Happy Birthday Louise Jameson -20 April 1951 -
styofa doing anything
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Xuebing Du
Show & Tell

if i look back, i am lost

JVL
Mike Driver
d e v o n
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trying on a metaphor

blake kathryn

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Janaina Medeiros
sheepfilms

oozey mess
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Sweet Seals For You, Always

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izzy's playlists!
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@thetimehorse
Happy Birthday Louise Jameson -20 April 1951 -
Series - Special Episode(s) - "Eve of the Daleks" Aired - 01.01.2022 Doctor(s) - Jodie Whittaker Companion(s) - Mandip Gill, John Bishop Notable Guest Star(s) - Aisling Bea, Adjani Salmon, Jonny Dixon Writer - Chris Chibnall Director - Annetta Laufer
Attempting to reset the TARDIS, the Doctor, Yaz, and Dan head for the beach, but find themselves in a New Year's time loop, in a Manchester storage centre, with some very persistent Daleks.
Facetime! Feelings! Taxidermy! Hazardous materials! Beefy beans!
Is this episode...
A must watch
Worth watching
Skippable
Best left unwatched
The 'I haven't seen this episode but I don't want to feel left out' button
For more info about the poll series, and an explanation of the poll options see this post.
my favourite thing about classic who is seeing people get hit with the sparky pew pew gun that makes you gently lower yourself to the ground while making faces
okay it's probably not the sparkly gun you meant but you KNOW they were making faces
Chris Eccleston on that shit let him talk!!!!
Who broke it?
Good morning BBC breakfast coverage including a few new snippets! :D AND footage of them breaking the news to Peter
More glimpses of Katarina!
When I was watching classic Who in the 80s, all episodes with Katarina, Sara Kingdom, and (incredibly) Victoria were lost. All we had were still photos and one paragraph bios of them in the Peter Haining books, which is what many of us relied on before the internet and Wikis.
I am so glad. Now every companion has at least some record.
I am sitting here GIGGLING and kicking my feet like a little school girl watching paul mcgann's audition tape for the doctor again and again. You have him do some good acting yada yada and then its "more excited" --- "hm?" "Excited!" And he switches up so fast and the 8th doctor is born right there. A smile burning brighter than a thousand suns and movement that makes me bite my SCREEN look at him go!!!
The way he doesnt just adjust his voice for the line his entire body switches up like it all just CLICKS. The mannerisms, the gestures, the smile, talking faster, repeating words, the whole thing, just ARGH. Have I mentioned the smile. THE SMILLLLEEEEEE
"I THINK I HAVE! I think, I think, I THINK. I THInk- I have."
"Yesyesyesyesyes, will-will-will lead his people out of darkness-"
Time is a Braided Stream, you may try to change it but it always flows downhill and meets at the ocean.
Most people think of time as a line, or a "big ball of wibbly-wobbly, timey-wimey stuff." But after 27 years of architectural planning, I’ve built something different.
Project Kronosphere (v0;02 Beta) is a 100,000-word Hard Sci-Fi manuscript exploring the Braided Stream model of temporal mechanics.
The Physics of Healing
In this model, time has a capacity for self-repair. Like human skin, small nicks in the timeline fade away. But a massive rupture? That leaves a scar. The larger the cut, the deeper the trauma to the stream, and the longer it takes to knit back together.
Would you be happy with what you become?
The stream isn't just about physics; it’s about agency. The future emerges from the intersection of all sentience. It begs the question: if you could look down the stream at the person you are destined to become, would you recognize them? Would you even like them?
The Credentials
To keep the science "Hard," I’ve spent:
• 13 years leading a science reading group to track theoretical physics.
• 16 years running a professional writing critique group in Reston.
Seeking "Science-Chasers"
As a non-binary creator, I’ve built an inclusive stream—including a historically-grounded, subtly bisexual Cleopatra—but I need auditors to stress-test the technical integrity. I need people to hunt for logic gaps, temporal paradoxes, and systemic failures in the narrative physics.
No "timey-wimey" hand-waving here. Just rigorous logic.
The Audit:
• Status: v0;02 Beta
• Word Count: 100k
• Platform: Private Discord
Ready to step into the stream? Fill out the intake form here:
Project Kronosphere Intake Form
The person who composed the Dr Who theme tune back in 1963, Ron Grainer, didn’t actually arrange it - that was mostly the work of Delia Derbyshire and some other BBC people.
I’m bringing this up because, in 1980, Grainer finally did produce an arrangement of the Dr Who theme, as he had imagined it, and, well, you will not expect what you’re about to hear
Four years later, I’m still not over this.
Someone with more video editing skill/patience than me please make the 70s cop show opening (with freeze frames on each major actor, you know the type) that this so badly wants to be.
op i have excellent news:
Happy Mother's Day (a post finale ficlet)
When Lena wakes up in Kara’s childhood bedroom in Midvale with a rock sitting at the bottom of her stomach, Kara is characteristically quick to notice.
“Hey, what’s up?” she asks, even as the clouds of sleep slowly blink from her eyes. “Everything okay?”
Lena nods, though she knows it doesn’t fool Kara. “I’m fine,” she promises. “Go back to sleep.”
Kara does—or at least pretends to, giving Lena room to slip quietly from the room. The dawn still lurks behind the horizon, the sky visible from the wraparound porch the deep blackish blue of a world yet to wake.
The cool air of the early morning brings a measure of comfort, bracing and peaceful after the weight in her chest that had woken her. She knows the root of it, but refuses to acknowledge it, or look too closely, lest her understanding of reality shift beyond repair. She remains there until she hears the shuffle of other bodies moving within the house. The sun is well risen by then, and Kara’s hair glints especially golden as she gives her foster mother’s cheek a kiss with a soft murmur.
“Happy Mother’s Day.”
It’s not the first time they’ve spent the holiday in Midvale. It’s not even the first time that Kelly and Alex have joined the population of celebrants. No, since Lex’s defeat and subsequent exile to the Phantom Zone, they’ve spent several Mother’s Days in Eliza’s home. It’s warm and bright and full of life. The perfect place to appreciate the mothers in their lives. And yet.
Kara sidles up to Lena, wrapping an arm around her waist. She presses a kiss to Lena’s temple. She doesn’t ask, but Lena knows she knows the heavy thoughts haven’t abated. Kara issues a simple promise in the sidelong hug—whenever you’re ready.
Ready doesn’t come until after dinner that evening, when Lena retreats once more to the porch. This time Kara joins her on the bench swing, her palm resting warmly on Lena’s thigh.
“I’m worried about you.” A statement of fact, not a single press or push in sight.
Lena sighs. “I know,” she says. “I’m sorry.”
The hand on Lena’s thigh firms into a reassuring squeeze. “Can I help?”
“Against an impending existential crisis?” Lena snorts. “No, I don’t think so.”
Kara doesn’t surrender so easily. “Try me.”
Closing her eyes, Lena releases a long breath. “My entire life, I’ve lived with a simple, unequivocal truth: my mother didn’t love me.”
No response comes, inviting her to continue.
“It hurt, at first. But eventually, it became as innocuous as the sky being blue, or the grass green. It just was.” Lena pauses, taking another breath. “And then.”
Kara’s hand shifts to interlace her fingers with Lena’s. “Then she chose you.”
Watching Lex raise his gauntlet to fire at her hadn’t shocked Lena. Seeing her mother throw herself between them did. Even now, years later, the memory still locks her throat tight. Lillian had saved her life. When faced with the choice of her precious boy and the girl she’d always only tolerated, she’d chosen Lena.
And then, Lena had saved Lillian in return, her newfound magic pouring from her to heal her mother’s mortal wounds. Beyond all odds, they both survived Lex—together.
The experience seemed to have caused a foundational shift within Lillian. She’d kept her distance for the first few months, before confessing a desire to mend, to rebuild. She’d respected Lena’s distrust, but she’d remained gently persistent. Invitations for lunches, appearances at Lena’s fundraising events, even the occasional gift accompanied by a short but thoughtful note.
Slowly but surely, she’d worn away at Lena’s reservations, plying her with every kind of interest and affection Lena had ever wanted. The journey hadn’t been without its hiccups—more than once Lena had snapped, trashing the thoughtful gifts, ignoring the texts and calls, even screaming her resurfaced hurt and rage in Lillian’s face. Until, eventually, things between them had smoothed into something resembling… Lena doesn’t know.
“This is the first time it feels like Mother’s Day should mean something.”
“Should?”
Lena sighs. Sometimes, Kara knows her too well. “Does,” Lena confesses. “It does mean something. Or at least, I want it to. Maybe. I don’t know.”
Kara smiles. Fishing into her pocket, she pulls out Lena’s phone and hands it over. “Why not start small?”
With a guilty huff of breath, Lena accepts the phone and thanks her fiancé with a kiss. “Thank you.”
Kara grins against her lips. “Always,” she breathes, then kisses her again. “I’ll be inside.”
Lena scrolls through her contacts and taps her mother’s number as Kara climbs to her feet. Heading into the house, Kara hasn’t quite opened the screen door when Lillian answers.
“Lena?”
Lena can feel Kara’s smile as the screen door finally opens and quietly swings shut.
“Hi, mom.”
It's my 1 year anniversary on Tumblr 🥳
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