Just realised i never posted this- did this for a queer art showcase a few weeks back
(I'm lowkey financially cooked rn, so literally any donation towards my ko-fi is very much appreciated)
Alisa U Zemlji Chuda

❣ Chile in a Photography ❣

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ellievsbear

Andulka

@theartofmadeline

#extradirty
Show & Tell
Cosmic Funnies
i don't do bad sauce passes

Origami Around
TVSTRANGERTHINGS

pixel skylines
Stranger Things
Monterey Bay Aquarium
Cosimo Galluzzi
I'd rather be in outer space 🛸
noise dept.
art blog(derogatory)

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@thewanderingmage
Just realised i never posted this- did this for a queer art showcase a few weeks back
(I'm lowkey financially cooked rn, so literally any donation towards my ko-fi is very much appreciated)
Gentle Giant
Gentle Giant slowly waiting, slowly watching for the sun As it rises over hillocks, Gentle Giant seizes gun Gentle Giant slowly crawling, slowly creeping toward his prey Gentle Giant, heart beseeching hand to fail to seize the day Gentle Giant, slowly squeezing finger bound to trigger spring Gentle Giant softly praying as he hears the bullet sing Who is he now, this Gentle Giant, as his shot has found its mark? Father, brother, son and neighbor, where will he go now, in the dark?
Homestuck Ends
So it has come to this. Seven years. The end of Homestuck is like a gutpunch – and it’s hard even to express why.
And that is what makes it a work of genius.
There will never be a satisfactory analysis of this series. It cannot simply be tidily swept into a corner of our subconscious, completely understood and free from further speculation. There are layers of meaning beyond any one perspective. Beyond even that of its creator. I am sure one day, Andrew Hussie will regale his clamouring fans with his take on the series, but even that will be but a data point, but an opinion on the vastness of his creation.
For a very long time, far too long, Homestuck was a joke. A troll. A gooning of the reader and the fandom and the very concept of such a ridiculous story holding such a deep and abiding place in the hearts and minds of a great many people. But, somewhere in there, right around when every last character of importance had died…it continued. Despite despair. Despite hopelessness. It laid itself on the altar of hope as a sacrifice to a merciless, cynical judge, and was pulled back from that brink. We were shown that there was never a judge so harsh as we imagined. That our tooth-gritting, awful anticipation of the final masterstroke that was to fall and end us would die unfulfilled in our belly. Replaced with peace. Replaced with hope. Replaced with faith, and trust.
What does the final animation mean? I do not know. A future fulfilled or unfulfilled. A cycle continuing or ended. Though it does not seem ended to me. Nor unfulfilled. Rather, continuing, for everyone. Caliburn resets his own existence by destroying the essence of time itself. The children pass on to their afterlife. It is a great stalemate in the grand game of chess that Gaia represented. A return to the original state of that game, despite all odds.
Life and death had become meaningless by the end. What mattered was only “is” or “is not”. Existence can be, or it can end. The attainment of the cycle – the lotus – speaks to me of a continuation. Of eternity. A contemplation that the body and soul yearn for. Timelessness.
This is just an expression of thoughts. Not an analysis or appraisal or criticism. I feel strongly for Homestuck, so I write those feelings. It gave me that – the largeness of emotion, of connection, to the vastness of its world and its story. It is a lot to digest, and well worth taking the time to do properly.
In any case, thank you Andrew Hussie. You wrote a doozy, and it was an amazing ride.
Warrior
She strides through the harsh pine forests – a verdant tangle of snarl and lash and point. And yet she moves through it as a stone through water. The needled boughs rip and tear as she passes, but she passes on, unheeding, unknowing, unfettered. Unfettered at last. Freedom is a fickle thing. Almost forgotten when it is present. Almost all that can be thought of when it is gone. An ache, a pain, that pushes, that claws, that bites, more than any terrestrial force could do. The lash of the branch cannot compare to the lash of the whip. The weight of wet earth thickening over boot and leg nothing compared to the weight of the shackle. The icy cold of the morning dew nothing to the numb shock of cold iron to bare flesh. Ashra Quadrime pushed through the dense underbrush and almost smiled. Almost. Quite suddenly, she stumbled out onto a rocky outcropping, a brief respite from the grasping trees…but only from their grasp. She stood on the edge of a plateau, she realized, and looking out over the ground stretching away beneath her, her heart sank. It was a sea of green, an ocean of forest. It stretched from horizon to horizon, unbroken and still. The sun balefully scorched the tops of the thousands upon thousands of trees, searching for a bare patch of earth to dry and crack, but it searched in vain. Just so, did Ashra search in vain for a sign of civilization – a plume of smoke, a smudge of stone or plank or tile…but there was nothing ahead. She could have laughed. She could feel it bubbling up, deep inside her. A bad laugh. Hysterical, crippling. The kind of dark humour that leeches life and strength and resolve as sure as anything. As sure as death. With difficulty, she pushed it down. With resolve, she set her pace, shrugged up her shoulders, drew her cloak tight about her and dove into the brush ahead, leading off the plateau. Leading into that great green aspect of the endless.
Feeling summery in the -40
This is a character:
A young man sits at the table of a Venetian Café. Atop his head sits a black fedora, and he is robed in the colours of autumn and the casual attire of his desire – brown longsleeved shirt, top two or three buttons undone, grey slacks, brown leather shoes. A light fall leather jacket hangs from the chair opposite, and it is a fine day. He cups a mug of tea in his hands to warm them from the mild breeze.
This is where and how Julian would like to be, this instant, had he the inclination. He does not consider how mercilessly bored and lonely he would be, sitting at that café. He only notes the colour of the light on the pure, white metal table. The smells of the café behind him, the sounds of the street vendors and the look of the tourists that pass him by. He believes that this place, this view, would be peaceful. That the sheer joy of being in such a perfectly pleasant and beautiful atmosphere would make all his cares and troubles float away on the breeze. That the autumn light would bring about a transformation in reality to the idyllic world where there is no work but pleasant work. No life but fulfilling. No happiness but complete.
And yet the seat across from him is empty.
Why is that?
It is not because he desires it empty. Oh, no. He has never desired such. What gives him greatest pleasure, what strokes his vanity and pride is when others take note of him, grow curious and come to him of their own accord. When they sit across from him and ask him questions and listen to his responses.
But that is not how life works, and he knows that.
People don’t just walk up to you and inquire.
People fear rejection. He fears rejection. He fears walking up to someone and asking of the weather or commenting upon the items upon their person and being immediately judged and discarded. Of being denied his existence in that other’s reality out of hand.
And so he sits there, rooted to the spot, desiring nothing but to engage with one of the many people passing him by.
Thing is, sometimes, people just want what he wants, and he knows that too. Sometimes people just want to be noticed and walked up to and talked to. These people are standing or sitting, alone and apart, and want to be invited into conversation. It takes a tremendous amount of energy and personal fortitude for someone like him to make an attempt at engaging one of these people – for sometimes they truly do wish to be left alone.
The chance of denial is suffocating. It boxes him into a corner and he can see no way out. Expending ever more energy in order to attempt an expression of welcome and interest just to be rebuffed by dead eyes and a tight insincere smile.
So he imagines the day, its beauty, and the warm tea in his hands, and he doesn’t think about the loneliness, but rather, the pretty picture he makes, sitting there, and he hopes that pretty picture draws someone in. That situation and circumstance will comingle with coincidence to bring someone along who knows, like him, what a person apart truly wants, and is willing to expend the energy on the half-chance, the hope, that they are willing and ready to greet you and converse and share of their moment, their pretty picture.
And then he remembers that he is in his office at work and it’s all in his head anyways. So why not bring that other there to sit with him?
Because the waiting and enjoyment of a setting can sometimes take so long and be so pleasant that it can, in fact, become an end in itself. The comfort of a beautiful locale can worm in beyond any subtle play of social emotions and come to be the entire meaning of a moment. Infused in one’s being to such a degree that you become part of the setting, as the background character in a motion picture or a play. You act out your part because the symmetry of your role fits so well that you do not mind being the backdrop to greater or, surely, more interesting events elsewhere. In that moment you have achieved that look of perfection of the spirit of a situation that all of the travel advertisements advocate is possible for you to experience.
It is a fleeting moment. It lasts perhaps as long as does his tea. But in Julian’s mind, the tea need never run out. The sun need never set, the café, never close. The tourists and locals can continue their pace forever, and the scene can truly be enjoyed over and over for eternity.
Doodling today.
I have a problem. Sometimes I want to write things, but they are never the things that I have already written about! I want to write NEW things! But then I get guilty about the hoard of projects that I have never finished and so I don't write anything at all because I should be writing them but I don't feel like it.
Doodling!
18.05.2014 I learned yesterday that when you see a bee on the ground that isn’t moving, it’s not necessarily dead, it’s probably just dead tired from carrying lots of pollen and needs re-energising. So if you mix a tiny bit of water with some sugar and let it drink it will give it the boost it needs to continue on its way. Bizarrely, this exact thing happened today! I found a knackered bee, mixed up some sugar water, gave it a drink and watched it guzzle and guzzle then suddenly come back to life. It was amazing! Thank you patrick, it was an excellent tip that i’ll never forget and will continue to pass on to others!
Science Fiction 2
"Wake up, worm-breath! Liberation day!" The voice was high and crackled with young puberty. Reggie, in the beginning stages of waking, felt a foot press gently against his chest.
"Whuddya...?"
The foot gave a short, strong shove. Reggie slipped and tumbled from the bed in a heap of gangly appendages and blankets with a loud, agonizing thud.
He was awake.
In the furious activity that followed, Reggie variously found himself pinning his younger brother to the ground with an arm behind his back, succumbing to a barrage of none-too-gently thrown pillows, and finally dumping his brother, fully clothed, into the bathtub and flipping on the cold water to full pressure. The shower head thrummed into activity and doused the squirming boy completely.
It was then that their father intervened and restored order, shoving the drenched boy towards his room to change and ...
Science Fiction
A single line of code blinked on the expanded vidscreen. Red, black, red, black.
Joan stared at the tiny fragment of program with bleary eyes, pink and itching. One was green, the green of the depths of the ocean, the other, sky-blue – light and fractal as ice.
“I don’t – I don’t understand. Theresa’s the Progger. You want her…you…”
She listened as her earpiece buzzed with aggravation. Her breath caught in her throat. Wordlessly, she nodded to no-one. After a moment the earpiece buzzed again, more soothingly.
“Yes. Understood.” She lifted a hesitant finger, activated a toolset. The symbols weren’t recognizable. “It’s in…I don’t know…this isn’t thoughttype. Looks like an old form of netcommon.”
The earpiece queried.
Joan drew her fingers along the menu. “No datestamp. Inaccurate internal clock figures. It thinks we’re in 2284.”
The earpiece went quiet.
She took the moment’s respite to reach down to her leg. She didn’t look. Just reached. Her hand returned slick with fresh blood. Her stomach quavered and her head felt at once light and far too heavy. The earpiece buzzed.
“I’m bleeding.” She said softly. She very much wanted to throw up. To curl up in a quiet corner and wait for death.
The earpiece buzzed more insistently.
“…okay…Okay, yes. Yes.” She turned back to the vidscreen, listened, input a few commands into the toolset. “Vi…sta…” she murmured.
Excitement now. She wanted to tear the thing out. “Next! Next, Stillman!”
A series of complex steps were slowly delivered to her and she did her best to comply. Various programs ran. Often, the console seemed to halt all functionality for long lengths of time. The ache below her thigh was unbearable.
The segment of code blinked.
“Nothing. Unchanged.” She said it through clenched teeth as she pulled torn strips of cloth taught with a metal rod. The earpiece buzzed.
“I am staring right at the fucking thing, and I’m telling you-” The segment of code had disappeared. The program was continuing. Ever more rapidly, long streams of alphanumeric characters streamed by on the vidscreen. “…It’s working.”
Silence again. They shared it as she stared at the visualized program beginning its background startup procedures. It took no less than a half-minute, but eventually a UI asserted itself, fullscreen.
“I’m in.”
She said it in a small voice.
A new one - "Shots fired" - above. And the first one I dreamed up, "The Woman", below. Didn't realize I had only posted that one on FB.
A slideshow of my walk along the Camino, with commentary by me!
The Man in Green.
Dad
Storm