Listen to the nothing. Be the blank.
Edmond JabĂšs, from The Book of Margins, trans. Rosmarie Waldrop (via proustitute)

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@thisonewildandpreciouslife
Listen to the nothing. Be the blank.
Edmond JabĂšs, from The Book of Margins, trans. Rosmarie Waldrop (via proustitute)
My morning ritual.
The first dead leaves lie like sea urchins                                                    browned on the asphalt erie. Itâs got to be October, Slayer of living things, refrigerator of memory. Next to the wilted lettuce, next to the Simone Weil, Our lives are shoved in,                                       barely visible, but still unspoiled.
Charles Wright, opening lines to âOctober, Mon Amour," Caribou: Poems (Farrar, Straus, and Giroux, 2014)
Is there a happiness later on that is neither fierce nor reasonable? A time when the heart is fresh again, and a time after that when the heart is ripe?
Jack Gilbert, from âBeyond Beginnings,â The Great Fires: Poems 1982-1992Â (Alfred A. Knopf, 1995)
Jim Lambie, âAnswer Machineâ, Sadie Coles HQ, London
I see myself as some lost swimmer of the night who must discover where he goes by going. [âŠ] I swim from maybe to the merely real and make them one with words. âSamuel Hazo, from âLost Swimmer,â And the Time Is: Poems, 1958-2013 (Syracuse University Press, 2014)
© Marion Blank, Campagne, 2014
i love the shadows of trees - they make my heart leapÂ
âThe story of the human race is the story of men and women selling themselves short.â
Abraham Maslow
Spoon's latest - delish
But mostly I just stand in the dark field, in the middle of the world, breathing
Mary Oliver, from âWhat Is There Beyond Knowing,â New and Selected Poems, Volume 2Â (Beacon Press, 2005)
Tarp - by Rick Barot
I have seen the black sheets laid out like carpets
under the trees, catching the rain
ofâ olives as they fell. Also the cerulean brightness of ââthe one covering the bad roof
ofâ a neighborâs shed, the color the only color inside the winterâs weeks. Another one
took the shape ofââ the pile ofââ bricks underneath. Another flew off the back of a truck,
black as a piano if a piano could rise into the air. I have seen the ones under bridges,
the forms they make of sleep. I could go on this way until the end of the page, even though
what I have in my mind isnât the thing itself, but the category ofââ belief that sees the thing
as a shelter for what is beneath it. There is no shelter. You cannot put a tarp over
a wave. You cannot put a tarp over a war. You cannot put a tarp over the broken
oil well miles under the ocean. There is no tarp for that raging figure in the mind
that sits in a corner and shreds receipts and newspapers. There is no tarp for dread,
whose only recourse is language so approximate it hardly means what it means:
He is not here. She is sick. She cannot remember her name. He is old. He is ashamed.
Hear him read his poem at:Â www.poetryfoundation.org/poetrymagazine/poem/245802
Thornbury pier
this is where i spent my summer and finally learnt to swim real distances - when the water is clear you can see the bottom and the sunlight slants illuminating all the life there isÂ
We are all looking for the stamp that will carry us from here. It will be weighed down with the glue of a tongue that cannot speak its own history. It will be in the color and shape of innocent forms, of preutterance. It will not weigh anything. In its arms it can hold the wheat and the chaff, the freshly cut sunlight we stole and wrapped in a fold of air.
Dear Photograph, It was 70 years ago when my mother dipped her toes in Lake Cavloc, Switzerland along side her father and sister. Beauty was all around them and so were the echoes of youth. My motherâs view has changed now that she lives in a nursing home. Wouldnât it have been something if the waters they had danced in had washed the fountain of youth over them⊠Peter
My thoughts for [her] glow like quarry light.
Variation on a line from âSundayâ by Michael McGriff, from Home Burial (Copper Canyon Press, 2012)