190120

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shark vs the universe
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JBB: An Artblog!
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2025 on Tumblr: Trends That Defined the Year
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@thsheridans
190120
When you call somebody’s name but they don’t know where it’s coming from
This is genuinely frightening
You know when a horror movie has so many jokes it feels more like a comedy? This is the exact opposite of that
Emma Stone screaming “I’m sorry” during Sandra Oh’s monologue shows that at any given moment, without a hint of irony, White women will insert themselves into a woman of color’s spotlight. She HAD to say something, despite the years and years of silence on the issue, right then and there as a half laugh for…what? To turn the real issue of white washing into a joke? To reinsert herself into the conversation when her decisions hurt Asian actors like Sandra? It’s all liberal posturing disgusing white fragility because she most definitely felt embarrassed to be indirectly called out for her complicity in white washing.
Why else yell an apology after four years of her just never really addressing it? It’s white guilt taken to a literal extreme to pander to the audience for cheap woke laughs. “Look at her, she’s aware of the issues! And she’s sorry!!! XD total self own!” White women can’t bare to sit in their uncomfortability when they are confronted with their complicity and try to detract from it in any way possible. Sure, it’s just a throw away comment but really think about the ideology that fueled her need to say that in the first place, at the time she said it, and the reaction of her saying it from a most white crowd. By dismissing the comment as a jokey, self depreciating nod, we dismiss how white people can constantly do some self flaggration, usually publically, years after the damage has already been done. We see it over and over again.
Yes I know Sandra and Andy’s joint monologue was to supposed to be light hearted and fun, poking satirical fun at topics etc etc but it’s something to chew on. The whole interaction was brief (Emma’s comment wasn’t planned and she literally injected it into the monologue) but is pretty illuminating.
This is such a big mood. Speaking as a full-time graduate student in the metro DC area, I don’t blame her for waiting. The cost of living here is grotesque.
Ornette Coleman in Paris, by Jean-Pierre Leloir
😂😂😂😂😂
My entry for Uniqlo’s Pokemon contest!
Ella Fitzgerald singing at Mr. Kelly’s, Chicago, 1958, photos by Yale Joel
Their strength was that they were more dangerous and weirder than the things we were hunting. Honestly, as the “guy next door”, I never really fit in. But they were my friends. (Wonder Woman: Steve Trevor)
It’s beginning to look a lot like fuck this
More and more people who have had their dance moves stolen by fortnite are coming out saying how pissed they are by it. Especially since there’s nothing giving them credit and no royalties from the ones they’re selling.
Swipe It.
Rapper and Fortnite fan Chance the Rapper criticizes Epic Games for failing to reward and credit the original creators behind popular Fortni
Sources.
Let’s be real. Nothing new about companies profiting off of shit black people create without giving any credit. I still play fortnite but they are wrong.
Since this is actually getting notes please reblog this version showing proof so people can know that these people aren’t happy at all and we can at least give them credit for their creations.
Concept art for Disney’s THE BLACK HOLE (1979) by Robert McCall and, image 3, Peter Ellenshaw.
That’s it. That’s the show.
Mickey and Minnie Mouse through the years. Do cartoon characters still get major redesigns? Look at the evolution of say Woody Woodpecker or Bugs Bunny: in retrospect it seems quite ballsy to redesign such famous characters—like changing the Coca-Cola formula (but successfully).
Gloves.
Shopping for a high chair.
melinda may + tumblr text posts
Pokeball Interiors by Susan Lao
Always re-blog