move into my airspace

interpol, carlos d + paul banks sideblog

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Paul Banks and Carlos Dengler of Interpol performing at the Gypsy Tea Room in Dallas, Texas (Sept 23, 2002)

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This bass line will keep me from being institutionalized

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carlos d and leather

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im backjkkk!!!!

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playing to each other during hands away

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I wasn’t the only monster, of course: our singer, whose lyrics and vocal timbre give that first record of ours a special place in the indie-rock pantheon, was so prone to his vodka cocktails that you can hear the tinkle of ice cubes leaking into the mic during one of our song openings. He and I, although not the best of friends, made for a compelling tag team of depravity during the band’s early days.

- Carlos Dengler in nplusonemag

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your baby is worthless if it isn’t a dj

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Paul Banks and Carlos D. on Antics

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Interviewer: Why did you go back to Connecticut to record?

Paul Banks: We wanted to go back to the same studio we already used so we could better use the gear and get our own sounds and eploit our knowledge of that equipment, that studio and the engineer. The other thing was that we didn´t look at the recording of this record as our big elaborate our extravagant kind of magnum opus. That´s correct right? An opus is kind of like a huge...

Carlos D.: ... an opus is your work.

PB: Body of work?

CD: Body of work.

PB: So opus is the wrong word.

CD: No, it´s not body of work - it´s a work.

PB: So it´s fine. It´s very grand.

CD: Yes, it´s a big work.

PB: We kind of looked at it like we were gonna put out another rock record that was written and recorded like our first one with the four of us in our little room in Brooklyn and we´re just gonna record and we´re not gonna fucking - sorry for swearing - hire a symphony or rent a celloist. We´re gonna...

CD: Cellist.

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you answer it, no you answer it. fine.

Carlos is such a dick LOL