This election season is a (capital-B) Big one for the nation. Everyone - from businessmen to lowly baristas - should know that their vote matters and not to throw that away.

oozey mess
Cosmic Funnies

Love Begins
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost

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❣ Chile in a Photography ❣
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TVSTRANGERTHINGS
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YOU ARE THE REASON
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"I'm Dorothy Gale from Kansas"
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NASA
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@thirdwheelentertainment
This election season is a (capital-B) Big one for the nation. Everyone - from businessmen to lowly baristas - should know that their vote matters and not to throw that away.
Now that it’s November, pumpkin spice is slowly on it’s way out to make way for peppermint for the winter holidays. But boy, do we mean slowly.
Thanks a Latte ia comedic web series about three 20-something baristas who get stuck working the afternoon shift because they can't handle the morning rush. Subscribe to our YouTube channel where we will be posting videos weekly. Check out our first one, and get ready to get #decaffed!
Thanks a Latte is a new comedic web series created by Third Wheel Entertainment. The show stars Megan St. John as Madison, Brian Walsh as Drew, and Jack Dwyer as Ken. Season one is currently shooting in Chicago, IL and will be released in early 2017 in the form of four 22-minute episodes.
Thanks a Latte follows Madison, Drew, and Ken – three 20-something baristas who are stuck working the afternoon shift because they can’t handle the morning rush. But even though the afternoons are slow, the team always finds some sort of trouble to get into, making their daily grind anything but boring.
5 days until we announce our latest project! We've been counting down the days over on twitter. Coming up with a caption every day can be difficult to whip up, but we have fun!
We’re back!
Hey there! We know it's been a while since our last post, but after some exciting projects( and a new one on the way), Third Wheel has decided to make it’s way back to social media. Most recently, Third Wheel Entertainment has produced two completely original films: Strongroom (2016), and Broiled (2015).
Strongroom tells the story of Mickey, a small-time gangster, who stores all of his bank robbery loot in a safe under the watch of his sister, Lila. But when he brings a new employee over to the house, Lila plans on being anything but a gracious host and it's apparent that the money might not be that safe after all.
(For more information on Strongroom, visit the film's website at strongroomfilm.com)
Broiled: After small town girl Gracie convinces her best friend, BJ, that they could make it big in Hollywood if they only had a little dough, the pair sets out to rob the town bank. But Gracie's plans are foiled when two boys happen to rob the bank at the same time and end up getting away with all of the cash. Now, with no money and no way of getting to California, Gracie will stop at nothing to get back her share of the robbery.
(For more information on Broiled, head on over to the film's website at broiledthefilm.com)
With two narrative shorts under our belt, we are excited to venture into new territory and have started developing content for our next project: a comedic web series. This new web series will be announced in six days, but until then, here are two photo clues of what it’ll be about!
It's finally here! Third Wheel Entertainment's SOLO promo!
It all began at a concert in the spring of 2013, when a navy blue flat-brimmed hat caught the attention of Third Wheel’s founder, Megan St. John. The bold, gold SOLO logo left a mark on Megan’s memory, and after a little research she was able to track down the brand. Stand Out Live Original, or SOLO, is a Detroit-based clothing company, founded in the fall of 2012 by a group of college students who had a cool design and a desire to get their city back on its feet. The group of young professionals started printing the logo onto T-shirts, which quickly led to sweatshirts, tank tops, and hats. With a certain percentage of each sale being donated to non-profit organizations around Detroit, word soon caught on that SOLO was more than just another T-shirt company.
SOLO’s simplistic logo calls for style to emerge from one’s personality. “The hope is that the meaning behind the letters will let the individual shine,” SOLO co-founder Jake Leider told Megan when they met over coffee earlier this summer. “So many clothes these days define the person, but SOLO allows you to define yourself. We believe you should be you, regardless of what you’re wearing.”
After hearing about how the boys got their start, the fundraisers they had done for various charities in the city, and what they had in the works, Megan was intrigued. She contemplated how she could get involved and then realized there was only one thing SOLO was missing- a video by Third Wheel.
The idea for the promo was simple: show off the clothes and where they come from, but more importantly, inspire people to Stand Out Live Original.
There was no need to set the scene- the city had already done that. Not wanting to be another car commercial, Third Wheel stayed away from the icons that tend to define Detroit- the Iron Fist, the Tigers’ stadium, the GM plant. “Those places are all cool,” said Jake, “but that’s just the surface of the city. What people don’t know is there is a unique subculture here, booming with creativity. The graffiti shows this. When you see something this beautiful in a city that’s falling, you just see the possibilities.”
This is true- Detroit’s street art is sublimely stunning. Third Wheel wanted to capture this, so we traveled to various neighborhoods of the city, pairing models with the ornately calculated colors of various walls, showing the clothes in their natural habitat.
While Detroit’s graffiti does encompass the meaning behind Stand Out Live Original, we wanted a little more emphasis on the logo itself, so we prepped for a photo-shoot in Eastern Market. Against a white canvas, models stood still under the hot bulbs of our arri lights, looking straight into the camera as it dollied closer. Talk about dramatic! These shots were then edited in post-production to black and white, all except for the ever so powerful SOLO logo, which remained a prominent gold.
We put it to the beat of “Gettin’ Live”- a musical track by rising Detroit EDM artist and supporter of SOLO, Griz- and created an end product that was, as the SOLO boys put it, “totally dope.”
Hip, bright, and engaging, Third Wheel’s SOLO promo definitely stands out and lives original (see what we did there?). Be sure to check it out, and follow SOLO on Facebook and Twitter to stay up to date with all the great moves they’re making.
Movie Monday with Elysium!
Movie Monday is back after a week of rest! Here it is with Matt Damon and Jodie Foster.
Elysium (2013)
9/9/2013
★★★★★★☆☆☆☆ (6/10)
The blockbusters of 2013 all point to one irresistible prediction for the fate of our mankind: The difference between the rich and the poor is going to be so great that the unlucky ones will meet their doomsday and the lucky ones will live in heaven. Dissatisfaction of the poor who live on dystopia dismantles the balance of power, and in the end, it is a happy ending for all. Elysium also follows this classic plot without hesitation.
On earth, the poor and the sick struggle every day for survival and hope for a better life. Elysium, on the other hand, is a man-made utopic planet for the lucky ones who are given everything—from beautiful houses to perfect health. Max (Matt Damon) is a worker on earth’s robot manufacturing factory who is accidentally exposed to full nuclear radiation. He has only five days left to live, and as he struggles to survive, he is dragged into a dangerous mission that will change the course of history for mankind.
Elysium is filled with extreme action and a power war that follows suit. There is a lot of action from ruthless killings that illustrate how insensitive and inhumane people can become. The movie engages in the extremes of humanity; while the protagonists are purely good, the antagonists verge on extreme evil.
Combined with a stellar cast and entertaining action sequences with striking visuals, Elysium is, like other blockbusters of this year, not a bad movie. By this point, however, the same sort of rich/poor storyline has become so stale that it cannot please beyond any more than satisfactory. We have already seen the good parts from enough of the same movies that Elysium is no more than predictable and tepid, no greater than average.
Some parts of the movie are also dubious and inane. The poor speak Spanish and the rich speak French, which un-coincidentally reflects the current distribution of affluence in our current reality. I cautiously find it comical that such racial distinction is stated so unequivocally in the film.
Furthermore, Max’s sudden rise to strength from near-death radiation accident is unexplained and abrupt. Some technicians screw in a metal suit to Max’s body to vastly improve upon his powers, yet none of the procedure is really outlined. Max before the surgery couldn’t even walk by himself. Yet, we are not to know how Max can suddenly move perfectly, and even defeat ruthless droids and other droid-infused superhumans.
The biggest antagonist behind the merciless Elysium is the even more ruthless Secretary of Defense of Elyisum, Delacourt (Jodie Foster). Foster’s role as the supreme secretary in Elysium is charismatic and as unrelenting as ever. The woman with the short blonde hair and clean-cut suit somehow even resembles America’s iconic female leader, Hilary Clinton. Perhaps a part of the movie’s concern is that such a fierce female leader might in the future be the most vicious out of all.
As a futuristic science fiction, Elysium makes several assumptions to an extreme dystopia. There is only either the pure evil or the pure good, which turns the movie unsophisticated and simple. On the other hand, the defeat of the pure evil makes a distinctly clean and happy resolution. The flashy action and top cast render the package tolerable to watch, but all in all, Elysium is typical and categorical in its plot choices. In this dry summer of cinema, Elysium might be the only movie worth killing the time, but it most likely isn’t going to be worth the money.
Movie Monday: The Way Way Back (2013)
Hello there Third Wheelers! Sorry for the late post, but here is your weekly Movie Monday~
The Way Way Back (2013)
8/24/2013
★★★★★★★☆☆☆ (7/10)
On a scale of 1 to 10, what do you think you are? Go ahead and really think about it. If you answer anything less than a 7—well, this is the kind of movie that encourages you to reconsider.
Way back in a small beach town in the east coast, loafers of the summer vacation wander in their perfect escapades. Duncan (Liam James) is a quiet, awkward 14-year-old who reluctantly tags along with his mother, her new boyfriend, and his daughter. He tries to adjust to the passively oppressive new boyfriend named Trent (Steve Carell) in the way back of his car. But Trent’s unloving words constantly sabotage Duncan, and his ignorant mother is too afraid to change her way of life for her son. Coincidentally, Duncan discovers a popular water resort where he escapes away from his troubling reality.
Despite the enviable scenery of the ocean and constant nights of drinking, the beach town is not the paradise that it seems to be for Duncan. He is dispirited and instantly opposed to anything his mother and Trent do. His sunken shoulders, eyes staring at the ground, and pouted lips, are all signs of dissatisfaction. When he meets an older friend named Owen who works at a water park, however, he slowly gains confidence and courage to face the ones who put him down. It is satisfying to watch Duncan grow from the most socially awkward kid imaginable to a confident and well-liked employee of the month.
On the other hand, it is increasingly more difficult to watch the others who are stuck in a backward way of life. Trent and his accomplice of affair are absolutely deplorable and beyond repair. Duncan’s mother, Pam, is one character that we truly hope for to snap out of the fantasy that Trent’s money and beautiful beach house forge. She has been badly hurt by her ex-husband and is hurt again by Trent, but is too weak to try to rebel against the disillusionment.
All the actors in this movie including Liam James, Steve Carell, Toni Collette, Allison Janey, Sam Rockwell, and Anna Sophia Robb, are fantastic. There is no character that is unconvincing or unnecessary in this coming-of-age plot. Each chemistry, antagonistic or not, is first-rate and enjoyable to watch. I was pleasantly surprised by one of Steve Carell’s few serious acting. I sat down in the theater expecting a comic relief from the famous Michael Scott of The Office, but Carell instead brought forthright disdain and repugnance in this emotional drama. It was so easy to despise Trent and take sympathy with Duncan and even his mother.
The Way Way Back is a coming-of-age story for Duncan and also for Pam, who had transgressed into a child-like helplessness. The last scene repeats the exact same structure as the first scene, of the broken family in the car back home. Trent is driving, Pam is by his side on the front passenger seat, Trent’s daughter is laying down and taking up the whole space of the backseats, and Duncan is all the way in the back of the trunk, facing backward away from the family. It seems as though nothing but he has changed from the paradise vacation turned sour.
When we’re about to give up hope for Duncan, alas, Pam finally leaves Trent’s side. While the car is still moving, Pam crosses all the way to the back and sits next to Duncan in the trunk. She stands up for herself in her own way. In the way, way back of the car, staring into the town that made them realize the importance of respect and family, Duncan and Pam finally begins to respect oneself and each other.
After all, what does it matter if you are in the back of the mind of someone who simply wants to insult you? Duncan and Pam now know better that happiness isn’t about possession, of a nice beach house, money, or boyfriend, but about holding yourself up high and giving love to those they love.
Movie Monday
The Spectacular Now (2013)
8/19/13
★★★★★★★☆☆☆ (7/10)
Written by the writers of (500) Days of Summer, The Spectacular Now (2013) is one of those rare adult teenage movies. A hardcore partier Sutter Keely (Miles Teller) is outgoing and well loved in his high school, where he meets an average girl-next-door named Aimee Finecky (Shailene Woodley). The two share an intimate time in life during the transition from high school to college, and develop a special bond through heartbreak and disillusionment. Just like the two protagonists who have the biggest hearts, this movie is full of love.
26-year-old actor Teller’s Sutter Keely is bare and vulnerable, which comes across to the audience as transparent and frank. Sutter meets with appropriate character development that he is delivered as a troubled, but loveable character. Teller’s acting, however, may not have been the greatest in The Spectacular Now. There were moments where I felt uncomfortable watching Teller dumbly stare while making conversation with his opposite, Shailene Woodley. Sutter is meant to be socially apt and far from awkward, and yet his basic mannerisms were awkward and stiff in a few scenes of regular conversation. It seemed as if Teller wasn’t comfortable before the camera for whatever reason.
Furthermore, some moments in the movie had a cheesy dialogue and awkward acting from the side characters, such as the dinner scene where Sutter’s family cheers to “dreams.” The moments of awkwardness, however, were minimal and negligible. It is also understandable because The Spectacular Now is an independent film of a low budget. Woodley, on the other hand, perfectly portrayed an innocent young girl entering the world of adults, and still maintained her sweetness and big heart.
As a quirky independent film, The Spectacular Now is particular and does not use too many fancy techniques. Editing and cinematography is straightforward and directly express the actors’ state of mind and feelings. The forthright direction is refreshing to see after the bombardment of summer blockbusters that require a mix-up of every basic rule in the Hollywood success book.
For example, one scene has Aimee and Sutter face straight at and talk to the camera during their conversation. The viewers feel as if the two teens are talking to them, even though it is clear that they are speaking to each other. The simplicity in the film delivers complex material and deeply seeps the audience with the characters’ emotions, because they come across directly and easily to us without circumvention.
As the film is honest and real, it also makes it hard for the spectators to watch the adolescents break through their innocence and discover the world of ignorance and corruption. Every time that Sutter drove under influence, I found myself scared and nervous that he might get in a horrible car crash and injure himself. I also found myself with small tears when watching their hearts break over family and romantic drama.
On the other hand, this movie is not only about family and love, but also about understanding to let go of what is the present. No matter how great things can be in the present, both Sutter and Aimee have to move on into the future. Their moments in high school are only spectacular because they are fleeting, because they can’t guarantee this “now” to go on forever. If they stir up their life a bit and start working forward, however, only then will they be able to meet that spectacular moment of “now” again.
The Spectacular Now is tender and sincerely reaches out to its viewers. It is about letting go and moving past the spectacular present to find another spectacular in the future. Though it has some small flaws, it is an especially touching movie worth seeing because we all know how hard it is to let go of that one spectacular moment in life.
Third Wheel Entertainment introduces you to the marvelous Blind Bunny Productions! This magical production company consists of charismatic magicians who lighten up the mood for all sorts of events!
In our promotional video, the very founder of Blind Bunny introduces his company and boasts his versatile magic. Though there was only one shooting location, the different costumes and stage props in each shot simulate five different party scenes. Third Wheel effectively uses whip-pan transitions to magically transport our fantastic AJ Sacco from set to set. AJ jumps into all of these scenes like a true magician.
Just like the jolly music playing on the background, Blind Bunny Productions will entertain anyone and lighten up any party, whatever and wherever it is.
Make sure to check out the video on their website, http://blindbunnyproductions.com/!
Movie Monday is back!
Here is a review of Woody Allen's most recent work, Blue Jasmine. Enjoy!
Blue Jasmine (2013)
8/7/2013
★★★★★★★★★☆ (9/10)
Anyone who has watched a couple of Woody Allen’s films will recognize the soft jazzy tunes commencing his newest picture, Blue Jasmine. Not to mention the French music flowing in and out throughout the movie. Allen’s Francophilic tendencies surface again in the heroine’s name, Jasmine French (Cate Blanchett).
Blue Jasmine begins at the present, where Jasmine talks endlessly on a plane ride to a dumbfounded lady next seat. And before you know it, we are taken to a flashback of when Jasmine’s life was still strung perfectly together. Every bit of her past—grandiose house, charming husband, impeccable fashion, and admirable status—is enviable.
However, Jasmine is not her old self anymore. She is now going through a life crisis after losing all her money and status by a grand financial scandal with her husband. She flies to California to reunite with her fellow adopted sister who provides her with emotional support and housing. But after flying above the clouds, walking on the ground like normal people is not such an easy task.
This film revolves around a woman we think we should hate, but surprisingly love. We cannot blame Jasmine for being conceited and spoiled, because she has so much reason to be so. Furthermore, she does indeed try her best to escape from the crisis both in the ways that she knows and does not know. It’s only when we realize that she is far too broken that we understand the cruelty of the human world.
Cate Blanchett’s acting is more than superb in this dark comedy. Her character is helplessly disoriented, contemptible, and… I suppose I have to say it—crazy. Blanchett’s depiction of Jasmine as the humiliated socialite is so genuine and full of emotions; the viewers are sure to pity and fall in love with Jasmine.
Blue Jasmine connects to its viewers because it is much more honest and humanistic than Allen’s other films. As Jasmine deceives others and even her own self with lies in order to ensure her place, the movie shows us our weakness toward wealth and class, and how we struggle to cling onto a social status that we believe will guarantee respect and happiness.
Allen doesn’t mean to charm or warm our hearts with Jasmine. Instead, he means to illustrate a tragedy so complete and pathetic that it pains us to watch: Jasmine’s teary red eyes pierce our hearts and deliver honest desperation. In the end, however, it is easy to fall in love with this character who is so vulnerable, and then with this darling film that arouses emotions of our own.
On July 22nd, the Chicago-based band the Eleven Dollar Bills rocked and rolled as they officially released their first music video of the song, “Lucy.” We’re glad to have helped this amazing band take a giant leap forward in the music scene!
The dimmed, sensual tone of this video perfectly suits the power trio’s dynamic sound made of hard-hitting grooves, swelling vocals, and locomotive electric guitar. Third Wheel Entertainment produced this stellar video by scouting locations for the set and casting the fantastic actors. Want to see how it was all done? Check out the Behind The Scenes video on our website, thirdwheelentertainment.com!
The Eleven Dollar Bills combine the passion of Hendrix and the poetry of Dylan to transcend the current world of music. The Eleven Dollar Bills have already been represented on NPR’s “Here & Now” and on Local Loop Chicago. The band is a rising star in Chicago, and soon will undoubtedly make its name known across the nation. So, if you like their music, make sure to check out their latest album on their website, elevendollarbillsband.com and give them some love by following them on facebook!
Third Wheel would like to introduce you to our newest intern, Elisabeth Del Toro! An aspiring actress, Elisabeth studies Theater and Spanish at the University of Chicago and creates and shares content through her YouTube channel, leaving just enough time for pity parties over required math and science classes. Elisabeth thinks film can tell stories in ways no other media can, which led her happily to Third Wheel.
Welcome, Elisabeth!
A whole new Movie Monday!
Hey Third Wheelers!
From this week on, we’re going to start a whole new Movie Monday, with a fresh review right off the theaters!
I hoped that our first review would be a little more positive, but the new Wolverine movie scores an average 6 out of 10.
The Wolverine (2013)
★★★★★★☆☆☆☆ (6/10)
I’m sure that I’m not the only one who thinks that the X-Men and Wolverine series are running too old and too long. Yes, there have been many comics written about the ousted, supernatural mutants fighting to save the world, but one too many do not often please. The comic lovers seem to love the constant fruition of Wolverine adaptations, but to the non-comic lovers, it’s coming to be a little bit too much.
Director James Mangold’s The Wolverine (2013) is a PG-13 rated movie based on the 1982 comic book series Wolverine. It means to catch up to the current film world’s trend of the superb robotic monster fights, and yet it struggles in between that and its old-fashioned 1980’s imagination. In this recent adaptation, Wolverine fights his inner struggles against bestial violence, and along the way meets a beautiful Japanese woman named Mariko. He fights and fights against the Yakuzas, a fellow mutant, and an almighty robot—all to protect this highly endangered woman that he comes to love.
The action in the movie, for one part, is beautifully done. In one particular scene, Wolverine fights off Yakuza gang members to protect his love-interest on top of a Japanese bullet train. A top-of-the-train action scene sounds ordinary and classic for any of our 21st century high-budget action movies, but this one’s special because a bullet train is as much as three times faster than a regular train. The chase-fight scene and its unbelievable speed are exhilarating to watch. It’s one of the best action sequences of this summer’s blockbuster scene, if not the entire realm of blockbuster.
And yet, this bullet train scene is the only highlight of it all. The other action scenes are clumsy with needless upside-down flips of ninja-samurais, only to render the whole thing silly. Yukio, the trusted friend of Mariko and guardian of Wolverine, is a fantastic samurai and strong woman who defeats a supernatural mutant all by herself. Yet, after a minor hit by a non-supernatural samurai, she disappears from screen until Wolverine defeats him alone. Wolverine comes back to get her and see if she’s okay, and of course, she’s uninjured and perfectly fine. So why couldn’t she go help Wolverine while he was struggling in his lonely fight? I can only assume it’s a goof that I can’t let go ignored.
Here’s one reason why the comic-lovers may have loved this movie, while I, a non-comic lover, didn’t. The plot that was based on the original comic was, to me, unnecessarily twisted. One betrays one after the other after another—to the extent that it became a little ridiculous. Furthermore, what happened to the initial fight against brutality that Wolverine struggled to maintain in his lonely mountain range? Is the point of the movie to embrace who you are, even if you are a natural and brutal killer? Does Wolverine discover the meaning of life, and thus find reason to live? But what exactly is that motive—love? Peace and serenity of humans and earth? I still have many questions unanswered.
I am usually an opponent of anything violent, and in The Wolverine, I wondered whether it should have been rated R instead. It is often unfortunate that many filmmakers forgo the completeness of a film for economic profits, and this movie was one example of such sacrifice. With many grotesque ideas and images throughout the movie, I believe it would have better sufficed to directly orient the movie to the mature adult viewers.
All in all, after the negative points I made about The Wolverine, I don’t think that the movie was entirely a bad one. Though it was not as refined as I hoped it to be, it had the action scenes that anyone would likely enjoy. So, to those looking for the best superhero movie of their life—I recommend not to waste your time with this one. But to anyone who is looking for a fun night out, go ahead and watch this movie.
Third Wheel would like to welcome Kimberly Han to its staff! Kimberly is an undergraduate at the University of Chicago, studying International Studies and Cinema and Media Studies. She has a fascination with movies that resonate with happy afterthought, and so her dream is to create the happiest movie in the world. However, she believes that it is important to learn about the existing world first before creating her own world of film. She would love to become a film director who can impact people of various cultures and countries across the globe.
Going to the carnival this summer? Well there ain't no carnival like a Joe Dirt carnival! This movie is a perfect summer flick, so you better keep on keepin' on and go watch it today!