69. Five Easy Pieces (Bob Rafelson, 1970)
A rejection of the American ideal, casting off a life of privilege in search of something real, only to find nothing.
Rating: 9.0/10
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69. Five Easy Pieces (Bob Rafelson, 1970)
A rejection of the American ideal, casting off a life of privilege in search of something real, only to find nothing.
Rating: 9.0/10
Self Portrait, in White Whale, Las Vegas, c. 1970s — Hunter S. Thompson
Warren Beatty-Leslie Caron "Prométele cualquier cosa" (Promise her anything) 1965, de Arthur Hiller.
Madonna: Truth or Dare (1991) dir. Alek Keshishian
Gilda Radner and Warren Beatty
Warren Beatty and Diane Keaton at the opening night of Richard Avedon’s exhibition “Avedon: Photographs, 1974-1977” at the Metropolitan Museum of Art in 1978.
Faye Dunaway and Warren Beatty arrive at the Moulin Rouge for the Paris premiere of Bonnie and Clyde, 1968
Warren Beatty and Robert Altman on the set of McCabe & Mrs. Miller.
Natalie Wood and Warren Beatty, 1962.
Original caption: That cozy couple, Natalie Wood and Warren Beatty can be found at all hours at Hollywood’s intimate boites discussing love, or the new stage play they plan to do together, or love, or Warren’s powerful, imported, European sports car, or love. What else is there?
Though nothing can bring back the hour Of splendour in the grass, of glory in the flower, We will grieve not, rather find Strength in what remains behind;
SPLENDOR IN THE GRASS (1961, dir. Elia Kazan)
Andy Warhol, Salvador Dalí, Warren Beatty, Fred Hughes, Amanda Lear, Jed Johnson, Sylvia Miles, Stockard Channing and Conrad Janis at a screening of “Shampoo” at the Columbia Pictures building in New York City, 1975.
Photos by Lynn Karlin
Madonna & Warren Beatty at the ‘Dick Tracy’ movie premiere at the Uptown Theater in Washington, DC, 10th June 1990 Ph. Vinnie Zuffante
Shirley MacLaine and Warren Beatty, 1984.
Warren Beatty in Lilith (1964)
natalie wood and warren beatty photographed at natalie’s birthday party on set of “splendor in the grass,” circa 1960. photo by sam shaw.
Warren Beatty on the set of Bonnie and Clyde.
THE PARALLAX VIEW (1974) dir. Alan J. Pakula cinematography by Gordon Willis