āWe just had our second childā might be an odd way to start off the first entry for a new photography blog/website. But hey, you know, why not? My work is, if nothing else, about documenting real people doing real things. I bring up the whole subject because when I'm in the hospital at 4am, holding my wifeās hand,Ā counting down the minutes between painful contractions waiting for the freakin' epidural, Ā my mind tends to wander. It's what I do.
(Sorry honey, itās true.)
Whilst in the midst of triage hell, I began thinking about the work/life balance that many people, of all different professions, struggle with. When our first son, Alex, was really young and the photo business was slow, I had him at home a few days a week. I remember being with him all day but thinking about unanswered emails and upcoming shoots. But, when I was editing images or trying to find clients, I'd find myself worrying that heād be hungry when he woke up from his nap. No matter what I was doing I seemed to be feeling guilty about something else. People talk about an entrepreneur's business becoming a second marriageā to me it felt like a second child that just couldn't get along with the first.
As most things do it worked itself out soon enough and life hummed along. Pretty soon I figured out that being a father wasnāt competing with my careerāit was actually making me a better photographer. Having a child who had to do what I said and who couldn't cross the street on his own gave me the flexibility I needed to experiment with more documentary techniques and styles that I never would have tried with a commercial client. (Capturing a lawyer eat a lemon for the first time has yet to be on a creative brief.) Having a digital camera with a classic manual focus 50mm lens was making me better at seeing and reacting. I became more observant and decisive, yet more selective, and more willing to experiment with both the shooting and post production styles. Pretty soon, I started seeing some of the ways I photographed Alex trickling into editorial work. The aperture moved from a relatively safe f4 or f5.6 to a finicky f2 or wider.Ā I have almost stopped using zoom lenses completely and my lighting is more about subtle texture and feel.
I started to focus on the subject.
It broke my heart the first time I heard Alex say, ācheeeeeseā¦āĀ
āAlex,ā I told him, āwe are NOT a cheese family!ā I want him to be him, not thinking about what he thinks I want him to do. When he does direct his baby blues my way, I know that heās looking at me, not the lens. (Okay, sometime heās looking at his own reflection in the lens...) We have other rules too. If he wants me to put down the camera and play, I drop it and we play. While my little runny-nosed muse makes me a better photographer, I need to be sure that the camera does not make me a worse father. iPhone aside, I rarely have my camera on me.Ā A camera can be a way to experience and record life but it's no replacement for the real thing.
Samuel Nathan Rakola was born on a windy Monday morning in November. It will be interesting to find out how he affects my work. Is this a new body of work? Will the images be just copycats of Alex's? Will I naturally begin observing and documenting their relationship? Creating narratives with them? Covering their conflicts? (No, daddy steps in at that point and breaks up the fight, unless Vegas gives him good odds.) Perhaps one of them will also take on the role of documentarian, maybe through words or, god forbid, virtual reality.
This blog post is named āAnother New Beginningā partially in an effort to sound clever, but mostly as we've explained to Alex, having a new little brother doesn't mean that we're replacing him, but rather making our home just a little bit bigger. This new website, along with this blog, are also a new beginning of sorts. It's design and ambition reflect where I want my business to go over the next few years. More storytelling. More thoughtful imaging. Maybe even video.Ā
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