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Claire Keane
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art blog(derogatory)
$LAYYYTER
Not today Justin
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Alisa U Zemlji Chuda

#extradirty
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Three Goblin Art
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KIROKAZE
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Mike Driver

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@tightlycoiled
ana mendieta
ben shahn, “i never dared to dream,” 1960
Dorothea Tanning, Fantasy Figure, 1949
Académie des Beaux-Arts, Kinshasa, Congo 1970 by Eliot Elisofon
Mildutė Žilinskaitė (Lithuanian, b.1983) - Shrovetide masks, linocut, 1992.
source
Marie Vassilieff (Russian, 1884-1957)
Miraculous Virgin, N/D
Mixed media and collage on cardboard, 31 x 24 cm
Voynich Manuscript
Weird plants that never existed; nude women frolicking through intestinal shapes; mandala-ish diagrams of spirals and stars; words in an indecipherable code: nobody knows what the deal is with this thing. Maybe made in Italy in the 15th Century. Maybe it’s a real language that nobody has ever spoken. Maybe not.
Currently stored in one of my favorite buildings: Beinecke Library
Skupljači Perja dir. Aleksandar Petrović (1967)
Maternity (Marc Chagall, 1912)
Simone Weil (centre, with spectacles) with a group of students
🌷frag ment 🌸
Anselm Kiefer, Winter Landscape, 1970.
Currently reading Lisa Saltzman’s Anselm Kiefer and Art After Auschwitz. Though I don’t agree with a large portion of her theory, her analysis of this early watercolor made me do a lot of thinking. Is this the ashen-haired Sulamith of Celan’s “Todesfuge”, in her spacious grave above the clouds after symbolically dying in the Holocaust? Or, as Saltzman suggests, is it a self-portrait of Kiefer and his working through his death of identity as a German artist born in 1945? Saltzman argues that this watercolor is both melancholic and a symptom of Kiefer’s own melancholia, his inability to mourn the Holocaust, instead inertly dwelling in his own loss.
Heksenkring x Haunted House Spooky Autumnal drawings, prints available in my Etsy shop Pencil, 2018