Bureaux in Pierrelatte (FRA), Atelier EGR, 2021
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Sade Olutola
occasionally subtle

PR's Tumblrdome
Xuebing Du

roma★
No title available
YOU ARE THE REASON
Game of Thrones Daily

shark vs the universe
NASA
Keni
Lint Roller? I Barely Know Her

Kiana Khansmith
untitled
One Nice Bug Per Day

Product Placement
TMBGareOK. The Official They Might Be Giants tumblr
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titsay
seen from Indonesia
seen from Türkiye

seen from Singapore
seen from Vietnam
seen from Türkiye
seen from Ireland

seen from Malaysia

seen from Malaysia
seen from Canada
seen from United Kingdom

seen from Netherlands

seen from Russia
seen from United Kingdom
seen from Germany

seen from United States
seen from Türkiye
seen from Australia

seen from Bulgaria
seen from United States
seen from Türkiye
@tyre-fire
Bureaux in Pierrelatte (FRA), Atelier EGR, 2021
Tellaro, 1982-85, Luigi Ghirri
Architecture will always be an unfinished thing. You start out with a drawing that’s a projection of what the future might be – but it’s incomplete. By the time you build it, it’s a ruin of the original idea, and once it’s inhabited, it’s lost its pristine condition, then when it stops being occupied other forces take over and continue to change it. The idea that buildings are not static but always moving, shifting and changing
Frida Escobedo, 032c
Victorville, California, 2006, Sze Tsung Nicolás Leong
Source: Yossi Milo Gallery
Galleria P420, Bologna, 2016, Nicholas Dorval-Bory
Source: Nicholas Dorval-Bory
Grizzana, 1989-1990, Luigi Ghirri
Untitled (Stairs), 2001, Rachel Whiteread
Plaster, fibreglass and wood
Source: Tate
Sol LeWitt Upside Down - Structure with Three Towers, Expanded 23 Times, Split in Three, 2015, Haegue Yange
Powder-coated aluminium, steel, plastic, LED lights and nylon
Source: Tate
A Special Day, Genova (ITA), 2018, Valter Scelsi
Source: Divisare
Gallaratese Quarter, Milan, 1972, Aldo Rossi, Carlo Aymonino
Photography: Gili Merin
Finestra II, Arduino Cantafora, 2016
Vinyl and oil paint on board
Finestra I, Arduino Cantafora, 2012
Vinyl and oil paint on board
Domenica Pomeriggio IV, Arduino Cantafora, 2016
Vinyl and oil paint on board
St Michael Parish Church, Frankfurt, 1952-56, Rudolf Schwarz
Photography: Klaus Kinold
Source: aut
Note covering of the Allerheiligen-Hofkirche, Munich, 1971, Hans Döllgast
Photograph: Klaus Kinold
Source: aut
Facade detail, Restoration of the Alte Pinakothek, Munich, 1946-57, Hans Döllgast
Photograph: Klaus Kind
Source: aut
Church of Corpus Christi, Aachen (GER), 1929-1930, Rudolf Schwarz
Source: Archipicture