if everybody knew — you never did.

ingrid. she/her, mid twenties. sometimes i make stuff.

[ghiblin]

creatures in MY NEIGHBOR TOTORO となりのトトロ 1988, dir. Hayao Miyazaki

[inthetags]

reblog and meow in the tags but in your native language

[henricavyll]

Let’s leave the Jews out of this just for a moment. Let’s think of another minority. One that… One that can go unnoticed if it needs to. There are all sorts of minorities, blondes for example… Or people with freckles. But a minority is only thought of as one when it constitutes some kind of threat to the majority. A real threat or an imagined one. And therein lies the fear. If the minority is somehow invisible, then the fear is much greater. That fear is why the minority is persecuted. So, you see there always is a cause. The cause is fear. Minorities are just people. People like us.

A SINGLE MAN (2009) dir. Tom Ford

[classicalcanvas]

Summer night on the beach (1903) by Edvard Munch

[kremeroyale]

When the deer picks a better distance than your horse usually does

[lostfunzones]

Poets Walk at Sunset. By Richard Cartwright.

[seanklingelhoefer]

PAN-O-RAMA

Großglockner Hochalpenstraße, Heiligenblut, Austria 2018.

CONTAX G2 | Zeiss Biogon 28mm f/2.8 | Kodak Gold 200

[naomi-watts]

 I will return. Find you, love you, marry you and live without shame.

Atonement (2007) dir. Joe Wright

[girlbloke]

I need a boyfriend do you guys know anybody? I’m mid and hateful btw

[psikonauti]

Marion Stephan (German,b.1968)

Der Fuchs ist zurück (The fox is back), 2010

Oil on canvas

[bigskycastle]

gazehounds

[greengableslover]

JANE EYRE (2011) dir. Cary Joji Fukunaga

[alnitaks]

koujayn by marta mamon & hair by marília rohr

[weepingwidar]

Mia Bergeron (American, 1979) - Giants (2026)

[swedishlandscapes]

The pale december sun illuminating the landscape on this very cold day.

[clawmarks]

Stormy landscape; rays of sunlight breaking through clouds and falling on lake and green meadow, hills beyond - Penry Williams - c.1855-1885 - via The British Museum

[urgetocreate]

Jeremy Miranda (American), End of Day, 2025, Acrylic on panel