You sleep in. It’s not a comfortable sleep and it’s not a restful sleep, but you stay stationary as long as you can, knowing it’s necessary to heal. This is the time you spend largely considering what you should do. You didn’t finish getting through that palace, and you know what could very well happen if you fail. Your injury isn’t a joke, and while you don’t think the palace is particularly hard (it was your own folly that you ended up like this), you also know that it’s a significant and life threatening risk to go back in like this.
You consider, just for a little while, seeking help.
At some point you even have Ryuji’s chat window open as you lay there–he was the one most tolerant of your circumstances–but you end up closing the app and putting down your phone.
You can’t drag him or anyone else into this. You can’t make Ryuji an accomplice to murder.
The less they know and the less they’re involved, the better. You’re the only one who needs to be the monster.
You’ll be more cautious when you re-enter. You can do it on your own.
And so, when you can’t stay in bed anymore, you get up and carefully eat food, drink plenty of water, and make a lot of very strong coffee to put in a thermos.
Valdemar’s still in your apartment, but eventually, they leave to get more supplies.
That’s when you gather the meds and items you’ll need (including aforementioned coffee) and head back out. You have half of a day to get through the rest of this palace.
This time you’re careful. This time you go as slow as you need to, and rely much more heavily on Robin Hood than Loki.
You take frequent breaks. You rest in the safe rooms far longer than you usually would. You hide and sneak around instead of just forcing your way through everything. When you do have to fight, you use your personas more than any physical attacks.
It’s a long process, and it’s so overwhelmingly exhausting, but with the thanks of the abundance of shit you brought with you, you’re able to get through.
You manage to defeat the shadow–a truly repugnant man, utterly irredeemable and someone you don’t feel bad killing–and unhesitatingly complete your mission.
Escaping the collapsing palace is probably the most worst physical exertion you had to do today.
But you make it and you get back to the real world without issue.
You can tell that you’ve reopened your wounds to some extent, but they haven’t bled through your clothes yet, so you don’t think you completely tore through them. What a narrow success.
You take out your untraceable phone–the extra one you use only for sending Valdemar information on your victims–and send the customary text with the man’s address. They kept up their part of your bargain, so you’ll keep up yours.
Then you check your actual phone.
🗡️: I’m coming to find you.
You sigh. This is why you asked Haru not to tell him.
You don’t blame her, though. She has less reason to trust you than even the rest of them do.
You have a text from Valdemar, too. Akira tried to break in, apparently, and they “subdued” him. You wince a bit.
12/31 @ 7:12pm
From: Akechi
To: Kurusu
Ⓐ: I did not tell you because I know you care.
Ⓐ: I am on my way home.
You text Shido on your way as well, so he doesn’t get on your ass.
By the time you finally make it back to your apartment, you find that Valdemar’s still here instead of going after the victim, and Akira’s tied to a chair.
You refrain from collapsing as soon as you walk through the doorway.
“Did you have a nice day at work? Oh, I’m sure it was just a fantastic little outing for you.”
“Are you in a hurry to die, Goro Akechi? I’m beginning to think so,” you say, hands folded in your lap sit still as a statue, never mind the fluffbrained hooligan tied up a few feet away. Things have changed since last night. You have changed since last night, and it’s absolutely for the worst. You told yourself you would be through with this awful beast of a child by the end of today. And yet here you are, waiting patiently for him to return.
You cross the room, having no time for the indignant noise the dark haired child makes as you close in on your patient. You take his things, removing some of the weight that is probably doing horrendous things to your stitch work. He shouldn’t be lifting, or moving at all. But you suppose the self righteous sack of skin and meat you both answer to must have penciled himself so far into a corner that error wouldn’t be an option. The boy’s insistence on completing this mission of his confirms a lot of things.
“Sit down. I’m redressing your wounds, and assessing what you’ve done to my work immediately.”