Te Ka visual development from ‘The Art of Moana’
$LAYYYTER

titsay

if i look back, i am lost
Alisa U Zemlji Chuda
noise dept.

@theartofmadeline
One Nice Bug Per Day
wallacepolsom

Kiana Khansmith

★
Sweet Seals For You, Always
hello vonnie
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styofa doing anything
Game of Thrones Daily
will byers stan first human second

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h
almost home
Sade Olutola
seen from United Kingdom

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seen from United States

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@this-is-really-dumb
Te Ka visual development from ‘The Art of Moana’
9 loaves, the feline bakery! (click for hq)
Natalie Dombois - http://nataliedombois.de - https://www.facebook.com/endeillustration - http://en-de.tumblr.com - https://www.instagram.com/ende_illustration - https://plus.google.com/116163318437514465301 - https://twitter.com/TaleOfAMonkey - http://taleofamonkey.deviantart.com - https://www.artstation.com/artist/ende - http://www.redbubble.com/es/people/endeillus?ref=artist_title_name
This life, not the next.
put these guys on GIPHY :3
Cloud low, dream spin, wave null.
Drown your emotions
Notes for an Anon who asks, “ Hey Justin, thanks for your reply earlier. Just wanted to expand on my previous ask - do you have any tips for achieving colour harmony across an entire painting? I often feel like the objects in my paintings look disjointed, like I haven’t chosen the ‘right’ brown for trees or the ‘right’ green for grass when I use opaque brushes, this isn’t so much of an issue when I’m painting a single object or character but when painting an entire scene I find it very difficult to tie everything together. “ btw, this is COMPLETELY UNACADEMIC- I mean, parts may be “academic” but this is not meant to be a textbook. Terms are used VERY CASUALLY and the information is not at all comprehensive. This is an extremely brief superficial look at the term “Color Harmony”. If you want ACTUAL color education, either take Sam Nielsen’s Schoolism class, or get James Gurney’s Color and Light book, or do both!!!!! That said, I hope it helps some folks!
some landscapes
Let’s talk about trees - a practical how-to for populating your natural environments and landscapes with trees and plantlife in drawings
I’ve seen a lot of people who really want to do nature/landscape drawings but struggle with filling the space. I’m by no means an authority on this matter, but I thought I’d share my observations and ideas about filling nature shots with cool stuff because I really like drawing them and spend a lot of time doing it.
Some observations:
It’s hard to figure out what’s in a natural landscape unless you take time and really make a mental inventory of everything you see. Go explore and memorize
Draw from life and references
It’s too easy to fall into the habit of making ‘convenient shapes’ with trees and branches. Look for alternatives, examine how abruptly branches grow into different directions and split.
Mix and match. I never draw a scientifically exact tree species, I mix the relevant qualities from the kinds of trees I know that fit the image. Combine stuff you’ve seen and your imagination.
I try to ‘layer’ the vegetation. A forest looks empty with just trees. Think about the medium and low-height vegetation and bushes and then what’s closest to the ground and ON the ground.
Take into account what you want to convey with the vegetation; seasons, is the environment lush or harsh, is it creepy or idyllic?
If you like this, please do reblog but do not redistribute/reupload or modify in any way without my written consent.
┌┤´д`├┐藍天だよ
@deme-p u
Pascal Campion - http://pascalcampion.deviantart.com - https://www.facebook.com/pascalcampionart - https://twitter.com/pascalcampion - https://www.behance.net/pascalcampion - http://pascalcampion.tumblr.com