BEHIND OUR LULLABIES, THE HOOVES OF TERRIBLE HORSES THUNDER AND DRUM.
ind. padme amidala. written by madi. est. march 2016. re-est. dec. 2016.

if i look back, i am lost

Janaina Medeiros
Stranger Things
h
No title available
No title available
Mike Driver

❣ Chile in a Photography ❣

No title available
Sade Olutola

titsay

shark vs the universe
untitled

Kaledo Art
Aqua Utopia|海の底で記憶を紡ぐ

JVL
cherry valley forever

★
taylor price

#extradirty

seen from Venezuela

seen from Iraq

seen from Canada
seen from Germany

seen from Tunisia
seen from Argentina
seen from Malaysia
seen from Nepal

seen from Argentina

seen from Canada

seen from Romania
seen from Argentina
seen from Tunisia
seen from Chile
seen from Russia
seen from United States
seen from Bangladesh

seen from Ukraine

seen from United States
seen from Bangladesh
@transfigurant-blog
BEHIND OUR LULLABIES, THE HOOVES OF TERRIBLE HORSES THUNDER AND DRUM.
ind. padme amidala. written by madi. est. march 2016. re-est. dec. 2016.
halsteadsass:
profile + hair porn
cont.
there are several ways the conversation could go, but the words sit in an uncomfortable hollow, weighted by acceptance of the truth, even if not the entirety of it’s meaning. the implication there is that, raven accepts in places in magda does not. that she is content with a person, and not the remnants of a memory that has long since been dead. in time perhaps she’ll learn to talk of such things with her uneasy friend, to find camaraderie in the shared, yet differing experiences - but today is not about him. today is about building bridges. about forging allegiances and cementing friendships that might otherwise never have come to be. it is for this reason that magda chooses her words carefully, hands clasped together in her lap as she offers forth a question of her own.
❝ and what about you? are you content to be yourself? or are you still the person everyone else wants or needs you to be? ❞
it’s not a question she’s often asked. who are you, who are you, yes, constantly. are you raven, are you mystique --- YES, ME, ME, is all she can muster, all i’ve ever wanted to be is me. erik’s mouth at her neck, grazing over sapphire skin, catching on the ridges of scales, murmuring to her. his teeth at her ear, mystique, raven, perfection. a goddess among insects. he’s NEVER WAVERED in his support of her, in the strong hand with which he pressed respect into the nooks and crannies of her body, in his insistence in helping her find a LOVE FOR HERSELF and HER BEING which was so long denied her, which he shared. it was a constant, but it was never a question.
“ i am what i am. ” it’s the simplest answer she can give, the best. she is many things. WOMAN, MUTANT. SISTER, CHILD. LOVER, MURDERER, REVOLUTIONARY. TERRORIST, in the eyes of some. MOTHER, for the briefest moments, and forever now regardless --- something she suspects magda would understand, better than anyone, but she won’t raise that matter, won’t dig up those graves, that unsettled soil. “ and what i have to be. a lot of different people want me to be a lot of different things. that’s NEVER CHANGED THAT. ”
MSHPKHH:
he watches her tear into her food, stuff it into her mouth and he feels a painful tug in his chest. he remembers…. he remembers what it is like to be that hungry. they hadn’t let them eat like that after the liberation, said if they ate too much at once , their stomachs would explode. the memory twists his stomach and nearly makes him nauseous despite the twist of hunger in his belly. he has to close his eyes for a moment to let the prickle of cold-hot sweat pass over him and he can breathe again. when he opens his eyes again, his hands move to pick up the pirogi.
❝ vorsichtig, kelyner. langsam sein, oder sie geben sich ein bauch schmerzen, ❞ he warns before showing her to take slower bites. his bite is big but he doesn’t shovel it down like her. his brows raise as if to say, ‘see?’
he pulls her attention away from her food long enough to earn himself a puzzled look, a wrinkling of her little brow. be slow? EAT LESS? these are unfamiliar concepts, never before put to her. she lives a life of what little she can get, whenever she can get it --- get it, GET IT QUICK before it’s gone. food is the only thing worth having at all, léonie says. the only place you can keep something and be sure no one will snatch it away is the bottom of your belly. GET IT THERE QUICK! “ was ist... ein bauch schmerzen? ” ache, she knows the meaning of. pain, she knows, but these words, pressed together as he has made them --- she is not familiar with this term.
the empty space in her gut cries out for her to continue as she was, to cram more food down her throat until HER BODY IS NO LONGER SCREAMING --- but she fears her patron’s ire, fears displeasing him. what would she do, should he grow angry as vater? should he take back what he’s given her? so she puts down the bread, picks up the concave metal instrument she has been provided with --- SPOON, she thinks. she can guess its purpose. with hands small and shaking she scoops up a meager amount of soup, tries to bring it to her lips. but her hand slips, the spoon tips, the hot liquid spills onto her skirt. it does not burn, temperature has never bothered her too badly, but it startles her --- she jumps, drops the utensil, utters a shrill sound of surprise. in the MOMENT OF BROKEN CONCENTRATION she feels her eyes, turned down to look at her lap, slide back to yellow; and panic forces her heart up into her throat, NO, NO, NO, and she grits her teeth and clenches her body and forces them brown again.
mcckingbiird replied to your post: mcckingbiird replied to your post: ...
listen, sand may not be sexy but you know what is??? glasses. specifically, s.ex with glasses. MMMHMMMM
mmm oh yeah love those gl/asses. so hot
mcckingbiird replied to your post: why………… why me
omg i just had the exact same eight blogs follow me in a time frame of like ten minutes???
what is going on
why............ why me
bitchframed:
you can get out of this party dress but you can’t get out of this skin.
ind. victoria chase of life is strange. private. est 11/16. written by astra.
mythaelogy:
translations of sappho // anne carson & mary barnard
HAUSTE:
the suggestion highlights the alcoves of his features, denting lines into his cheeks. a childish giddiness swells in his stomach–sam is always so appreciative of the care his mother offers, as if it were a variable, as if he thought that, perhaps, he didn’t necessarily deserve it. that saccharine sickness drips inside of him, thick and tarry. he sometimes thinks he can feel it. i’m unclean.
occasionally, he becomes inquisitive of raven’s work, if only because he wants to understand what she does–who she is when she isn’t here. he became accu- stomed to the variances in her appearance at a very young age, unafraid when a flick of scales would alter the structure of her face, or the color of her skin, or the sheen of her hair. it tickled him when she’d impersonate a celebrity, but more than anything, he enjoys her most natural appearances–this, and blue-and-red. those felt like safety, warmth, happiness.
‘ yes, please. ‘
he tilts his head, hungry for more than just food–a parasite to affection. his eyes flutter half shut at the touch of her hand slinking through his messy mop. for a moment, that sickening feeling slinks away, disrupted by the pleasantness that accompanies the receiving of maternal love. ‘ i can get the phone. i know you’re busy with stuff right now. ‘
a SMILE --- both love and relief --- presses into her face. going on a decade of motherhood has improved her culinary skills significantly, yes, and she no longer feels she runs the risk of setting something on fire while TRYING TO BOIL WATER, but her talent in food preparation remains quite limited, does not stretch far beyond grilled cheese and pasta. the kitchen is her wife’s domain; her role in it is only to SNAKE HER ARMS around her SMALL WAIST from behind, press a kiss into her hair behind her ear, WHAT WOULD I DO WITHOUT YOU; to bend her back to rest her chin on irene’s shoulder as she calmly replies: STARVE, PROBABLY.
“ hey. ” she doesn’t want him to feel that he loses her to her work. it brings a tinge of guilt with it --- FRANCISCO ACOSTA is someone’s son, and needs her as much as her own does, or MORE --- but sam is here, and sam is hers, and sam is leaning slightly into her hand in his hair, so deeply drawn to loving touch, and she UNDERSTANDS. “ never too busy for you, right? ” it tastes like a lie. she cannot give up their fight, forsake their brothers and sisters. there will be days when she is distant, with ERIK BESIDE HER, and her hands too far away, too filled with cold metal and men’s blood to run through his hair. TODAY IS NOT ONE OF THEM. “ come on. let’s go look at the takeout menus. ”
UNTIL YOU BREAK, UNTIL YOU YIELD.
NIEDOBITEK:
it’s an unfortunate peril of the job, magda has come to learn - and while it is one that is remedied with certain underhanded acts of vengeance, there is still enough discomfort in the very notion of being touched without invitation. she doesn’t need much convincing to seek out the iced water, but raven is the one that takes too much DELIGHT in the karmic retribution that will soon follow. ❝were you being snippy? ❞ she has to ask, an element of knowing lingering in the exasperated smile that follows before she leans in close to offer forth a conspiratorial whisper. ❝marcy should mind her own business. I know what she’s been getting up to in the bathroom with that truck driver from leeds while still on the clock. some of us have been picking up her slack for weeks. ❞
TOO MUCH is a matter of opinion. raven, personally, thinks she takes exactly enough delight in icing the balls of groping men who think her body belongs to them. it makes her want to shift right there, right in the crowded diner, show off her real body for a change. STILL WANT TO PUT THOSE HANDS ALL OVER ME, BABY?
“ of course not! ” she fills her voice with mock offense, even presses a hand to her chest for effect, pale skin and pink--glossed nails indenting the spread of her button--up top over her breasts, but THERE IS A WINKING MISCHIEF in her eyes. “ alright. maybe a little. but it was deserved! ” she laughs lightly, and then lowers her voice a little further, to a volume fit for the passing of scandals between girls. “ OH, MY GOD. i know. she’s not even quiet about it. ” she lifts one hand to mime pressing it against the grimy tiles of the bathroom wall, leaves the other on her breast, tips her head back, parts her lips --- all movements MORE UNDERSTATED than her usual fare for MOCKING IMPRESSIONS, so as not to draw attention beyond magda’s. “ oh, johnny --- OHH, OH, JOHNNY! ”
hauste:
@transfigurant
his fingers tingle, teeth buzz, tongue twinges–sam is alive with energy. he reaches a small hand to the shag of his brunet hair, scratching at the wall of his temple.
premonitions began with dreams. dreams became reality– then waking moments of the future would burn in the back of eyes. (he’d fainted when it first happened, toppling into her, the whites of his eyes pulled to the forefront of his sockets).
sam doesn’t like the feeling, like he’s.. incapable. not of strength, but of goodness. the dark, murky, infectious feeling, eating away at his heart–like a brillo pad won’t even scrub him clean.
sam. sammy. you’re my favorite.
the eight year old floats his gameboy across the room to set it on a table, letting his hand fall when it’s safely settled.
‘ mom? i’m– ‘
there’s a beat of contemplation. ‘ when are we having lunch? i’m pretty hungry. ‘
her research is spread across the dining room table; she HUNCHES OVER IT like a student during finals week. files bound together with paperclips, faces and names, clipped articles and her own handwritten notes scratched down ON SCRAPS OF PAPER as irene recounted visions. her thumb glosses over a blurry BLACK AND WHITE PHOTO, a venezuelan boy of barely ten, cut from a picture of his school’s soccer team from the front page of a local newspaper --- and PINNED BELOW IT, the near--indecipherable scrawl of her rapid hand, FRANCISCO ACOSTA, 10. x--gene activation: this coming february --- and PINNED BELOW THAT, news clippings, what bare coverage there has been of the radical anti--mutant gang that’s begun terrorizing the venezuelan slums where francisco lives with his father, the MONSTROUS MOTHERFUCKERS who, barring her intervention, on march second will see francisco pulling the power from a streetlight and holding it in his hands and will drag him into an alley and beat his small body and leave him lying there in the dirt until he dies four hours later.
she has FAR TOO MANY of these files.
sam’s inquiring voice --- MOM? --- drags her attention away from francisco, away from her files; this is the smallest sliver of the suffering of their people, and even despite that she WILL NOT SAVE ALL OF THEM. she watches his gameboy come to rest across the room, and rises from the table --- walks to him, reaches over the back of the couch to ruffle his hair. she can no longer touch her daughter, skin to skin, AS MOTHERS SHOULD, but the cross her son bears is not so tangible. “ whenever you like. you want to order pizza? ”
DO I EVER