It's really hard to believe Yona is finally at an end. The news of a new anime series is exciting, as well. It feels like all those years in the manga trenches are being rewarded at last...but there is something bittersweet about the ending to such a long running series. Especially one that I love as much as this.
Thoughts.
I've read the ending in skim form, and am waiting for the final volume in the autumn to really go deep on it. But I am broadly happy with the ending.
I think, weirdly, the most satisfying part of it for me was Suwon admitting he was wrong.
I don't hate Suwon. He's hard to hate. One of the real contradictions of the early manga is this king-killer character juxtaposed with the good king trying to save Kouka. And all of the bittersweet moments where his actions and Yona's intersect (or especially, Hak's - those scenes in Sei always gets me, when they both know who it is on the other side of the wall, but pretend not to, and then link up intuitively to save Riri).
There are a lot of complex family themes behind his actions, obviously, which unravel over the course of the later story, but I don't know, while I liked Suwon as a character, I think I couldn't fully forgive him until that moment he acknowledged he was a usurper and that he was wrong to kill Yona's dad. That separates that action from what he actually did for the country, and thus I can make peace with it.
Weirdly bittersweet about the dragons right now, going off on their own travels. Especially worried about Sinha going back to his village, even if he has good reason. Hopefully he will get to go travelling, as he wants to. Zeno is also a bit...I don't know. I adore Zeno, he's so complicated, but even if the curse is broken, he's still generations after Kaya's death. And, aside the original dragons, she seems to be the one person who he has ever really loved. He sat by her corpse for a year after she died, after all. So while I'm happy he's freed, I'm kind of broken that it's come too late for the love of his life.
So yeah. I have thoughts. Lots of them. I'm sure I'll expand on them going forward. Right now I'm rereading the manga, and hoping that the anime will not be too long a wait.
So for anyone stuck in lockdown and looking for something to read, I made a compile list of the character CD drama tracks I already translated to now. Here are some quick links to help you find them. (For anyone looking for the soundtracks elsewhere, these drama titles are mostly of my own invention).
Stay safe everybody.
#1 Naked Shiritori and the Patent Cold Cure (Starring Miyuki, Eijun and Furuya)
#2 Vending Machines and Polar Bears (Starring Miyuki, Eijun and Furuya)
#3 What’s in a Name (Starring Haruichi, Ryousuke and Eijun)
#4 Educating Youichi (Starring Ryousuke, Kuramochi, Haruichi)
#5 Egg-streme Strategy (Starring Eijun, Miyuki, Chris and Furuya)
#6 A Billion Swings (Starring Tetsu, Jun and Tanba)
#7 Dirty Fingernails (Starring Nori, Eijun and Miyuki)
#8 Kanemaru, Kane Nai! (Starring Kanemaru, Toujou and Eijun)
#9 Musical Tastes (Starring Kanemaru, Toujou, Shirasu and Nori)
#10 Third Year Study Group (Starring Tetsu, Jun and Tanba)
#11 Leader of the Pitcher Pack (Starring Nori, Eijun and Furuya)
#12 Lucky Niisan (Starring Haruichi, Eijun and Ryousuke)
#13 Bananaman (Starring Raichi, Sanada and Mishima)
#14 Personal Data (Starring Miyuki, Chris, Furuya and Eijun)
#15 Senior Citizens (Starring Toujou, Kanemaru, Eijun)
Bonus: Pitcher’s Wife snippet (Starring Eijun and Miyuki)
Daiya no Ace: The Dramas #2: Vending Machines and Polar Bears
An explanation…
To keep my brain from rusting I started a project to translate the drama tracks that came with the character song CDs and other stuff relating to Daiya no Ace (because I love them and they’re all hilarious). My disclaimer - I am not a native speaker of Japanese, but I will do my best!
Furuya Satoru Drama CD Track 02, Featuring Miyuki, Sawamura and Furuya.
Scene: It’s night, and it’s cold. Miyuki has been in the bath with Ōta and on his way back he stumbles on Furuya, doing a really good impression of Ochiai.
So first and foremost I really do love Yuukoku no Moriarty (Moriarty the Patriot).
But omg sometimes there are small details that really. wind. me. up.
Like the police hats. In the anime at least, all of them have E R on the insignia. E R stands for Elizabeth Regina. Moriarty is set in the reign of Victoria. No E R hats in the 19th century. I'm not 100% on the hats, period. But certainly none with E R on the front.
Probably the most annoying twitch for me however so far is in the manga - the Moriarty family's tea party. In which a bunch of unchaperoned Victorian women showed up at the Moriarty mansion, started flirting shamelessly with the Moriarty boys and their coterie (who are pretending to be servants)...and acting like a bunch of 21st century fangirls as per idol culture in Japan.
...In the 19th century that's just a nope. On all levels. It doesn't matter how attractive the gardener/butler etc is. It's just a nope. The story is all. about. how divided the strata of society are and how disinterested the rich are in the poor. So obviously it's jarring (and blatant fanservice) that these women are apparently willing to throw themselves at people they believe to be servants.
This is all assuming the obvious fact that such obvious flirting would have been considered shameful behaviour for a woman in the 19th century.
The fact that Louis (as the 'adopted orphan child survivor) is often cast in a butler/inferior status role to Albert and William (who is pretending to be the actual William) also seems to jar with this so badly.
So yeah. I'm glad they didn't animate that chapter. It's a complete nope from start to finish.
Also, no way is William going to have £600 at his disposal (or more) from doing odd jobs from people whose annual income probably is less than £100. In modern money we're talking around £36k ($46k). Not exactly something that can be earned in a few months from people living on the breadline, no matter how smart he is. It's the kind of money that would have bought a house, or paid for Louis's surgery outright. It's not pocket change.
Having dug out some of my LN the other day and translated that scene, it put me in the mood to rewatch. It's been such a long time since the last time, but it still holds up well :D
May end up translating some more LN bits. But now I've gone down a rabbit-hole and dug out other LN and other stuff, including my Yuugi novels and a few others...
Still, gotta do something while we wait for season 4 of Daiya, right??
(And at this rate will be waiting forever for season 2 of Yona, so...)
Why was he still here?
Surely, it was because he wanted to live.
~Saiunkoku Monogatari, LN volume 4
My blog is usually full of baseball boys and the occasional Fushigi Yuugi spam, but today I felt like translating something Saiunkokuish.
~-~-~-~-~
She was a fragile, sickly woman. A woman with a weak character.
She used her beauty as a weapon, but she had no interest in the rivalries or jealousies of rank among the other consorts. Rather than being an imperial flower, her life would have been so much happier had she married an ordinary man and lived quietly out in the country. But she was a woman who had captured the heart of the Emperor, become pregnant, and given birth to the second prince.
If only she had birthed a princess, not a prince, then her father would not have grasped power and influence, and would not have behaved so foolishly.
And most of all, if only he himself had realised sooner his own vulnerability – his own foolishness. If so, all these years later, perhaps his mother would have unearthed some tiny fragment of happiness.
But this woman had not even the fragile hope of finding such a dream.
He glanced at her face. She was staring up at the sky, fear etched into her expression. The youth closed his eyes.
If he had asked her whether she loved him, she would always reply vaguely. That was the sort of mother she was. Instead, she would say, ‘if only you didn’t exist. If only I had never birthed you’.
In the palace gardens, he had often spent time with his youngest half-brother, whose circumstances were similar…Spending time with this youngest brother, who adored him with innocent affection, had helped him to understand how long his own heart had been frozen. Because of his youngest brother, he understood what was dear to him, and how to love.
But his emotion towards his mother was unchanged. He regretted her weak spirit and frequent tears, and looked on her behaviour with disdain. But still, he did not hate her. She was the woman who had given him life.
He had realised too late that his own skills and talents, which his other brothers and consorts resented, should have been better concealed. Instead, he had turned them into a weapon, with which he could protect his fragile mother from their scorn.
But that effort too had now been ended.
The spring was on the horizon, but it was still winter; a cold, frozen day. Their pursuers had already achieved half of their goal.
Simply allowing them to be exiled was not enough. For the brothers and consorts left behind, the decision to pursue and put an end to them was the right one. In this place, they could do so without leaving proof – they had orders to make it look like the party had been waylaid and slain by bandits.
The youth pushed aside his bitter recollections, and opened his eyes.
His mother lay dead. He was surrounded by assassins. The guards who had accompanied them were no more, their corpses scattered across the ground.
He was the last one standing.
He had nothing left. Nothing but the enemy blood now staining his hands.
He tossed aside his mangled sword, which had already claimed the lives of so many enemies. The assassins hesitated for a moment, and he took full advantage. He launched himself at one of the remaining thugs, breaking his arms and wrenching away his weapon.
In comparison to the jewelled sword his father the Emperor had once given him, this weapon seemed too weak even to cut through paper. It was a blade, however, and so long as he had a weapon, he would make it work. With one swing of the sword he cut through the throats of two assassins.
“You’ve underestimated me. Who do you think you’re dealing with?”
His handsome features showed so sign of losing their spirit. His voice was icy enough to have been frozen by the winter wind; his words did not sound like those of a thirteen year old boy.
“My name is Seien. I’ve already overcome more than a hundred assassins in my life. If this is the best you can manage, I won’t lose to you. If you think you can kill me, you better come at me resolved to die.”
Like white feathers, the dancing flakes of snow began to fall all around.
Each time his blade became thick with blood and no longer useable, he grabbed up the discarded weapon of one of those he had already killed. His fighting was no longer the elegant skill he had learned growing up. It was the committed fight of a young man determined not to be slain. It was a fighting style that was designed to kill.
Before the snow had a chance to cover the melting patches thick with blood, the young man proved his declaration true. He had killed all of those who had pursued them.
The clouds hung heavily like mist over the wide, empty plains on which he now stood. He was surrounded by bodies, each discarded like objects in the snow. He was battered and bruised from the conflict, and he sank down onto his knees. He could feel his throbbing pulse, as now he registered the injuries all over his body.
The ragged breaths he drew in felt hot enough to melt the scattered snow. He had never felt such raging warmth from within his body before. He sneered at himself, wondering why he had not just let himself be killed.
Not being killed meant having to live.
Being killed would have meant defeat.
So instead, he had killed.
But what now? He had no place to go. There was nobody for him to rely on. He had battled through to survive, but now he faced the darkness of the abyss. So, why had he killed them all?
Was it his pride as a prince, not wanting to be killed by common thugs? In that case, he could have easily put an end to it all himself. So was it just that he did not want to let his brothers and the other consorts succeed in killing him? But even then, surely, dying meant those things would no longer be his concern.
So why was he still here?
Surely, it was because he wanted to live.
Even he found this realisation to be strange. He tried to laugh at it, but instead, red liquid poured from his mouth. Along with the encroaching darkness, the frozen field, still waiting for the dawn of spring, was soaked anew in crimson.
The injury to his gut was more serious than he had first thought.
In the last snowfall of that winter, this youth, who had once been a prince, toppled forward. His body collapsed onto the frozen morass of mingled blood and snow.
A shadow fell across the white terrain. The last thing the youth knew before he lost consciousness was that someone was coming towards him.
He had no way of knowing that his real hell was about to begin.
(Translation and all mistakes and/or liberties are mine. Credit to Saiunkoku author Yukino Sai for original text. Text from the opening of Saiunkoku Monogatari, LN 4.)
Image from the anime, ep 20, borrowed from this site blog/episode guide of the original series.)
Kuramochi: Oi, Miyuki, wake up! If you’re gonna sleep, go to bed! Are you even listening? Sheesh, what am I gonna do with you…
Doujinshi seem to follow this cardinal rule that Miyuki should not drink.
Ever.
This from a KuraMiyu doujin. As if you needed me to explain that.
Apologies for the image shadow, my scanner has died and I am left with camera/phone options only. Although I can’t put these in the scanner without wrecking them anyway so w/e.
I have to spare a moment to just mention this. It's been a long time since I watched the original Kenshin, and I had no idea they were putting out a new one. I've watched the first several episodes and so far, I think they're doing a good job.
Saitou Souma is a great choice for Kenshin's seiyuu. After voicing William in Moriarty the Patriot, it's really a good parallel. Kenshin and William both have shades of light and dark and Saitou reflects this really well.
I'm curious to see how this pans out, what changes are made, and so on. It looks promising so far, though. Fingers crossed it continues.
I haven't seen a lot of people talk about this chapter, but I love the hints it gives us about the future of some of the characters.
Nori & Shirasu
Nori said he planned to quit baseball after high school, but Shirasu definitely seems to think that he'll continue.
On a side note, I'm really happy that Nori had a chance to shine in the second Koushien game, before Eijun came on. Nori has had a tough run at times - he deserves to be out there on the mound.
Kuramochi
My favourite part of the whole chapter. Although he plays it down to Haruichi, Mochi's had university offers, and the incentive that if Seidou make Koushien's top four, he could get a scholarship.
Haruichi
Although he has another year yet to go, Ryousuke is still very much backing his cause. "Believe in your own potential. Go show the national tournament what Kominato Haruichi can do."
Zono
Zono's pretty much the chapter's comic relief, but I think we can read into his determination that he isn't planning on quitting any time soon.
What's also nice about this chapter is that the first years - Koushuu, Seto, but especially Asada - are reflecting on their own future and how things will be for them going forward.
"What kind of tomorrow awaits our generation?" - Asada
Though the manga is done, I've seen some people still raising concerns about Furuya's prominence in the later stages.
Personally I don't have an issue with Furuya. BUT I do think his role in the story has changed since Daiya began.
At the very beginning, it was clear that Furuya was THE RIVAL to Eijun's desire to be the Ace. He got all the typical early advantages, was already massively talented, was assigned with Miyuki from the off, etc etc.
But by the end of Act II, I don't think their rivalry is at all the same. In fact, they've become a kind of partnership - working together, 'connecting' between games to see Seidou through.
This change in dynamic is actually pretty well explained in Terajima's end note in volume 34, where he states,
"These days the number of pitches a pitcher can throw is limited, and the number of teams who rely on one ace to see them through is on the decline."
This gives some insight into Terajima's own thoughts here. Whatever he intended when he began writing Daiya, as time has gone on, he's also adjusted his characters and his team to better fit the modern reality. The idea of Eijun as ace but Furuya as a secondary ace figure isn't bias towards Furuya, but another sign of Terajima trying to reflect some sense of real in his manga.
This is also reflected in the summary to the Inajitsu-Seidou final. Here it states, "Settled by the Double-Ace (Wエース)! Seidou guided to victory by their pitcher rotation!"
Ultimately, Daiya is a story about a team and the bonds/dynamic within that team. I actually think it was always that way - with Miyuki telling Eijun that first day that he can't play baseball on his own. But while I get that probably it irked some folk, I like that Eijun and Furuya ended the manga as friends and rivals who can appreciate and rely on one another as well as compete.