Arcadia / Resident Evil: Afterlife (2010) / Director Paul W.S. Anderson
Sade Olutola
occasionally subtle
almost home
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blake kathryn
Alisa U Zemlji Chuda

titsay
KIROKAZE
d e v o n
dirt enthusiast

Discoholic 🪩

祝日 / Permanent Vacation

ellievsbear
Sweet Seals For You, Always
he wasn't even looking at me and he found me

Kaledo Art
RMH

Product Placement
will byers stan first human second
i don't do bad sauce passes

seen from Russia
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@thesyncope
Arcadia / Resident Evil: Afterlife (2010) / Director Paul W.S. Anderson
HIS GIRL FRIDAY (1940) dir. Howard Hawks
Humphrey Bogart in Casablanca (1942)
Now you listen to me, I'm an advertising man, not a red herring. I've got a job, a secretary, a mother, two ex-wives and several bartenders dependent me, and I don't intend to disappoint them all by getting myself "slightly" killed.
NORTH BY NORTHWEST 1959 • dir. Alfred Hitchcock
Alone at Night
wool, cotton
48" x 39"
2021
Erin M. Riley
Today’s Noirvember film was Kuroneko (1968). Since it predates I Spit On Your Grave- which is commonly cited as the first Good For Her movie- I can’t seem to figure out why this one isn’t included on all the lists. Is it because ghosts are doing the good-for-hering? Who knows.
And Tarantino absolutely lifted from this one for Kill Bill.
Happy Noirvember: The plot that confounds
(via Film Noir Photos: Rub-a-dub-dub: Jill Ireland)
Someone Behind the Door (1971)
The first simulated image of a black hole was calculated with an IBM 7040 computer using 1960 punch cards and hand-plotted by French astrophysicist Jean-Pierre Luminet in 1978.
the romance of hand-plotting. this guy looked at the numbers and drew each of those dots manually, and the image emerged. we can only imagine how he felt
“Floating Echoes” - A red whisper in Chinatown’s puddles.
Лáйка (Laika), 3 November 1957
Girl Scouts selling cookies, c.1965
Rafal Krol
Beskidy Mountains
Poland
“I only really live outside of myself; outside of myself I think, meditate, know; outside of myself I receive what is given, enduringly; I invent outside of myself. Outside of myself, I exist”
—
Michel Serres, The Five Senses: A Philosophy of Mingled Bodies (1985).
“I am inside, burnt to a crisp […] I am inside, ejected and excluded […] Inside, amidst the insane fire which pushes me outwards […] I am still imprisoned […] A submissive subject, subjugated, prostrate, trampled, flattened by the enormous burden of language. Crushed to death.” (ibid.)