É o meu aniversário de 12 anos no Tumblr 🥳
occasionally subtle
macklin celebrini has autism
sheepfilms

Product Placement

blake kathryn

Game Changer & Make Some Noise

Discoholic 🪩

Jimmy Eat World
The Bowery Presents

Jar Jar Binks Fan Club

ellievsbear
EXPECTATIONS

@theartofmadeline
Phantogram Three

if i look back, i am lost
Interview Vampire Daily
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untitled
Lint Roller? I Barely Know Her
One Nice Bug Per Day
seen from United States

seen from Bulgaria

seen from United States
seen from United States
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@uglyxxxcat
É o meu aniversário de 12 anos no Tumblr 🥳
Kate Moss @ Versace Atelier Fall/Wint 1995
Jean Luc Amsier: Autumn/Winter 1998
Maison Martin Margiela for Studio Voice (1998)
Jean Paul Gaultier Spring/Summer (1990)
Alek Wek for Dutch Magazine (2001) Photography: Mario Testino
Numéro China September 2018
Salem Cigarettes Magazine Ad (1999)
Y-3 by Yohji Yamamoto
amber zarate
Bailey Elder (2020)
Manuel Barbadillo, 1972
This screenprint is the outcome of a series of visuals trials carried out using a computer and a bespoke program (for an example of the original computer print out, see E.158-2008). Barbadillo wrote a computer program that would enable him to rotate the U-shaped forms within a grid, to produce any number of different patterns. The artist assigned the forms numerical values and used a series of rules to alter these values and to explore the relationship between the forms. Barbadillo would then compare the different outcomes in a sequence to decide which one was visually the most effective, and should be developed further into a screenprint, as with this work, or into a painting. By using the computer as a tool, Barbadillo was able to process much larger quantities of information than would otherwise have been possible.
Coconut frond wall panel, 1975.
From “Willowspokes and wickerwork; the nature book of weaving with wild-growing things” by Cleo Stephens.