THE PLENTY
"I'm Dorothy Gale from Kansas"
YOU ARE THE REASON
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@trashybutsophisticated
THE PLENTY
Memory is what tries to make an ephemeral moment last. Hours of ecstasy are never more than a moment. And to this, the greatest attention is necessary, since the emotions are never seen unless in transition and for a few fleeting moments.
The meaning of things can never be permanently fixed.
SMOKE
The room transforms itself through the connection of the stages: long articulated metal bars are also ashtrays. They structure each space and allow them to move and arrange themselves in different ways, configuring the smoking room. The client smokes, acts, and is.
Perla is about the beauty and passion for destruction. Destruction as a sacrifice for the sake of experience and memory.
ACT 1
"I do not rebel against the universal order. After all. I have lived over seventy years. I had enough to eat. I enjoyed many things–the comradeship of my wife, my children, the sunsets. I watched the plants grow in the springtime. Now and then the grasp of a friendly hand was mine. Once or twice I met a human being who almost understood me. What more can I ask?"
ACT 2
“I never tapped into nightlife, all I knew was dancers, we went to bed early and got up early and went to free concerts at the Lincoln Center and Shakespeare in the Park. Then I met this guy, as one does, and he brought me to a nightclub and I was like, ‘Wow’."
ACT 3
“I had no idea this thing was televised. Boy, is my face red.”
ACT 4
“I am pro-young. I wrote my first script at the age of 22 and directed my first film at 25. So I'm for the young. And when people today say I'm 70, I say that's a confounded lie. I'm twice 35, that's all. Twice 35.”
ACT 5
“I am frightfully sorry to disturb you at this hour, Franklin, but matters of a most vital import have transpired and I felt that I must convey them to you immediately.”
Perla
In 1995, a British Columbia justice wrote that, "putting material in the garbage signifies that the material is no longer something of value or importance to the person disposing of it. When trash is abandoned, there is no longer a reasonable expectation of privacy in respect to it. [1]
Furthermore, whereas the life cycle of large scale constructions is growing longer, the life cycle of our houses and the articles we use in daily activities is gradually growing shorter [2], sacrificed when they are no longer of use. [3] As the day's routine proceeds the pile of paper mounts higher: the trash baskets are filled and emptied and filled again. [4] It subordinates life to organized destruction, and it must therefore regiment, limit, and constrict every exhibition of real life and culture. [5]
In a world of global flows of wealth, power, and images, the search for identity, collective or individual, ascribed or constructed, becomes the fundamental source of social meaning. [6] Time is compressed and ultimately denied in culture, as a primitive replica of the fast turnover in production, consumption, ideology, and politics on which our society is based. [7]
Schiller defends his decision to write on problems of aesthetics at a time of political crisis, insisting that the only way to achieve true freedom is through beauty. [8] beauty, in the romantic mind, meant a certain utilitarian order and purposefulness: the new planners set their minds in another direction and sought to preserve and if necessary to introduce the rough, the unexpected, the decayed, the disorganized, the dilapidated.
The destruction of reality, of the material, is necessary if form is to emerge as a meaningful symbol, as an autonomous human creation. [9] This is not to say that the exercise of freedom is completely indifferent to spatial distribution, but it can only function when there is a certain convergence; in the case of divergence or distortion it immediately becomes the opposite of that which had been intended. [10]
As Arendt has written: The man made world of things, the human artifice erected by homo faber, becomes a home for mortal men, whose stability will endure and outlast the ever changing movement of their lives and actions, only insomuch as it transcends both the sheer functionalism of things produced for consumption and the sheer utility of objects produced for use. [11] Thanks to that privilege which does not last but which one enjoys during the brief moment of return, the faculty of being a spectator, so to speak, of one's own absence, there was present only the witness, the observer, with a hat and traveling coat, the stranger who does not belong to the house, the photographer who has called to take a photograph of places which one will never see again. [12] "as an act of moral redemption.” [13]
For example, sophisticated techniques of chemical analysis are used to simultaneously study and preserve ancient wall paintings; fragile objects, such as baskets; and unstable objects, such as metals that are subject to rapid oxidation and decay once they are removed from their buried environments. [14] And to this the greatest attention is necessary, [15] as an effort toward more sustainable practices. [16] The meaning of things can never be permanently fixed. [17]
[1] Zimring__Encyclopedia_of_Consumption_and_Waste
[2] Ockmann__Architecture_Culture_1943-1968
[3] Eco__The_Name_of_the_Rose
[4] Mumford__The_Culture_of_Cities
[5] Mumford__The_Culture_of_Cities
[6] Zimring__Encyclopedia_of_Consumption_and_Waste
[7] Castells__The_Rise_of_the_Network_Society
[8] Harrison_Wood_Gaiger__Art_in_Theory_1648-1815
[9] Semper__Style_in_the_Technical_and_Tectonic_Arts_or_Practical_\
Aesthetics
[10] Hays__Architecture_Theory_since_1968
[11] Hays__Architecture_Theory_since_1968
[12] Zizek__Less_Than_Nothing
[13] Zimring__Encyclopedia_of_Consumption_and_Waste
[14] Zimring__Encyclopedia_of_Consumption_and_Waste
[15] Holt__Literary_Sources_of_Art_History
[16] Zimring__Encyclopedia_of_Consumption_and_Waste
[17] Mallgrave__Modern_Architectural_Theory
White Ipê
The white ipe is one of the lesser known ornamental tabebuias in the usa. It is a medium-sized tree with a mature height of 30 or more feet. It is an upright tree with a somewhat irregular open crown and rough gray furrowed bark. Leaves are green, compound with 3 leaflets, up to 5 inches long, slightly hairy on both surfaces. Flowers are borne in terminal clusters of white to pale pink blooms, 2-3 inches long, which attracts hummingbirds, bees and insects as pollinators. Flowering occurs when the tree is leafless, creating a strikingly-beautiful sight. In brazil and argentina, white ipe is known as a honey tree. Fruits are long narrow hard brown pods up to 7 inches long, containing numerous winged seeds. Seeds and cuttings serve for propagation. White ipe is a timber tree in its native area, with hard dense wood used in construction. It is a good tree for reforestation being a pioneer species; it is hardy and is easy to grow on any well-drained soil and has no serious pest or disease problems. White ipe is an excellent patio plant, street tree, in parking lots islands and generally in gardens and parks.
Kadupul flower
Epiphyllum oxypetalum (Dutchman’s pipe, Queen of the night, Kadupul Flower) is a species of cactus and one of the most cultivated species in the genus.
Family: Cactaceae Genus: Epiphyllum
This beautiful white-yellow colored rare flower comes from Sri Lanka, where it is called Kadupul Mal or Flower from the Heaven. In India it is called Brahma Kamalam, named after the Hindu god of creation, Lord Brahma. It is also believed that the wishes of People who pray to God while the flower is blooming will be fulfilled.
The flower has a rich history in Japan, where it is known as the Gekka Bijin or “Beauty under the Moon”.
In Chinese language this flower is used to describe someone who has an impressive but very brief moment of glory, like a “flash in a pan”, since the flower can take a year to bloom and only blooms over a single night.
Kadupul Flower can be found from Mexico to Venezuela, as well as Brazil. It also can be found, cultivated in parts of America with warmer temperature such as Texas or California.
The Kadupul Flower is a rare plant, and it cannot be picked without causing damage to it. It only blossoms at night and emanates a calming, lovely fragrance. It will only last for hours after being picked and has never made it to the shops, not even online. It is the flower that cannot be bought.
Flower start blooming between 10pm to 11pm and continue to bloom for about two hours. Soon after its full bloom the flower starts to fade and completely wilt before the dawn.
This epiphytic plant grows in the forks of large trees, where the decayed particles of bark and moisture collect to give it a rich protective foothold. The plant has leathery leaves, but not as thick as that of the cactus. The leaves are long with scalloped edges. The scallops point downwards. During the Sri Pada season, November to March, a little shoot appears at the point where two scallops meet; the shoot grows to a length of about five inches before it bears a bud, which hangs down on its slender stem.
Kadupul Flower is the legendary flower of the Celestial Nagas. It is believed that when these flowers bloom, the Nagas come down from their celestial abodes, to offer them to the Buddha on the Holy Mountain Sri Pada. The strange fragrance, the midnight miracle, and the fact that flowers bloom in the season when people flock to Sri Pada, seem to add authenticity to this belief.
There are two types of Kadupul in Sri Lanka which are slightly different. First type of kadupul plant has long leaves (about 2 meters) without a stem and flowers are small (about 15 cm in diameter) with thin petals.
reward
reward (n.)
mid-14c., "a regarding, heeding, observation," from Anglo-French and Old North French reward, back-formation from rewarder (see reward (v.)). Meaning "repayment for some service" is from late 14c. Sense of "sum of money in exchange for capture" is from 1590s.
reward (v.)
c. 1300 "to grant, bestow;" early 14c. "to give as compensation," from Old North French rewarder "to regard, reward" (Old French regarder) "take notice of, regard, watch over," from re-, intensive prefix (see re-), + warder "look, heed, watch," from a Germanic source, from Proto-Germanic *wardon "to guard" (from PIE root *wer- (3) "perceive, watch out for"). Originally any form of requital. A doublet of regard. Related: Rewarded; rewarding.
synonyms
accolade
award
benefit
bonus
bounty
compensation
dividend
honor
premium
profit
punishment
remuneration
sacrifice (n.)
late 13c., "offering of something (especially a life) to a deity as an act of propitiation or homage;" mid-14c., "that which is offered in sacrifice," from Old French sacrifise "sacrifice, offering" (12c.), from Latin sacrificium, from sacrificus "performing priestly functions or sacrifices," from sacra "sacred rites" (properly neuter plural of sacer "sacred;" see sacred) + combining form of facere "to make, to do" (from PIE root *dhe- "to set, put").
Latin sacrificium is glossed in Old English by ansegdniss. Sense of "act of giving up one thing for another; something given up for the sake of another" is first recorded 1590s. Baseball sense first attested 1880.
synonyms
atonement
deduction
discount
libation
oblation
offering
penance
reduction
reparation