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SANTA MARIA IN CAMPITELLI, ROME - isometric section drawing (Anna Nasonova)

_ik

#isometric drawing #sectional drawing

SESSION ONE - “LOOK”

setting up the final presentation of the work the night before.......still missing on the walls is the composite plan oblique axon.

_ik

#drawing #presentation #final review

PETER ZUMTHOR - cover of Roman ruins in Chur; pencil drawing [section]

_ik

#Peter Zumthor #drawing #pencil #tone #line #line weight

AXONOMETRIC CONSTRUCTION - PLAN OBLIQUE

Chris Dove, pencil (pencil + charcoal in bottom drawing) on trace......creating tone with hatching

http://www.studiodove.co.uk/illustration

_ik

#Chris Dove #axonometric drawing #plan oblique #axonometric section

MORPHOSIS HOUSING, Madrid - exploded axon drawing by Bobby Zhao

_ik

#Morphosis #axonometric drawing #plan oblique #exploded axon #lines

NEYRAN TURAN - LV HOUSE, Houston, Texas

http://nemestudio.com/projects/lv-house

_ik

#Neyran Turan #house #drawing #axonometric drawing #iinvisible lines

TRANSPARENCY DRAWING - Redrawing of Sibley Hall, by Hallie Black, Cornell University, class: ARCH 4509- Re-drawing

https://aap.cornell.edu/student-work/transparency-analyses

_ik

#transparency #drawing #isometric drawing #space as solid

COMPOSITE DRAWING - TEd’A ARQUITECTES

https://www.drawingmatter.org/sets/drawing-week/ted-arquitectes/

constructing a composite drawing.......mock-up of a collage of separate drawings.

“....Drawing is a matter of rigour and precision. With the drawing, the space is dimensioned and calibrated.”

_ik

#drawing #collage #composite drawing #process #rigor #precision #TEdA Arquitectes

PETER EISENMAN - AXONOMETRIC DRAWINGS [plan oblique]

_ik

#Peter Eisenman #aonometric drawing #plan oblique #line #line weight #hidden line

THE MASTERY OF AXONOMETRIC DRAWING - LOK-KAN CHAU

https://www.drawingmatter.org/index/chau-lok-kan-axonometric-final-proposal-sans-roof-2016/

“.....The final building design project began with hand-sketches followed by digital modelling, then hand-sketching on screenshots of the digital model. It was a back-and-forth process. Looking on a computer screen is always different from looking on paper, different from looking into physical models, and different from visiting a real building. Multiple media ensures our imagined space is as close as possible to that constructed.”

_ik

#Lok-Kan Chau #axonometric drawing #tone #texture #hatching #composite