occasionally subtle
will byers stan first human second
Jules of Nature
Cosmic Funnies
Misplaced Lens Cap
Not today Justin

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todays bird

if i look back, i am lost

❣ Chile in a Photography ❣
KIROKAZE
"I'm Dorothy Gale from Kansas"
hello vonnie

gracie abrams

blake kathryn
Cosimo Galluzzi
One Nice Bug Per Day
TVSTRANGERTHINGS
official daine visual archive
I'd rather be in outer space 🛸
seen from Italy

seen from United States
seen from France
seen from T1
seen from Panama

seen from Vietnam
seen from United States
seen from United States
seen from United States

seen from United States
seen from United Kingdom

seen from United States
seen from Morocco
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seen from Germany
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seen from Malaysia
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@ijustmakepizzapies
Colin Blunstone *June 24, 1945
From The Hip Josie Cotton Elektra Records/USA (1984)
Why Don't You Do Right (Get Me Some Money, Too!) / Benny Goodman & His Orchestra (1942)
[now-playing] - lee konitz / the gerry mulligan quartet - lee konitz plays with the gerry mulligan quartet - 1957
HAPPY ANNIVERSARY TO SOFT BULLETIN BY THE FLAMING LIPS
LOVE THIS GUY!!!
Cocteau Twins (1982)
Atlant - Multieffects unit
" Soviet heavyweight multieffect unit. A true Soviet design, you could probably kill with this one - it weighs 5.9kg. While many durable stompbox reviews usually state "you could probably run a tank over it", this time it's for real. All the knobs and switches are made to withstand a nuclear explosion.
The control pedals are Wha and Volume, in the upper row the knobs are labelled (left to right) Wha, Effect and Fuzz-Organ. On the right you have two potentiometers that you can rotate with your foot, with the upper labelled "sensitivity" and the lower - "Fuzz-Organ".
The last picture shows a rear panel, we still need to identify which secret military plant made this bomb. "
cred: Vaiko Eplik, Tallinn, Estonia, cheezyguitars.com
Chet Baker, New York, 1956, photo by Herman Leonard
©️ Henry Diltz
Traffic - Hole in My Shoe / Smiling Phases
Walrus Audio - DFX-1 Percussion Processing Unit
"The DFX-1 is a multi-effect processing unit designed in collaboration with Aaron Sterling to add musical character and punch to any acoustic drum or percussion source. Craft everything from subtle to in-your-face drum sounds with studio-grade VCA & FET compression, two flavors each of Delay and Reverb, plus Saturation, Gating, an FX loop with customizable routing, and a flexible EQ. Use the DFX-1 anywhere on your kit with any microphone, whether it’s a squashed, spacious room mic, a tight, gated snare, or even routed outboard for processing in post. With a high-performance microphone preamp with phantom power, an effects loop to connect external outboard equipment, MIDI connectivity, and presets, a whole new world of sonic creativity becomes available right at your drum set."
cred: walrusaudio.com