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@tickets-music-log
Hi! Hello!!
You can call me Ticket, and I like to write about music. Are they reviews? Is it analysis? Or perhaps simply a diary of how I feel? Sometimes I'll even share my live music adventures!!
I love to explore a wide variety of music, and I always welcome music recommendations :3
going with the flow in a face down in a river kinda way
while my mom was pregnant with me, she was delivering chinese food on bike in new orleans. i like to think that the music she heard in the streets made me the way i am now.
happy new year everyone!
first song i heard this year was Shakira's Hips Dont Lie
let this be a harbinger for good fortune
i'm at odds bc on the one hand i'm obsessed with geese rn but on the other, i sometimes get deeply annoyed with cameron winter's voice
idk how to describe it, but his timbre is "sproingy" to me. like it can be weirdly round and dark, it sounds like he's swallowing his notes, but also there's a sizable amount of grit. also his vowel shapes???? and consonants???? (or lack thereof) and of course, he plays around with it a lot, sometimes in the same line. like in 2122, with "losing all faith in my life," it's such an interesting way to keep all the repeats fresh. It kind of mirrors the way someone might mess around with pedals to create interest between sections with different tones.
don't get me wrong, his performance choices seem to fit perfectly with how the instrumentation is arranged. like in "taxes" he starts off with a very dark tone, almost entirely avoiding his nose. this matches the hollow effect of the "choral" voices outlining the chords. His voice gradually becomes brighter and more nasal as we approach the drop halfway through, when that iconic guitar line comes in and the treble space gets filled in.
but sometimes he hits the glottal stop in a weird spot or swallows a consonant and baffles me so
anyways,
Why did they make promotional Rihanna Smurf CDs for children
What five-year-old being given a CD with a single song on it at the movies is going to even know what this is
i love baffling marketing schticks, like who is this supposed to appeal to? what is the venn diageam of people who still use a CD player and people who give the new Smurf movie the time of day???
maybe i'll learn the entirety of Kidnapped By Neptune (the album by scout nibblet) on the drumms tonight and maybe that'll fix me
ultimate guitar has a mascot?????????????
shout out arpeggios, gotta be one of the genders of all time
i need an old ass jazz album to listen to. like from before 1955. gimme🤲
playing another show this sat !!!!
i gotta brush up on my Adrienne Lenker >:3
WORRY. (2016)
I've probably mentioned this album before, it's one of my all time favorites.
I heard of it back in 2020, with James Acaster's Perfect Sounds. He named the project after the last track "Perfect Sound Whatever"
This was one of the first punk albums I ever really got into. It came into my life at the perfect time. It was 2020. I was becoming a young adult. I was breaking into the world at a time of great unrest
It's 2025. It had been a while since I gave this album a proper close listen.
I've just graduated university. I have no idea what I'm doing. My friends are scattering to the winds. They're going back to their hometowns. Or they're trying to make it in the big city. Some are getting engaged. And here I am.
Constantly afraid for the wellbeing of myself and my community. Constantly aware of the ever-growing screeches and clatters of the machine of fascism. Constantly trying to save everyone, knowing I cannot.
the fabric of my being has been shaken to it's core, becoming a whirlwind of sensations. Grieving the empty apartments my friends leave behind. Trying to process the trauma of violence in my community. Trying so desperately to spend as much time with my friends, but feeling hollow and a million miles away while we hang out. feeling like a ghost haunting my own body. being hyper aware of every bodily sensation. being hyper aware of the symptoms present in the powers that be. being trapped by my own cowardice. feeling completely ridiculous as I buy into indiehead hedonism. finally kissing my friend at a party the night before they move a million miles away. my body toggling between a giddy crush and that hollowness as I watch rampant development overrun the communities that blossomed here. as the banging at the door gets louder. as our voices grow hoarse.
grief only hurts so much when there are roots intertwined to rip apart.
love is worry
@relevant-wikipedia-articles
I think the drummer from Dead Outlaw is having more fun than anyone else on Broadway
"and it wasn't a jam either, they had me go up and solo Bach"
I've been crying to "Nancy Tries to Take the Night" from Black Country, New Road's newest album, 'Forever Howlong' all night. The instrumentation alone --- before you hear any lyrics --- is enough to lull me into a sigh. A triple time sway, woven into a tapestry of plucked string polyphony, rolls like galloping waves through my chest. I drink in how human the performance feels: you can hear the slight muffle of imperfect fretting or the slide of a fingering. You can feel the sensation of time almost like breathing as the plucked strings phase in and out of counterpoint.
The overall structure fascinates me. (I'm reminded a bit of Ravel's Bolero.) As more instruments come in, the song grows noticeably in urgency with each section, for instance when the drums come in and the time feel shifts. Or how Tyler Hyde's voice settles into her chest as the song progresses, fuller, more grounded, more urgent. Repeated lyrics take on different meaning as the landscape of the song shifts. On initial listens, the whole thing washed over me as one stream of consciousness. But upon closer listens, some transitions can feel like a heel-face-turn. An abrupt shift in thought and energy, like stepping on the breaks, almost stopping entirely (but never fully) before picking up speed again. Make no mistake, i think this is a strength. Musically, the song feels like we're running the whole time. There's a sensation we're being chased but not knowing what we're running from or if there's anything there at all. we might slow for a moment to catch a breath or pivot into a side alley, but we keep moving. I'd like to highlight when the whole band finds unity just to highlight "mother will you take me." Finding a moment for the band to pull back before breaking into a sprint again. It feels reminiscent of something between a lullaby and a tragic ballad. Hyde's performance --- especially the decorations on the last repeat --- breaks me every time. Singing along feels like drinking tears.
it's car seat headrest time baybeeeeeeeeeee!!!!!!!
my cd just showed up on my door step
i will be listening to the album tomorrow!!!!
