much deeper. Many of the things that terrify us for young people to see terrify us because we let these things be the only explanation they ever see. We are so uptight about sex and about talking with our kids about sex that we just don't. If you don't have a parent or loving adult at home telling you that sex is fun and exciting but also not the end-all-be-all of romantic relationships then you will have a skewed view of romance. This is why I advocate being very open and proactive in discussing sex and romance with your kids.
As far as the movie goes, seeing the movie in 3rd person (instead of the written first) makes Ana seem stronger. Never in the movie do you get the feeling she is being coerced or manipulated or that she feels fear of Christian. You can clearly see a man trying to control her and you can equally as clear seeing her refuse to take his shit. Notice she never signs the contract. She doesn't want to have a contractual relationship with Christian and so she doesn't. She absolutely refuses to do this on his terms. I think it is a great example of a strong woman.
Once again, the point of this movie is titillation. If you aren't into that then don't see it. If the situations in the movie - particularly hearing about the abuse of a child at the hands of an adult - then don't watch the movie. Contrary to the current hubbub you are not required to view this film. If you don't like romance why would you watch a romantic movie? I don't like Spongebob so, guess what? I'm not going to see the movie. Simple.
SPOILER ALERT! At the theater when the movie ended everyone was pissed. So here goes: Ana is fed up with having a boyfriend she can't touch (Christian has burn marks on his chest that he gained in his earliest years and an extreme aversion to being touched that is made clear in the movie) and demands he show her the full extent of the pain he wants to inflict on her.
He does in a dramatic scene (which is fully consenting and she never uses either of her safe words) where she realizes that she won't be a part of such a broken relationship. He attempts to stop her from leaving, and an implication that he'd use seduction to stop her is there, and she says, "NO!" And she means it. She leaves him and the credits roll.
But, guess what? There are two more movies! What will seeing the effect of his abusive and controlling ways have on Christian? Will Ana demand not to be controlled? Will Christian's past catch up with him? Will Christian heal and be able to love Ana?
I can't wait to see.









