Anna Karina and Marcello Mastroianni Photographed by Georges Menager (Paris Match) on the set of the film 'L'Etranger' By Luchino Visconti. Algiers, February 1967.⭐️
Noah Kahan

No title available
Interview Vampire Daily
todays bird

roma★
YOU ARE THE REASON

#extradirty
ojovivo
TMBGareOK. The Official They Might Be Giants tumblr

pixel skylines

tannertan36
Today's Document

Origami Around
tumblr dot com
𓃗
KIROKAZE
🩵 avery cochrane 🩵
d e v o n
sheepfilms

Discoholic 🪩
seen from United States

seen from United States

seen from Argentina
seen from United States
seen from United States

seen from Türkiye
seen from Austria

seen from United States

seen from United States

seen from United States

seen from T1
seen from United States
seen from Australia

seen from Ukraine

seen from Türkiye
seen from Türkiye
seen from Italy

seen from United States
seen from United States

seen from Colombia
@tvindek
Anna Karina and Marcello Mastroianni Photographed by Georges Menager (Paris Match) on the set of the film 'L'Etranger' By Luchino Visconti. Algiers, February 1967.⭐️
Scottish Rural Post Offices in the 1970s (Photo by Douglas Corrance)
March 1984 advert by WHSmith for Flashdance, What A Feeling! video
William Klein, Rome, 1956
The interior courtyard of the Hôtel de Rohan that housed the State Printing House of France from 1808 until 1921. (Musée Carnavalet, Histoire de Paris.)
Founded as a Royal Printing House in 1640, it was briefly renamed the Printing House of the Republic following the 1789 French Revolution. It took two more revolutions before it finally became the National Printing House in 1848, only to be renamed the Imperial Printing House under Napoleon III and to regain the title “National Printing House” after the collapse of the Second Empire in 1870. But it was during the Commune that, for the first time in its history, the National Printing House was supervised by a worker-typographer. During this brief period, the historic institution was restructured to introduce self-management, the abolition of penalties, the replacement of piecework wages with weekly wages, and a simplification of hierarchy.
Ali Akbar, the Pakistani-born 73-year-old is believed to be the last remaining newspaper vendor in the French capital, and was awarded a knighthood by France's President Emmanuel Macron last month. Photo by GUILLAUME BAPTISTE/AFP.
Macron went on to refer to Akbar as "the most French of the French — a Voltairean who arrived from Pakistan." A job that once dotted street corners across the city has almost vanished, pushed out by the internet and the collapse of print journalism sales. In a city that now gets most of its headlines on phones, Akbar still delivers them by hand. At 73 years old, Akbar still works seven days a week, 10 hours a day — rain or shine.
People in the neighborhood say Akbar has given them something priceless — a chance for daily human connection. "He's interested in you, and then you're interested in him," says longtime customer Michel Mimran. "And this is very rare now in the big cities."
Michael Wolf (1954 -2019), Bastard Chairs in Hong Kong (photo series from 90's)
“They are not elegant, nor are they always comfortable. But neither are they mass-produced: they are individuals. In China, the objects used for sitting are as manifold as the occasions for sitting. Each chair and stool has its own character, is a companion, a bastard, or a venerable elder. Their occupants sit close to the floor, introspective, watching the world go by, without the pressure of time.”
– Michael Wolf, Sitting in China
Photograph from 1891 of the building in Hamburg where Brahms was born. It was destroyed by bombing in 1943.
Martin Parr, Lynotts Bar, Manorhamilton, County Leitrim, Ireland, 1983
19th-century classroom, Auckland, New Zealand
Foto de Barry Feinstein. Bob Dylan e a juventude em Liverpool, 1966.
Clarice Lispector (1920 - 1977)
“Workers, farmers, anti-fascists, Spanish patriots. The entire country is outraged by these ruthless barbarians who are throwing our democratic Spain back into an abyss of terror and death,” said Dolores Ibárruri, General Secretary of the Spanish Communist Party, to a crowd in Madrid in July 1936. The speech marked the beginning of the Spanish Civil War, a nearly three-year struggle between democracy and fascists that left more than a million dead. It was a call to unify, an appeal to Spain to defend itself against the threat of fascism. The fascists eventually won the war in early 1939, and General Francisco Franco ruled Spain with an iron fist until his death in November 1975.
Lucía Topolansky and José Mujica met in the 1960s. It was a story of love and revolution. Both survived political imprisonment and military dictatorship. Mujica served as the 40th president of Uruguay from 2010 to 2015.
Gal Costa (1945-2022). Foto de Fernando Rabelo. Gal Costa durante o show “O Sorriso do Gato de Alice”, no Imperator. Rio de Janeiro, 1994.
On June 19, 1953, just one day before the scheduled execution of their parents, Julius and Ethel Rosenberg, young Michael (10) and Robert (6) were photographed reading the devastating news. The Rosenbergs had been convicted of conspiracy to commit espionage, accused of passing atomic secrets to the Soviet Union during the height of the Cold War. Their trial and execution became one of the most controversial moments in American history, fueling debates about justice, politics, and fear in an era defined by suspicion.
After their parents’ execution, Michael and Robert were left orphaned and rejected by most of their relatives, who feared the stigma of being associated with the Rosenberg name. Salvation came when they were adopted by Abel and Anne Meeropol. Abel, a poet and teacher remembered for writing the haunting anti-lynching song “Strange Fruit,” gave the boys not just a home but a nurturing, politically aware environment that helped shape their future. They took the Meeropol surname and grew up determined to build meaningful lives out of a tragic beginning.
As adults, both brothers carved out paths that reflected both intellectual rigor and social commitment. Michael became an economist and professor, while Robert pursued law and later founded the Rosenberg Fund for Children, dedicated to supporting children whose activist parents face persecution. Together, they have spent their lives reassessing the case that defined their childhood—acknowledging Julius’s involvement in espionage while arguing passionately that their mother, Ethel, was unjustly convicted and executed with scant evidence.