Designed by Robert Slimbach.
The typeface is named after John Warnock, one of the co-founders of Adobe.
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@typediary
Designed by Robert Slimbach.
The typeface is named after John Warnock, one of the co-founders of Adobe.
Designed in 2013 by Rui Abreu, a Portuguese type designer.
The design features a geometric skeleton combined with more humanist features that make it feel warmer and friendlier.
Designed by Mitja Miklavčič in 2011.
It was created as the sans companion to the popular serif FF Tisa.
Designed by Gareth Hague and released through Alias in 1998.
Harbour is a unique typeface that combines elements of blackletter and Latin letterforms.
Designed by Gareth Hague and published through Alias in 2012.
Originally commissioned for Another Man magazine.
Published in 2014 by Switzerland-based foundry Type Dynamic.
Designed by William Caslon in 1722.
Published by Germany-based URW++.
The design is based on Helvetica but attempts to clean up some of the “mistakes” of the original Helvetica.
Designed by Konrad Bauer and Walter Baum.
Released in 1957 for the Bauer Type Foundry, the same year that Helvetica and Univers were released.
Designed by Giambattista Bodoni in 1798.
Earlier versions of Bodoni were considered Transitional while the later versions fall into the Modern category.
Designed by Morris Fuller Benton. It was released through American Type Founders in 1907.
Designed by German type designer Wilhelm Pischner.
Originally released in 1928 and the design was intended to be timeless with no distinguishing characteristics.
Designed by Veronika Burian of TypeTogether.
Designed by Robert Slimbach and published through Adobe in 2015.
Slimbach set out to design a contemporary neo-grotesque that could work as a text face.
Designer Jeffrey Zeldman describes Acumin as “a Helvetica for readers.”
Display version of the typeface Freight Text, designed to be used at larger sizes for display and headline usage.
Released through Swiss foundry Type Dynamic in 2013.
Designed by Toshi Omagari and published through Monotype in 2015.
It’s an expanded, digital revival of the long-lost Haas Unica, a typeface that was designed in the late 1970s but later pulled from the market due to legal disputes.