Self-portaits by Elisabeth Vigée Le Brun (1755-1842)
1778, 1781, 1782, 1786 , 1787, 1789, 1790, 1789, 1791, 1794, 1800, 1800
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Sweet Seals For You, Always
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One Nice Bug Per Day
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Self-portaits by Elisabeth Vigée Le Brun (1755-1842)
1778, 1781, 1782, 1786 , 1787, 1789, 1790, 1789, 1791, 1794, 1800, 1800
Garter (one of a pair) French, 18th century. Silk plain weave with silk tambour work and embroidery on silk ribbon. | ↳ MFA
so amazing
Bibliothèque nationale de France, Département des manuscrits, Français 1877 detail of f. 26r. Le Livre nommé Fleur de vertu, translaté d’italien en françoys, par FRANÇOYS DE ROHAN, archevesque de Lion, primat de France et evesque d’Angiers (16th century)
joe -- tina is going to get you someday.
Bibliothèque nationale de France, Arsenal 3480, detail of f.33 (Lancelot seduced). Lancelot du Lac. Paris, c.1405.
General Collection, Beinecke Rare Book and Manuscript Library, Yale University, Beinecke MS 425 detail of f. 16v. The Fouquet Missal. Bourges, c.1470-1475
How to remove your underwear in the 15th century.
who wore it better?
15th century baths. Wish we still had tented bath banquets today.
15th century tailor from the Nuremburg Hausbeucher. He is stitching a fur lining on a giornea! The garment in the back is basted at the waist to set the pleats.
Anni Albers in her weaving studio at Black Mountain College, 1937. Photo: Helen M. Post [source]
Secret Spy by Walter Steding. Produced by Vincent Fremont and Andy Warhol. 1982.
Portrait of a young girl with a fan by Wallerant Vaillant (1623-1677)
1670-1675 Jacob Ochtervelt - A Young Lady trimming her Fingernails
Israhel van Meckenem, Struggle for the breeches, 1480.
The theme of the struggle for the breeches appears in Western iconography from the Middle Ages until the Epinal images and the prints of the 19th century. Over this long period of time the focus increasingly shifts to the relations between husbands and wives. Until the 16th and 17thcenturies, however, a range of popular versions had depicted a struggle for authority (represented by the masculine breeches) between women. The article explores the different stages of this evolution and their context: the control over marriages and the moralization of conjugal relations
Evrart de Conty, Le livre des échecs amoureux moralisés
BNF FR 143, fol. 36v. via
Spring 1940 'poppy' dress from Chanel.
Advertisements from November 27, 1993 issue of New York Magazine.