liminal space

@xandradekok

[soracities]

Octavio Paz, ‘The House of Glances’ (selected lines), A Tree Within (trans. Eliot Weinberger)

[weltenwellen]

Natalie Díaz, from “exhibits from The American Water Museum”, Postcolonial Love Poem

[pneumaturgo]

Rostislav Kostal (b.1943), untitled, n.d.

[Rostislav Košťál]

Place: Mohelno

[pairs-studio]

[harleyweir]

[harleyweir]

[weltenwellen]

Avery Lake, from "Grief Sestina", Horrible Dance

[weltenwellen]

Hanif Abdurraqib, They Can't Kill Us Until They Kill Us

[weltenwellen]

Ocean Vuong, from “Beautiful Short Loser”, Time Is a Mother

[weltenwellen]

Franny Choi, Soft Science

[weltenwellen]

Hanif Abdurraqib, They Can't Kill Us Until They Kill Us

[garadinervi]

Ana Mendieta, Untitled (Blood Sign #2/Body Tracks), (Super-8 film (colour, silent) transferred to video, 1'20"), 1974 [Museum of Contemporary Art Chicago (MCA), Chicago, IL. © The Estate of Ana Mendieta Collection, Courtesy Galerie Lelong & Co.]

[abridurif]

Ana Mendieta, El Laberinto de Venus, 1982

[fredtougas]

It wasn't me you saw à Paris

[tri-ciclo]

Ueda,Yoshihiko, 1986

[tri-ciclo]

Ueda, Yoshihiko, 1986

[weltenwellen]

Hanif Abdurraqib, from “II. The Convenience Store's Broken Glass Speaks”, The Crown Ain’t Worth Much