tumblr dot com

roma★
occasionally subtle
noise dept.
Fieri Frames
🩵 avery cochrane 🩵

#extradirty
sheepfilms

ellievsbear
The Bowery Presents

Love Begins
Show & Tell
Sade Olutola
Keni
taylor price
RMH
d e v o n
TMBGareOK. The Official They Might Be Giants tumblr
The Bright Sessions
Mike Driver
seen from Malaysia
seen from Italy
seen from Colombia
seen from United States
seen from Malaysia

seen from United Kingdom
seen from Malaysia

seen from Germany
seen from Germany
seen from Malaysia

seen from Germany
seen from Thailand
seen from United States
seen from Cayman Islands
seen from Netherlands

seen from Germany

seen from Malaysia
seen from Canada

seen from France
seen from Latvia
@toby-the-catt-blog
MD5212 - Live Event - Risk Assessment
Here is our risk assessment for the night. We made sure we went through the list and checked off each risk. Making sure that the venue was safe for everyone.
MD5212 - Live Event - Financial Information
Financially, we were aware that we only had £30 of the university's money to run the event without breaking into our bank. We weren't interested in gaining any profit from the event as we wanted to donate it all to charity. This means we only paid for fairly lights and drinks for artists. This is because we didn't have to hire out the venue, therefor, giving more money to the charity. We drew £20 out for our float and we thought that was a good amount. If we needed anymore we would have drawn some more out from The Swan's cash machine.
Here’s Jack Cooper performing at our live event! He was 2nd on and nailed it! He also got a great response from everyone. I think the lighting works well with the imagery we were going for.
Broadcast Event - Planning
We wanted our broadcast event to not only promote Streetwise Sound but to also promote the actual live event as well. We actually dabbled with the idea of having our live broadcast event linked in with our busking promotion which would link in with the overall theme of the event.
However, Daisy is currently running a small livestream ‘company’ on Facebook which promotes up and coming artists with their new music. We thought this would tied in well with promoting the event. Enclosing details such as where, when and who would be playing and it would act like a teaser.
We would use the same setting as previous livestreams for Giggle but we planned to include some posters in the background to promote Streetwise Sounds more. There wasn’t actually much planning involved for the live broadcast as it was a simple case of timings and a couple of Facebook posts to notify people about the livestrstream.
MD5212 - ST5 - Europe Tour 2
Our vision for this tour through Europe is to raise our profile through busking on the streets and performing in hostels and venues from country to country. We want to up our social media fan base and inform people of our up and coming plans with an EP so that they know where to look when it is released. The idea is also to be able to write music as we travel, and meet other musicians from which we can broaden our musical style. We will be offering to play live music at hostels in return for our stay or even just a meal, in the hope that this keeps our expenditure to a minimum.
Tech Specs
2 x mic
2x mic stands
1 x ukulele
1 x guitar
2 x DI
1 x Mixer
Cables
Staff
There wouldn't need to be many tour staff. We have 2 members in the band with relatively light instruments. We'll have a tour manager which will be useful for venue, accommodation and general awareness of keeping schedule. We also need a sound engineer for higher tier venues. Any money received from busking will go towards the band members as the other "tour staff" won't be needed for this area of the tour. However, paid money from high tiered venues will be split amongst the team evenly. We feel that having a small staff is important to the fluidity of the tour as the more team members you include the more hectic the atmosphere becomes. But contrasting to that, the artists need support from others to tackle the stress and issues of being on the move.
Travel - Cost, parking?
We wanted to be as cost efficient as we could for travel expenses. Making sure that we were only spending as little as we needed to. This is why we opted for trains as our main form of transport which completely removes parking cost and fuel expenditure. A single interrail ticket for 2 weeks is £280. Paying the travel in one lump sum is a great idea as it removes the worry of spending money on parking and fuel during the tour. Once it's paid, it's paid! The main fall back for using public transport is that you have to carry all your equipment around with you and can often be quite hectic. However, I feel that the money saved is worth this slight hassle. In my personal experience I know that, unlike the UK's public transport system, Europe's is incredibly reliable with every train arriving and departing almost exactly to the minute.
During the tour we'll have to use other forms of public transport which can include, boats, busses and trams. A safe budget for these public transport systems would be around £40 for each person but, again, from personal experience we found that we didn't need to use these too much as the train station is quite often right in the middle of town. Making almost all the hostels a short walk away.
Correct train times for this Europe tour are below. We made use of the Interrail train times app which is free and very easy to use. A life saver!
Travel (Trains)
London St Pancras- Lyon Part Dieu (10:14-16:00, 1 change)
Lyon Part Dieu – Milan Centrale Station (10:37-17:37, 1 change)
Milan Centrale Station -Venice S. Lucia (16:15-18:40, 0 changes)
Venice S. Lucia – Ljubljana (16:41-21:05, 1 change)
Ljubljana – Vienna Centrale (10:50-18:02, 2 changes)
Vienna Wien Mitte – Prague Hlavni Nadrazi (13:10-17:07, 0 changes)
Prague Hlavni Nadrazi – London Heathrow (Flight, 13:45 – 14:50)
Venues
Lyon:
Venue name - Sonic Lyon
Address - 4, Quai des Étroits, 69005 Lyon, France
Phone number - +33 4 78 38 27 40
Milan:
Venue Name 1 – Blue Note Milano
Address - Via Pietro Borsieri, 37, 20125 Milano MI, Italy
Phone Number - +39 02 6901 6888
Venue Name 2 - Teatro Verdi (A short walk away from the main train station in Milan. It's a perfect medium sized venue for a budding duo!)
Address - Via Pastrengo, 16, 20159 Milano MI, Italy
Phone Number - +39 02 688 0038
Venice: (x3)
Venue Name – Generator Ostello Venezia Hostel
Address - Fondamenta Zitelle, 86, 30133 Venezia VE, Italy
Phone Number - +39 041 877 8288
Ljubljana -
Venue Name – Prulček
Address - Prijateljeva ulica 2, 1000 Ljubljana, Slovenia
Phone Number – n/a
Vienna:
Venue Name - Replugged (Situated right in the middle of Vienna making it very accessible. Another good medium venue for an acoustic night.)
Address – Lerchenfelder Str. 23, 1070 Wien, Austria
Phone - +43 676 6943954Phone: +43 676 6943954
Prague:
Venue Name – The Czech Inn
Address - Francouzská 240/76, 101 00 Praha, Czechia
Phone Number - +420 210 011 100
Health And Safety
Health and safety is really important when embarking on a Europe tour. Taking all risks into account is also important.
One of the main factors that needs to be taken into account is moving equipment around. We will be using public transport so there will be a lot so the heavy equipment can take its toll on every member. It will be important to have breaks when moving equipment round and make sure everyone can switch and work as a team. If someone is lagging or in pain it’s really important to help them rather than getting frustrated with them keeping the moral of the team up.
Illness is also a factor to be thought about on tour. If someone comes down with an illness then actions must be taken to help. Reducing their movement and strain by taking some of their equipment, having early nights and drinking lots of water can help too. Illness does happen unfortunately so it’s also important to bring the right medication to counteract it.
When possible, it’s a good idea to run a small risk assessment form for each new venue for tripping hazards, electrical faults and fire escapes.
MD5212 - ST5 - Europe Tour
10 VENUES – 14 DAYS
Buy Interail for each of us £280 each, this saves money in the long run, so that we have more money for food, drink and accommodation.
DAY 1 - 25th
Eurostar from London to Lyon Part Dieu.
(PRICE FOR 3 PEOPLE) ^^
Once in Lyon, have a rest day, nice meal to start the tour off.
Sleep.
DAY 2 – 26th
Busk in the day, try to earn as much spare money as possible.
Get train to Milan Centrale Station
Walk to New Generation Hostel to drop un-needed gear off.
Sleep
DAY 3 – 27th
Busk in the morning.
Get train to Venice (Stazione Di Venezia Santa Lucia)
Get boat to Generator Hostel.
Sleep.
DAY 4 – 28th
Busk in the day.
Perform at the hostel in the evening.
Sleep.
DAY 5 – 29th
Rest in the morning.
Perform at the hostel in the evening.
Sleep.
DAY 6 – 30th
Busk in the day.
Perform at the hostel in the evening.
Sleep.
DAY 7 – 31st
Wake up early and get train boat to train station (Making sure you buy a boat ticket)
Get train to Ljubljana drop gear off at Tresor Hostel.
REST DAY
DAY 8 – 1st
Perform at the hostel in the evening.
Sleep.
DAY 9 – 2nd
Busk in the day.
Perform at the hostel in the evening.
Sleep.
DAY 10 – 3rd
Busk in the day.
Catch train to Vienna Central Station.
Drop gear off at the hostel then perform in the evening.
DAY 11 – 4th
Perform at the hostel in the evening.
Sleep.
DAY 12 – 5th
Wake up early and catch train to Praha hlavní nádraží.
Take the tram to Czech Inn.
REST DAY
DAY 13 – 6th
Busk in the day.
Perform at the hostel in the evening.
Sleep.
DAY 14 - 7th
Pack everything up ready for the flight home.
Get train to Václav Havel Airport Prague (Airport). Roughly 1 hour.
Get flight to Heathrow. Roughly (2 to 3 hours)
Everyone gets either a coach or train home from Heathrow.
Live Event - Reflection
I feel that the live event went really well, with a good turnout, positive vibes and a really cosy atmosphere. Our soundcheck started at 6pm and all the artists arrived on time. This was so Guy Daws (sound engineer) could get levels for each musician and so they could sound their best. The money intake was quick and easy, making sure we had enough float to last the evening and had no problems with transactions. I feel that we could've added wristbands if we had planned it but we had to make use of our coloured pens which worked well. Another aspect of the live event that went well, was the layout of the venue. We had performed at The Swan a couple of times and each time had commented on how poor the layout was. They had long benches along the side of the room facing inwards, making an awkward space in the middle of the room that no-one wanted to fill. We changed this by moving the benches in the middle of the room facing inwards. A good deal of planning was involved to make sure the benches were safe and far enough apart to walk through. It was really important to check this as we were working with low level lighting. Lots of people actually pointed out how nice the room looked and preferred our different approach to the layout.
We had one issue with some of the equipment, at the sound check Ben Cipolla asked for a DI box, but I didn't book one from the university. I had originally thought we would just be able to link the guitar in to the PA system along with the vocals. However, I neglected the sound quality of the DI box. We had to make use with what we had and plug the guitar straight through the PA and after some mixing by Guy we achieved a good quality sound.
I was quite disappointed with how our promotion went. We had some great ideas but we could have made use of the university more. We didn't print our posters off in time, meaning that we couldn't place them around the uni due to lack of planning.
From our very first talks with P3 charity we had an idea of involving the homeless as part of the event where homeless musicians were going to be playing in intervals. Alan Chattel had clearly stated to us that this would be a possibility so we included it in our USP when planning for the event. However, at our meeting with P3, Sophie had said that they wouldn't be able to supply the musicians. We were saddened by the news but we still held the event and still achieved our goal of spreading awareness about homelessness. To help us, P3 had also given us a banner, some merchandise and even some balloons to use as decorations.
One aspect of the event that wasn't thought through properly was getting the equipment from university to the venue. We had to carry all of it to the nearest bus stop, and then had to walk to the venue. In hind sight, this put the equipment in danger and we should have thought out better transport for the day. Luckily, there were no problems caused by this apart from having aching arms!
We had a slight hiccup with the poster of the event. When we first promoted the event on Facebook we didn't realise that we spent our headline acts name wrong. We put Ben Cippola rather than Ben Cipolla. This was quickly rectified as we wanted to stay as professional as possible. The Swan kindly drew up a chalk board for the event and accidentally wrote 'Hop Beige" rather than 'Hot Beige' but luckily this fit with Hot Beige's humour so we ran with it as a bit of a gag throughout the night.
Overall, I'm really happy with how the live event went. With a great turnout, good sounding music and a cosy looking venue. The entire vent ran really smoothly with people coming and going through little intervals, reminders of why we're promoting P3 charity and seating for everyone. Apart from little hiccups throughout the day, I feel that our planning and execution of the event was great!
It's important to make note of these little hiccups because it's not how many issues you have, it's about how you move forward.
BORADCAST EVENT REFLECTIONS
In our original business plan for Streetwise Sounds, we wanted our broadcast event to be before the live event, therefor using it to promote the actual event and use it for promotion. Time just seemed to run away from us on this so we had to do the livestream after the live event. This did actually benefit us though. Being able to promote our company rather than the event itself helps us in the long term. We stated in our GANNT chart we stated that social media and promotion after the event is just as important as before. So being able to say a thank you for the people that performed and explain how much money we raised added a nice touch to the live event.
Daisy runs a small live streaming company called Giggle on Facebook that we thought we could use as a platform for our broadcast event. This worked perfectly for us, as the site started to get over 600 views per video!
We decided to use Jack Cooper to promote Streetwise Sounds as he was releasing his EP at the same time. He also played at the event so gave a chance for people to listen to what they missed! We kept the setting/atmosphere the same as the event with a tapestry behind and occasional chat/laughter between songs.
Live Event - Planning
Planning/Meetings
Daisy had met with a member of P3 charity while working at a local ice rink in Gloucester. She had explained to him that we were planning an event for charity and they exchanged contact details right away. One of the benefits of working with P3 charity would have been that they could supply some homeless musicians to play in intervals so we were keen to get a plan in place. After exchanging a couple of emails, we attempted to organise a meet. This became challenging as Alan Chattel was on holiday at the time so communication became scarce and difficult at times.
When a meeting could not be planned, he forwarded the email of Sophie Wijesinghe who's the service co-ordinator for P3 charity and she was a lot more reliable than Alan. We finally organised the meeting after weeks of 'radio silence' from Alan!
Booking artists
Booking artists was relatively easy for us. I am part of the popular music course so I know lots of talented musicians that would come along for the event and play. We wanted the event to be acoustic, however, allowing for an electric guitar if the artist would like it. We needed 4 musicians to play for the event to fill the allotted time we wanted. We had originally asked Dom Watton, Hot Beige, Jack Cooper and Ben Cipolla. There was a bit of confusion as well also asked Ben Tibbits to play but decided a couple of weeks before the event to not include him.
Dom availability message^
Hot Beige availability message^
We had a slight issue with Ben Cipolla as he wasn't available at the date we had asked for. However, we knew that he was an up and coming artist in Cheltenham and thought he would bring in a wider audience. Therefore, we made the decision to change the date of the entire event to the 26th. This is why you can see the difference in date. Messaging with artists was quite laid back as I knew them personally. It was a big decision for us to change the date for one artist, but after weighing up the pros and the cons, we thought it was worth the move.
The Venue
Booking the venue was one of the most important areas of this event. Without a venue, there just wouldn't be an event! Daisy and I had previous experience of playing in The Swan in Cheltenham and distinctly remembered how nice the atmosphere was. With cosy fairly lights and long benches. We loved the idea of putting on a "cosy" event and we thought it matched the theme nicely too. After getting the availability of all the artists, I rang The Swan to check their availability. In hindsight, I should have checked the availability of the venue first but luckily, they had the date we needed. As we were putting the event on for charity, they didn't charge us the usual £30 for hiring the venue. Meaning that we could put our £30 budget on fairy lights or to the charity itself. The Swan is situated right in the middle of Cheltenham, making it very accessible for people living here, being a walk away from most university students. On the other hand, the venue wasn't completely taken over by Uni students, meaning that it wasn't too intimidating for the general public.
Promotions
Our man form of promotion was through social media. Creating a Facebook page for Streetwise Sounds and also creating a poster. We had actually worked with a media student called Harry Butler who I had personally worked with on previous events and promotional work. I asked him to create a poster for the event and told him to keep it simple but include all of the relevant information. This included where the event would be taking place, when it was taking place and who was playing. We also added the charity we were working with, making sure their emblem was clearly visible. We wanted to stay true to our original idea so including this was important to us. Here is the Poster we finally came up with.
We also advertised on Snapchat the time and place of the event and wrote frequent Facebook posts promoting the event. Here is the link to the Facebook page - https://www.facebook.com/Streetwise-Sounds-187812078684615/
We also went out and busked during the day about a week before the event. We thought it was a good way to promote the event and it also tied in with the theme. We handed out posters to any of the public that seemed to be friendlier.
It's important to talk about word of mouth in these situations as usually it's overlooked, but we feel we did a good job of getting the news across of our live event. We not only revealed who was playing but also the reason for the event. P3 charity itself were going to promote the event for us too by posting our poster on their Facebook page, twitter and snapchat. This gave us the opportunity for people outside the Uni to arrive making our event more than just a Uni project. We wanted people to know that we wanted to make a difference to homelessness in Cheltenham.
Tech Supply
Our tech was supplied by the university which was perfect for us. I had no issues hiring out the equipment. However, we had to get a bus from university to the middle of town and then had to carry the equipment to the venue. This was a bit tricky, but with the help of our sound engineer (Guy Daws) we managed to get everything to the venue in one piece. Our Tech list included, 2 mic stands, 2 PA's, 2 PA stands, Kettle leads, XLR cables, 2 dynamic microphones and a small mixer. Here is the email for the booking confirmation.
GAANT CHART
I created our GAANT chart when we were making our business plan as we thought it would be a good way to keep track of our progress and making sure we were running to a deadline. A lot of things changed from our original plan but we felt it was useful nonetheless.
This kept us in check and helped us keep all of our tasks in order.
SWOT ANALYSIS
We also created our SWOT analysis around the same time, making sure we had taken into account all of the threats as well as the opportunities. It was important to keep our head outside the 'bubble' for this event as it's easy to get sucked into what you're doing. Keeping an outside look on the planning was also important on the smoothness and professional edge.
STAFF
We didn't really need many staff to attend the event as it was a small venue. However, we did want to include a doorman and a sound engineer so that we could focus on promotion, artist management and time keeping. We had Guy Daws as the sound engineer (a fellow popular music student) and Curtis Pace as the door man (a fellow housemate). His job was to count how many people entered the event, mark their hands with a coloured pen and take the money.
Live Event - Rationale
Daisy and I wanted to get a clear idea of what sort of event we were going to organise before we went into the planning process. We drew influences from other charity events such as Sleep in the Park based in Scotland, which features "A-List" buskers performing acoustic sets, such as Noel Gallagah, Sir Bob Geldof and comedy from Rob Brydan. The concept of this event is to get people to "sleep in the park" for the night with live music and activities on. We loved this idea because not only does it help raise awareness for homeless, the high tier line up and large venue draws in people from across the country.
Even though we don’t have the money, space or facilities to host an event of this size, we decided to take our main ideas from it. We called ourselves "Streetwise Sounds" to spread awareness of the homelessness problem across Gloucestershire. I think it's a simple yet effective name that promotes our message.
Living in Cheltenham gives us a first-hand look into a lot of the homelessness in the area and I personally don't feel that the charities helping them get enough coverage or support from the public. This gave us the opportunity to promote a charity. I'd never heard of P3 charity before but was happy to hear that Daisy was lucky enough to meet someone who works with them closely to explain what they do to help. After hearing about all the good work, they do to help them, we were immediately on board and started to research exactly what they do.
We definitely started to get a clear understanding of what sort of event we wanted to plan.
MD5212 - ST7 - Proposal for special festival
What would your specialism be?
I would love to run a Winter Jazz Festival in Cheltenham because I feel that the music surrounding the area would fit that genre. The jazz scene is quite big compared to other towns in Gloucestershire with places like, John Gordans, Harry Cooks and The Daffodil. I was also thinking it could work with Cheltenham Jazz Festival which takes place in summer. This would avoid clashing with the already famous Cheltenham Jazz Festival. Seeing the success of Cheltenham Jazz Fest, I know that there are huge crowds in this area keen to listen to jazz music.
What would be the USP?
I would have improv tents dotted around the site where local musicians are able to perform with spectators and other budding jazz musicians. This will be monitored by a live feed to promote the winter festival. We're also using local venues and volunteers from the nearby university. Furthermore, we're using local musicians alongside more popular acts.
Audience: Who are you trying to appeal to?
Similar audiences to Cheltenham Jazz Festival, so this will appeal to a really broad age range including families.
Curate an imagined line-up.
Stage 1 – Town hall
Jordan Rakei
TREE//HAUS
Population 7
Stage 2 – The Daffodil
Stephan Day
Ben Cipolla and band
Demi Marriner
Stage 3 – Hotel Du Van
Jacob Collier
Lily K
Lindsay Martin Group
Where would you do it?
Around Cheltenham.
Would you have any non-music attractions?
Food stands, bars, merchandise tent, art gallery
MD5212 - ST6 - Categorising Local Events
Festivals In Wiltshire.
Religious Festival – Summer Solstice
The Summer Solstice is a religious festival that happens On Salisbury Plain by Stonehenge. Even though the origin of this festival was religious, it seems to have changed quite dramatically and is quite widely known for its extensive use of marijuana. However, there are still druids that will appear every year to celebrate the Solstice season. The reason druids appear at the festival is because the term solstice originated from the pagan faith. There are many other religions that have different names for it. It is entirely an outdoor festival so that people can sing and dance around Stonehenge. It isn't really known as a music festival but more of a cultural one. However, there have been big names seen to perform there such as Newton Faulkner. There isn't a specific art form to this festival but instead is a community-based event that emphasises love and peace.
In the 1984 the event had actually attracted up to 30,000 attendees but had to be stopped due to the battle of the beanfield. After 1999 the event was allowed to be held again and the 2017 festival attracted up to 13,000 to watch the sun come up on the longest day of the year.
The reason this festival is unique to the area is because it's one of the only festivals to actually hold real, committed druids and has been for a long time. It is also one of the only festivals in the area to be free. Last year's festival did have some controversial parking ticket costs and caused controversy after a senior druid lost a court battle against "pay to pray" charges which he said breached his human rights. The festival did pass successfully last year with only "drug related" arrests. The unique selling point of this festival is that it only happens once a year and has also been celebrated for years.
National Culture Festival – Bishops Cannings Parish Festival 2016
As the name suggests, this is taken place in Bishops Cannings which is a small village outside of Devizes. 2 years prior to this festival they held a community festival and was very successful. Off the back of this success they decided to do it again, this time focusing around the success of the Olympics and the Queens 90th birthday. The festival would be mainly outdoor but would have some indoor events by using the village town hall and some of the local school area.
This was a clear celebration of our national culture! Holding a barn dance, an Open Barn Sunday with a Queen's 90th Birthday tea, a mini music festival and a "Have A Go Olympics". The Festival was huge success for a small village festival and had hundreds attend.
This village festival is very unique to the area because as a "festival" in a small rural village was unheard of. It managed to unify lots of villages together in celebrating the Queen and the London Olympics. It gave the sense of "I'm proud to be British", this goes hand in hand with the USP (Unique selling point). The entire selling point of this small-scale festival was to come together as a community and celebrate what it means to be British.
Sexual Festival – Swindon and Wiltshire Pride
The Swindon and Wiltshire Pride festival celebrated their 10th year on the 29th of July this year with a great turnout. The event takes place in Swindon's, Town Gardens. The Main reason for the festival is to celebrate Gay Pride, waving the multicoloured flag through the streets of Swindon. This year, to commemorate the 10th year of the festival, they held a huge 40 mile "Ride For Pride" with people cycling around Swindon and the Wiltshire countryside. As is with most festivals, this is held outside in the actually gardens with music from previous X-Factor winner Sam Bailey, pop and rock band Fizz and singer Misty Lee.
In 2014 the festival held 5000 attendees and 2015 holding 7000. There is no record of 2016 or 2017 but with the music line-up and the growing popularity, you can safely assume that the numbers grew in the 10,000's. The reason this festival is unique to the area is because it's biggest sponsors is Wiltshire Police and shows a common goal between the force and the people. It's unique selling point is to voice a movement together, it really encourages a community within a movement. Another unique selling point which only applies to its most recent year is that it marks 50 years since the decriminalisation of homosexuality and 10 years of the festival.
Arts Festival – Ageas Salisbury International Arts Festival
The Salisbury arts festival has an array of event/entertainment that includes drama, music and actual pieces of art that gets shown as a showcase. It takes place in Salisbury which is a small city with a huge cathedral that they can actually use for some of the events. The events take place outside and inside and a lot of those events are weather dependant. The festival itself is actually going for its 45th event. It has had a history of having a great turnout and definitely one to watch in the Salisbury area. I was actually a music student in Salisbury Collage where one act was chosen to perform. You had to go through a rigorous audition process to be picked out as they took it quite seriously.
One of the main unique factors to this festival is the use of Salisbury Cathedral. They use the amazing acoustics of the room, last year the Royal Philharmonic Orchestra made fantastic use of the 7 second delay. This, for some people, is the main reason for attending the festival as they don't usually allow for music to be played there. This can also be said for the unique selling point, the events that take place in the Salisbury cathedral are quite amazing and does take you back quite a lot. This is a polar opposite of what some people would say a festival is, this being extremely quit and has a lot of focus on the actual art rather than really loud music, drugs and alcohol. It does beg the question, has the term festival been changed by the younger generation?
Music Festival – Larmer Tree Festival
Larmer Tree Festival is mainly an acoustic event with some more electric based bands such as Public Service Broadcasting and other acoustic acts such as Jake Bugg and Nick Mulvey.
"Larmer Tree Festival takes place in the glorious Larmer Tree Gardens, nestled in the heart of the Cranborne Chase on the Wiltshire/Dorset border.".
It's a very laidback festival set in the outdoors, Larmer Tree Gardens is especially beautiful on a sunny day with the bright green of the trees and grass complimenting the blue sky, a perfect setting for a music festival.
The main unique factor for this music festival is that it has such a broad age range. Having family fun activities for the kids to having more adult friendly activities such as live comedy, theatre, poetry and talks. It also has workshops for everyone to enjoy. Having this broad age range really gives a chilled atmosphere to the music festival and also makes the event much more than just a music festival. Attracting over 4000 people, it's not a small event either with people travelling across the country to attend. Making use The Larmer Tree Gardens is also a Unique point, as it doesn't get as much publicity as it should.
UK Tour Plan for Indigo Haze
ST4 - UK TOUR
MD5212 - ST3 - Venue Resourcing
WILTSHIRE
Pub n Stage - The Southgate Inn
The Southgate Inn is situated in Devizes with the capacity of about 100 people (at a push!). Very suitable for budding new artists who want to showcase their style of music in a very laid back and relaxed environment. Mistakes are made and the level of musicianship isn't too high. Perfect for new artists. There haven't really been any "significant" artists who have played there but Sweet Nightingale have performed there who usually charge money to play at weddings.
Contact Details - Southgate, Potterne Road, Devizes, SN10 5BY 01380722872
Venue Cap 200 – 500 - The Wharf Theatre
The Wharf Theatre which is also in the middle of Devizes has the capacity of around 250-300 people. The location is perfect as it is right by the canal and has been one of the most popular places to see plays and music acts in the surrounding area. Although the artists aren't massively popular, there has been fairly popular artists playing there such as Bookends, Carol King and James Taylor. A perfect venue for a medium sized gig set in the fairly big hall next to the canal with a lovely community supporting it.
Contact Details - The Wharf, Devizes, Wiltshire, SN10 1EB
01380 829743
Venue 500+ - The Oasis Leisure Centre
The Oasis is a leisure centre situated in the middle of Swindon, meaning that it's very accessible and close to public transport options. It has a capacity of up to 3000 people (standing) and 1620 people (sitting). It's hosted acts such as Biffy Clyro, Ed Sheeran, Imagine Dragons and The Script. It's well known for hosting pop musicians and would be a good spot for any international touring artists/bands performing as it would be instant publicity. Overall, the huge capacity and the legacy that this venue has left behind has created the perfect area to perform attracting thousands all around the area.
Contact Details - BETTER Venues, Queensway, W2 5HS
020 7221 4804
MD5212 - ST2 - Thoughts on what events to do
I would love to put on a gig to raise awareness for something. Whether it be for mental illness, homelessness or even pollution. I think it is a great way to put a message across. I don't think it is very effective unless the music (songs) are relevant though. This would mean asking the bands to write at least one song about the topic. As far as ticket pricing is concerned, you could go either way. You could make the entry fee free, meaning that the turnout would be bigger and the message could be portrayed to more people. Or, on the other hand, you could charge a small entry fee so that you could raise money for a charity.
I think it would all depend on what acts you have playing at the gig. If you feel like the acts are big enough and would pull in enough of a crowd then I think it would be ok to charge a small fee. However, if you feel like the acts are too small then making the event free could boost the turnout. In my mind, this would be the perfect event to host because you would be portraying a positive message and also feel like you're making a difference.
I love the idea of putting an event on for a reason and I think there would be plenty of people that would support a cause. Some of the inspiration for this idea comes from the success of Ariana Grande's "One Love Manchester" which raised almost 10 million pounds. Of course this would be on a smaller scale but it's always great to think big!
MD5212 - ST1 - Best gig i’ve ever attended
Bruno Major has recently released his new album "A Song for Every Moon" where he wrote a song for each month of the year. He finally finished the entire album on the 31st of August 2017. I absolutely fell in love with his first track and followed him ever since. I was then ecstatic when my friend told me that he had acquired tickets and he said that I could go!
I had been to gigs in the past but I'd never seen someone who I followed so closely and if I did see anyone live it was because of a festival where the acts were chosen by someone else. The special part about this gig was that it was so secluded and there weren't many people that could actually fit in the venue. The whole gig felt really intimate with the stage being about head height and only 3 musicians up on stage at any point. This is the main reason why I thought this was the best gig I had ever attended, not to mention how I knew every song and every lyric! It also makes it more memorable to watch, as it was so intimate, it made the slower songs feel more personal and as we were very close to Bruno himself, it gave a close connection to the singer. This gave the impression that it wasn't just another performance for him and it actually meant something for him as well.