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@skippydiesposting's writing/art/hobby sideblog | "all fandom is a form of tunnel vision, dark and warm and infinite in one direction" - Zadie Smith

[tunnelvvision]

hi, I'm wyatt (she/her) and I mainly post about my favorite book (and other tangentially related interests) on @skippydiesposting -- this is my art/writing/hobby sideblog, I'm trying to get back into sharing my original fiction and art (maybe also book reviews but we'll see) and I will probably also be posting about my rats fairly regularly 🐀

about me: I live in the PNW and work in a neurology lab researching mouse models of neurodegeneration; I have a dog who is the love of my life and I've also been hobby-breeding rats for the past year. I read (+ write) mostly contemporary literary fiction, but I also journal every day and write nonfiction every once in a while. I would love more litfic writing buddies and I will start a book club at any time for any reason. favorite authors include: Paul Murray, Barbara Kingsolver, Steve Erickson, Elisa Albert, Leni Zumas, Carmen Maria Machado, Nancy Huston, Jonathan Safran Foer, Zadie Smith, George Saunders, and Jenny Offill

links: blurb of my current fiction project here | index of chapters | link to playlist | link to pinterest board (coming soon)

tags: my writing | my art | my OCs | rats (coming soon)

[pantserspen]

How to Fix Overwriting

1. Know why you’re overwriting.

Overwriting usually comes from fear—fear the reader won’t feel enough, understand enough, or care enough. When you know why you’re adding too much, you can fix the cause instead of just cutting words.

2. Remove repetition, not emotion.

If multiple sentences express the same idea, keep the strongest one. You’re not deleting feeling—you’re sharpening it.

3. Trust the reader to understand subtext.

Readers don’t need every emotion spelled out. Actions, reactions, and choices already communicate more than explanation ever could.

4. Use one concrete detail instead of many vague ones.

Specific sensory or physical details create stronger emotion than listing abstract feelings. One image lets the reader do the emotional work.

5. Filter description through your character’s perspective.

Your character won’t notice everything, especially in intense moments. Limiting description to what they would notice keeps scenes tight and immersive.

6. Cut intensifiers immediately.

Words like very, really, and extremely weaken prose instead of strengthening it. Strong verbs and images do the job better.

7. Let dialogue stand on its own.

Dialogue already carries tone and emotion through word choice and rhythm. Adding explanations often flattens its impact.

8. Keep metaphors purposeful and rare.

Too many metaphors compete with each other and slow the scene. One strong comparison is more memorable than several decent ones.

9. Read your work out loud.

Overwriting becomes obvious when you hear it. If a sentence feels long, heavy, or tiring to say, it likely needs trimming.

10. Ask what the paragraph accomplishes.

Every paragraph should move the story forward, reveal character, or raise tension. If it doesn’t, it’s probably indulgent filler.

11. Edit separately from drafting.

Overwriting is allowed in early drafts. Clean prose comes from revision, not self-censorship while writing.

12. Cut more than you think you should.

Most overwritten paragraphs can lose 30–50% of their words without losing meaning. Tightening prose almost always makes it stronger.

[stealingpotatoes]

i love OCs. like this is my emotional support dressup dolly that i beat the living shit out of

[stealingpotatoes]

actually you know what ELSE i love?? cheerleading my friends while they beat the living shit out of their beloved emotional support dressup dollies

[tunnelvvision]

baby rats are at the 'so ridiculously cute they look fake' stage of life 💞

[tunnelvvision]

F0 + F1 family tree of the rat colony

[tunnelvvision]

all the books I read in 2024 📚🌟