Manuela.

Type Diary 2017

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Designed by Robert Slimbach. 

The typeface is named after John Warnock, one of the co-founders of Adobe. 

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Designed in 2013 by Rui Abreu, a Portuguese type designer. 

The design features a geometric skeleton combined with more humanist features that make it feel warmer and friendlier.

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Designed by Mitja Miklavčič in 2011. 

It was created as the sans companion to the popular serif FF Tisa.

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Designed by Gareth Hague and released through Alias in 1998. 

Harbour is a unique typeface that combines elements of blackletter and Latin letterforms. 

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Designed by Gareth Hague and published through Alias in 2012.

Originally commissioned for Another Man magazine. 

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Published in 2014 by Switzerland-based foundry Type Dynamic. 

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Designed by William Caslon in 1722. 

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Published by Germany-based URW++. 

The design is based on Helvetica but attempts to clean up some of the “mistakes” of the original Helvetica. 

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Designed by Konrad Bauer and Walter Baum. 

Released in 1957 for the Bauer Type Foundry, the same year that Helvetica and Univers were released. 

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Designed by Giambattista Bodoni in 1798. 

Earlier versions of Bodoni were considered Transitional while the later versions fall into the Modern category. 

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Designed by Morris Fuller Benton. It was released through American Type Founders in 1907.

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Designed by German type designer Wilhelm Pischner. 

Originally released in 1928 and the design was intended to be timeless with no distinguishing characteristics.

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Designed by Veronika Burian of TypeTogether. 

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Designed by Robert Slimbach and published through Adobe in 2015. 

Slimbach set out to design a contemporary neo-grotesque that could work as a text face. 

Designer Jeffrey Zeldman describes Acumin as “a Helvetica for readers.”

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Display version of the typeface Freight Text, designed to be used at larger sizes for display and headline usage. 

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Released through Swiss foundry Type Dynamic in 2013. 

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Designed by Toshi Omagari and published through Monotype in 2015. 

It’s an expanded, digital revival of the long-lost Haas Unica, a typeface that was designed in the late 1970s but later pulled from the market due to legal disputes.