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Trading Music’s Favorite Songs of 2015
One thing about a good song, you can never replay it too many times. Reflecting on 2015, here are the seven tracks took me ahold, soundtracked my year, and satisfied me once those last few chords and drum patterns fade out and back in on repeat.
7. Drake – “Hotline Bling”
Memed and mixed, trolled and Trumped there’s no denying that “Hotline Bling” is a legitimately good pop song that has been ruined by overkill. In July, when Drake first dropped the track during his “feud” with Meek Mill, the song was a slow hit. But then the video dropped, and the rest is dad-dancing Internet history.
6. D.R.A.M. feat. SZA – “Caretaker”
“Caretaker” is the chill track you need when considering replying to that ex that’s hard to get rid of. The song is a rework of D.R.A.M.’s version with the Social Experiment, this time with the addition of TDE’s SZA. As if it was possible, the songbird makes D.R.A.M.’s “Caretaker” even better than the original, and gives the song an opposite take: “Even if I got a man now / At least you know where I stand now.” Of course, D.R.A.M.’s falsettos don’t stand a chance against SZA’s, but he doesn’t oversell either.
5. The Weeknd – “The Hills”
The Weeknd’s druggy ballad contains the year’s best one-liner (“When I’m fucked up, that’s the real me”) and the second best beat drop (See above for the first). The song even gets a cosign from Future as his favorite of the year. This song is probably the closest track to Tesfaye’s previous work on his entire album, with his signature sample modulation toward the end of the track, coproduced by longtime collaborator Illangelo.
4. Adele – “When We Were Young”
Adele’s 25 was kind of disappointing. The record-breaking Brit approached new sounds on her third album, but the bold nothing-to-lose attitude that defined 21’s breakup songs were stripped down in Adele’s 25th year. But maturity also brought along songs like “All I Ask” and “When We Were Young,” could’ve-been tracks that maintain the erratic emotions of younger times. The latter song in particular is Adele’s most powerful vocally, hitting a gospel high like a gift from the heavens.
3. Alessia Cara – “Here”
An incredible Isaac Hayes sample sets the tone for Alessia Cara’s “Here,” an ode to anyone who can’t help but be turned off from the party scene. Cara’s soulfully saccharine voice manages to render just enough disdain for the intoxicated and superficial crowd to not seem judgmental; partying is just not her thing, and at her age it’s a refreshing take.
2. Bryson Tiller: “Exchange”
This was an in-your-feelings kind of year for music, thanks to artists like Bryson Tiller. “Don’t” may be his chart-topping single, but “Exchange” has everyone crying over the one that got away. Featuring a “Swing My Way” sample from 1998, the yearning runs from the original track are transformed into the maudlin pleads heard on Tiller’s take. And he’s saying all of the right things: “Lord please save her for me / Do this one favor for me / I had to change my player ways / Got way too complicated for me.” It’s easy to see how hard this track hit home.
1. dvsn – “The Line”
dvsn a reported side project of producer Nineteen85, of OVO fame. The three tracks he has released so far are orgasmic, taking every key and cue from your favorite ‘90s R&B heartthrob. Admittedly, though, Trading Music is putting “The Line” at number one after just hearing it for the first time within the last month; it’s just that good.
Nine Frank Ocean songs to get you through the wait
Back in April, this Tumblr post was the only announcement signaling the long awaited sophomore release from Frank Ocean. The post included the tag “#July2015,″ and a rep later confirmed both an album and magazine from the singer, sending fans in a frenzy of anticipation.
Well July came and went with no album, no announcement, not even another Tumblr post. So for the time being, here are the nine Frank Ocean songs to get you through the wait for his nameless, and now dateless, album.
American Wedding
The remix to the Eagles’ hit “Hotel California” sparked some controversy, mostly just with the band’s frontman Don Henley. Frank used the original track, sans vocals, on his debut mixtape nostalgia,ULTRA.
In Frank’s marital rendition, his skeptical bride is not too sure about their quick marriage. He is first saddened by the arranged and polygamist marriages of other cultures, but eventually realizes that marriages in American culture can be just as problematic, considering how temporary they often are.
Pyramids
I would argue that “Pyramids” is Frank’s most highly-regarded track among fans. The nearly 10-minute song is the second single from channel ORANGE, featuring a guitar solo by John Mayer. In part one, Frank gives an ode to Egyptian Queen Cleopatra, while part two is an ode to a much less famous Cleopatra. She’s probably a dancer at a “the pyramid,” given the track’s trippy video.
Acura Integurl
Acura Integurl is the first track off of the Lonny Breaux Collection compilation mixtape, an unofficial release of unheard songs by Frank. The remaining 63 tracks are mostly forgettable, so it’s no wonder why this track was the only one garnering a music video.
Frank is riding around in his old Acura, but his girl doesn't mind. She’s not in it for the money.
Pink Matter (Feat. Andre 3000)
It’s hard to tell what Frank is really talking about in “Pink Matter”; Aliens? Dragon Ball Z? Procreation? His thoughts are so complex, possibly every line written with many meanings. And then 3000 comes in to make it all clear again. It’s the collaboration you never knew you needed.
Eyes Like Sky
This track can only be found buried under mountains of Soundcloud covers or fan-made lyric videos. It was originally recorded while Frank was working on channel ORANGE, but it obviously didn't make the cut. And not to knock the song, but it was for good reason. The song doesn't fit with ORANGE, and is much more of pop ballad than the usual Frank.
But the song is beautifully written. He speaks of a blind man who looks at his disability as much more of a blessing than one would expect. It’s unfortunate that this song will continue to be overlooked, but consider it a hidden gem instead.
Songs For Women
Women have long been the subjects of love songs. From the songs of unrequited love that put them on pedestals to the songs written out of anger that called them out of their name, men have and continue to passionately put pen to paper for the women they love. Frank joins these men in “Songs For Women.”
This is a nostalgia,ULTRA track, meaning it was released before Frank’s now infamous disclosure on his homosexuality. It was then that songs like “Thinking Bout You” and “Forest Gump” made it clear that Frank could write about love toward anyone. And even now, I doubt he would have any trouble getting women with his love songs.
Crack Rock
Much like Tyler, The Creator’s 48 (which also features Frank, and reflective excerpts from an interview with Nas), “Crack Rock” takes a look at addiction from a third party. A broken home is the result. The isolation one feels when falling into addiction, from family, from a community, is something most people could care less about. But Frank took it on, and what results is a bit of empathy.
Novacane
One of the first introductions to Frank (besides his Billboard hit “Thinkin’ Bout You,” was “Novacane.” The up-tempo track isn't especially deep; Frank and his Coachella fling try “novacane” for the numbing sensation, and pretty much leave it at that. I guess the idea of dating a porn actress doesn't entice him that much.
However, the song is a standout track simply because of its nonchalance. They hang out, talk career aspirations, and then do drugs. Just a normal day in California.
Bad Religion
“Bad Religion” is one of the most painful songs I’ve ever heard. And that is in no way an insult.
The person he loves does not reciprocate the feeling. If you know the feeling, you understand the pain in his words. Comparing this unrequited love to a lonely cult, poison in his cup, a religion never to be followed, makes this track one of his best songs.
5 Songs I Can’t Stop Playing
Here - Alessia Cara
The 19 year old Canadian may have released the video to her debut single over three months ago, but the song only recently started getting attention when she received the often career-making Taylor Swift cosign.
You're AMAZING, @alessiacara. Love this, @BBCR1 ! http://t.co/YqKl7UJkZL
The girl’s voice is welcomely soulful and by the sound of things, she isn't much of a partier. Quite refreshing for a nineteen year old pop star.
The Way - Kehlani ft. Chance the Rapper
The video for “The Way” dropped not to long ago, making one of You Should Be Here’s standout tracks into a standout video. I’m getting Aaliyah “One In A Million” vibes in the strangest way.
And the song itself isn't too far from those same vibes. The girl is killing this choreo and Chance’s verse does not disappoint in the slightest.
Kehlani’s Interlude - PARTYNEXTDOOR
Speaking of Kehlani, her rumored boyfriend and OVO singer PARTYNEXTDOOR decided to get surprisingly sentimental recently. In “Kehlani’s Interlude,” he speaks of avoiding questions about the relationship and falling to fast. I have to admit, I’ve never really been a fan of PND. But I kind of understand the hype now.
R.I.C.O. - Meek Mill ft. Drake
If you’ve had an internet connection during the past week, you know that rappers Meek Mill and Drake have had a bit of a back and forth beef going on, with public opinion heavily on Drake’s side.
Despite all memes, Drake’s “Back to Back” Freestyle still executes the better diss, even with Meek Mill claiming Aubrey got peed on in a movie theater in his “Wanna Know” diss (which may have actually happened).
All that being said, it’s kind of hard to imagine “R.I.C.O.” becoming a Meek Mill single at this point. Which is sad, because up until Meek’s verse, the song is fire.
Hotline Bling - Drake
While Drake was pinning diss tracks he may or may not have written, he also dropped “Hotline Bling,” a remix to the D.R.A.M. hit single “Cha Cha.” Drake may have won the diss exchange with a catchier tracks, but that’s evidently how you win a rap battle in 2015.
Nicki Minaj's "Feeling Myself" is everything "Anaconda" wants to be
It's no secret that Nicki Minaj's video for the successful single "Anaconda" has caused controversy. The explicit video, filled with women shaking and bearing it all, has received attack from many feminists and women in general. Nicki has defended her video, saying that it was a celebration of curvier women, but to some viewers it is just another objectifying rap video. While using sex as women's only means of power, the misogynistic lyrics of "legendary" rapper Sir-Mix-Alot, and the insulting and tired remarks of Nicki devaluing thinner women, she creates a world where only her ass matters.
Female empowerment is very hit or miss in mass media today. Women like Beyoncé, Nicki, Miley Cyrus and Meghan Trainor have proven the most successful in getting a message across, however tasteless they end up being. "Anaconda" is not the first video to objectify instead of empower, and unfortunately, it doesn't seem to be the last.
But the recently released video for "Feeling Myself" has done something quite the contrary. A video shot during Ms. Knowles and Ms. Minaj's time in Coachella, the two are shown having fun, acting silly, and essentially slaying in every shot. They are two major leaders in their respective genres and pop culture flossing through Coachella Valley side by side. No gimmicks, no twerking, and no men to be objectified by.
The song itself is rap braggadocio in all its glory, with Bey boasting about her latest album's surprise digital drop and success ("Changed the game with that digital drop / Know where you was when that digital popped") and Nicki bragging about her, uh, nether regions ("Kitty on fleek / pretty on fleek / Pretty gang, always keep them niggas on geek"). Nicki talks stuff about her rivals, but essentially she and Bey are the top of their game while women, and men, just have to sit back and watch.
Bey and Nicki rock stylish hockey jerseys and the now infamous Bulls jersey onesie in an effort to match the fun and carefree tone of the song and video. There is no angry or jealous battle for the top spot on the charts, no men to fight over, or insults of other women. Save Lil' Kim, who will always receive shots. As for every other line, it's just two women killing it.
Nicki does more empowering in this video than she could ever do in "Anaconda." Two women enjoying their successes with a healthy amount of confidence is something to admire, not Nicki's ass.
Women in Hip Hop: Their Portrayal and its Affect on Society
Taijuan Moorman
Today’s female rappers, or femcees, are shown in roles that highlight beauty, sex appeal and submissiveness as opposed to dominance and intelligence. Unfortunately, much of the reason sexual images are so common among this group of women is because it has proven successful, and has helped artists gain fans, fame and financial success. Ohio University faculty and students comment on the state of women in hip hop, how female rappers are generally perceived, the possible long-term effects of negative imagery, and why certain images are popularized.
To the general public this seems all too normal. They aren’t aware of the negative archetypes being used to sell albums, or the implications oversexed, oversimplified and underrepresented women have on a genre or its audience. Kay-Anne Darlington, Doctoral Student in the School of Media Arts and Studies, finds that many people just doubt the impact of media.
“A lot people are of the view that images don’t really impact them. They don’t really care. But, subtly and over a long period of time, it does impact you whether you do realize it or not,” says Darlington.
Female rappers of the past included Queen Latifah, MC Lyte and Lauryn Hill, all women who spoke about politics, race and complex relationships. Contemporary female rappers who speak on the same subjects are few and far in between, as if they weren’t already in an extremely male dominated genre. Dr. Akil Houston, assistant professor in the Department of African American Studies and hip hop scholar, feels that the main difference is access.
“There seems to be a lack of talent, just in terms of subject matter, but I don’t think it’s a reflection of an inability. I think it’s exposure and then what people assume is going to get them noticed,” says Houston.
I think it’s exposure and then what people assume is going to get them noticed.
Money ultimately drives product placement in videos, discussion of luxury brands in lyrics and what is allowed on certain artists’ albums. For rappers with less economic success, the images portrayed by their music is subject to manipulation by label executives and network owners, and for the rappers already with superstar status, there is pressure for consistency, and to gain even more sales.A key example is the consistent product placements in Nicki Minaj’s video “Anaconda,” including the moscato drink she co-owns and endorses.
Younger generations of women are susceptible to media and the values it portrays, including a perfect body and unachievable beauty. Hip Hop also has an affect on African American communities, including exploitation and how black on black crime is romanticized. Houston and Darlington suggest more active listening and an increase in media literacy.
“[People] are being more conscious about the stuff they put in their body, I feel like you have to do the same thing with music. You don’t want to put toxins and a lot of pollutants inside your body, you have to think about that in terms of what you’re listening to,” says Houston.
“They can be taught how to look at these images, and to decode them and make sense of them, not just for enjoyment but also critically,” says Darlington.
The opinions of Ohio University students showed what some young people think of the female rap they have seen, though only a glimpse.
Out of all the students surveyed, all cited meaningful or relatable lyrics as quality that influence their listening. Other popular qualities included the beat of the song, catchy lyrics, and the artist the song is by.
Students generally found today’s female rap as extremely or frequently sexual, frequently simple-minded and submissive and only somewhat intelligent and conscious. All students ranked today’s female rappers significantly less than female rappers of the past.
Half of all the students surveyed see men benefiting more from the female rapper’s image; the other half see it as benefiting both.
And the overwhelming majority of students surveyed see entertainment, sexuality, power (or hustle), beauty and wealth as the values seen most in rap music and videos.
In open responses, many students felt there was a problem with the female rappers image, and held listeners, labels and the artists themselves responsible.
If you want to listen to a female artist that doesn’t allow herself to be a sex symbol and likes to rap about more than just being a bad bitch, then its up to you to find that.
“If you want to listen to a female artist that doesn’t allow herself to be a sex symbol and likes to rap about more than just being a bad bitch, then its up to you to find that,” says one student.
“I think continued presence and respect of female rappers will help, but the over sexualization of women, especially historically in rap, is what’s successful. Intelligence and depth doesn’t always sell,” says another student.
Another student found negative images as a product of society.
“If you don't look for good stuff, all you're gonna get is the negative images because we live in patriarchal society that was built on serving the needs of men first and foremost,” says the student.
In comparing female rappers past and present, students differ in opinion. Today’s female rapper was said to be more pop-influenced, less educated, more shallow and distant from hip hop’s roots. However, one student found the past and present to have little variation.
“There were lyrical, conscious, uplifting female rappers in the 80s and 90s just like there is today,” the student says. “What makes them different is what we as listeners are supporting.”
"The purpose of art is to lay bare the questions hidden by the answers.” - James Baldwin
The answers are the conversations over coffee. The answers are the nightly news, the high school textbooks, your Facebook feeds.
But the questions. The questions are that movie that makes a few feel uncomfortable. The questions are that book that doesn’t tell you what you want to hear, the song that won’t sell because God it’s so boring and the script that only matters to a few.
“It is the questions that we do not know.” - Dostoyevsky
Ed Sheeran - "X"
Bringing back a sense of soul lost from music for quite some time, Ed Sheeran comforts on X.
Sheeran sticks to his winning formula on songs like “Photograph” and “Tenerife Sea,” however his shining moment are when he changes it up. Tracks like “Runaway” and his already biggest hit “Sing” show more soul than when it’s just Ed and his guitar. Working with the ageless Pharrell proved to be a great choice musically, it shows a more confident and diverse artist in Sheeran.
Not to say that other tracks are to be dismissed. Song like “The Man” and “Don’t” do plenty on the ears. And “Thinking Out Loud,” among others, gives many Al Green/ Marvin Gaye vibes. And it is to be relished.
Listen to X on Spotify and buy on iTunes.
"Now these rappers tryna' floss I see / Flirtin' with Temptation they Diana Ross I see…"
A radio-ripped leak of Machine Gun Kelly's "State Of Mind" freestyle just surfaced, filled with the usual clever and fast rapping of Kellz. Check out the track above.
SZA and Chance The Rapper just managed to steal hearts with “Childs Play” to be featured on SZA’s upcoming album “Z” out next month. Listen above.
Weezer posted a cryptic 20-second clip promising fans that they were “in the studio now.”
Stream The War On Drugs’ Lost In The Dream
"Hero" by Frank Ocean + Mick Jones + Paul Simonon + Diplo.
Converse Three Artists. One Song
Additional vocals from the West Los Angeles Children’s Choir.
Tame Impala & Kendrick Lamar - Backwards (Divergent Soundtrack)
For the soundtrack to the upcoming movie "Divergent," Kendrick Lamar remixes a version of the already awesome "Backwards" from Tame Impala's 2012 album "Lonerism." Check out the track above.
The Rise And Rise Of Pharrell—From Clipse’s Cereal Eater To Leading Music Mogul Harry Morall, popdust.com
Recently crowned Arby’s spokesperson and music producer Pharrell Williams recently opened his highly anticipated album GIRL for streaming on iTunes radio.The album is 10 tracks of pop perfection; nothing less should be expected from …
Couldn't have said it better myself.
Mac Miller just dropped another video for a Watching Movies With The Sound Off track. The vibe is creatively and spiritually trippy, as with all of his videos lately. Check out some cool old guy mouth the words to "Avian" above.