attack i did a little while ago :3
af: bonefishbunny
Not today Justin
Jules of Nature

roma★
noise dept.
ojovivo
Show & Tell
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d e v o n

pixel skylines
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hello vonnie
🩵 avery cochrane 🩵
Noah Kahan
Doug Jones

Andulka
NASA
EXPECTATIONS

#extradirty
Game of Thrones Daily
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@umberpath
attack i did a little while ago :3
af: bonefishbunny
Wheat Field with Cypresses at the Haude Galline near Eygalieres (1889) by Vincent van Gogh
Between 1971 and 1972, Swedish artist Sten Eklund created a series of 53 hand coloured etchings that he called Kullahusets hemlighet (the secret of the Kulla house). The etchings are a work of fiction, presented as the work of botanist J. M. G. Paléen, who in 1849 discovered a strange area surrounded by magnetic fields. He encountered no people in the area, but plenty of evidence of human-like activity: agriculture, mining, etc. When later on he tried to return to the area to do further research on it, he was unable to find it again.
The images range from maps to technical drawings to plant, mineral and insect studies. They are enigmatic, familiar the way a recurring dream is familiar. Looking at them, I feel like I'm about to reach a sense of understanding at any moment - but it remains just out of grasp.
A now out of print book with all the images was produced in 2016. I found an incomplete list of the titles on an auction site and the titles of the images are so evocative that I wanted to translate and share them. I think not having an image for every title adds a new layer to the artwork. Understanding is fragmenting and slipping between my fingers.
List of motifs:
The Kulla house, overview.
The Kulla house. Blueprint.
Overview of the Kulla house area. 3:1&2: Cross section with variations in elevation.
Possibly a device for energy transformation or communication.
Detail from the above.
The screens. Occurred all over the area. Probably intended for the uptake of solar energy.
The screens. Technical drawing.
Technical drawing of different wagon types. The upper wagon open, the lower hermetically sealed.
Communications central (?) with strange vessels, "ferries", controlled by the stones placed in a row in front of the building. 9a. The stones in front of the central.
The treatment plant. Seems to be designed not to allow emissions through the magnetic curtain.
The engine room inside the treatment plant.
The wagon area at the top of the Kullait mountain. 12a. Detail of the wagons.
Geological map of the Kulla house area.
The rock at the entrance of the Kulla house area.
The open-pit mine (2 in fig. 3).
The type of rock by the "Kulla house" (1 in fig. 3).
Mineral I. Slightly larger than natural size.
Mineral II. Slightly larger than natural size.
I-III. The Kullait quarry.
Botanical map.
Horsetail plant from the farm (fig. 20/3).
Algae (fig. 20/16).
Fruit from bush grown by no. 4 in fig. 20. 23a. The same as the above.
Consequences of the rising temperatures.
Overview of the until then prevailing type of vegetation.
The trees by the yellow dots in fig. 20. A kind of peculiar overgrown lichen, or possibly stunted palm species.
Silphium connalum.
The hotbeds.
The hotbeds, technical drawing.
From the lichen cultivation.
One of the houses by no. 4 in fig. 3.
Stool from the house area.
Table.
Box (storage).
Vessel.
Meteorological map. One can see that the heat development shows a kidney shaped characteristic starting from the Kulla house (1).
Flying device (soundless).
From the interior of the Kulla house. Stand with pipes.
The wall. In front of the wall we can see one of the frames (stands).
Some of the machines in proximity to the wall.
The storage building by no. 11 in fig. 3.
"The white spot", one of the heaps of white powder found in multiple locations within the area.
The insect.
The greenhouse by no. 3 in fig. 3.
Seed dispersal area.
Moss.
From the interior of the Kulla house (Camera Obscura).
Images nicked from here.
colored pencil test
ball.
truly the idea of "this scene is (un-)necessary to the story" is such a fundamentally uncurious and anti-art way of engaging with fiction. the story itself is unnecessary, in the sense that all art is unnecessary, because art is not a fucking optimization problem. that's the beauty of it
September 3, 2023
I don't understand why Shuri has to move to the Capital. He said its for studying, but why can't he do that in our school? Rasha goes to our school, and all my cousins, too.
Mom said it's because the Queen says he's smart enough to study in the Royal Academy and become a royal botnasist, but she's always telling us that you can't learn between brick walls because you need to go out and look at things yourself. What's up with that?
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I had to dig Ish out from under the ramp again, all squirm and screech before he ducked under my cloak to tug at my pouch.
"I'll come with you," he cried, "I'll be really quiet, I promise."
I had to sit down to force him back out from under me and when I did, he was white to his ankles, his face achurn with a mottled veil. My reds burned to match the expression but with great effort I managed to keep the grief polite. "I'll still come back each week," I promised.
It took a while and repeated promises 'til he was red again, and he followed me quietly for the last hour of my packing, only cracking a white muzzle once I'd closed the carriage door.
"Shuri?" he asked, "before you go, can you help me with a thing? It's a really small thing, I promise."
"If it's just a reeally small thing," I smiled, and allowed him to lead me back indoors.
"It's this game," he told me as he lead me to the living room where our sister had spent the last week furiously grinding through the catalogue of video games I'd be leaving behind, "Rasha and I tried to play it but it has a part that was really hard." He pointed at the screen across the room where I was met with a thousand hours of button-presses between two silent pairs of eyes.
"Can you help us?"
What was I supposed to say? No? I must leave while the road is light? It's just one small part.
How long could it take?
chibi from bsky! 📚🪻
animation done by murace4
@important-animal-images
Pokémon evolutions
Peter Stoller's fursuit of Jack Salem, 1996 (via)
Everyone look at the quilt my grandma made me!! I’ve actually had it for a few years now but I wanted to post it so y’all could admire it!
Pet him
taz balance episode 66 comic
Little lion man with his golden eyes and white fur.
Leucistic male lion from the Giraffe Pride Taken in King’s Camp, South Africa Photographed by Jason Kramer
terrifying when you watch a movie or a show or whatever & youre like that was fun but it felt a little redundant they didnt need to hammer the point home that much & then you go online & theres thousands of people going that was so weird i did not get it what did that mean google.com ending explained please?
It's easy to forget that media literacy IS a skill. Like, its not something that you just have or you don't, you absolutely can improve your ability to pick up on metaphors and literary devices etc if you actually care to, it just takes practice (ie: watching things through a critical lense and stretching that muscle).
Along the same line of thinking I don't think people who lack media literacy are stupid. Even people with high media literacy tend to forget it's a such valuable skill, but if it wasn't valuable and wasn't something that takes practice and effort there wouldn't be so many literary breakdowns and explanation videos and reviews that get into authorial intent.
More people WANT to understand the deeper intent behind art, but a lot of people never bother to try stretching that muscle because they're convinced that they're just stupid and can't interact with media in that particular way, that that's the job for the brainy reviewers and critics.
All it takes is a little nudge and some encouragement sometimes; There was a time in our lives where none of us knew what a metaphor was. Ultimately if it's someone you care about who "misses the point" of something you like, you COULD be upset that they're "not smart enough" for it or whatever, or you could break down exactly why the point is what it is, and encourage them to look for those literary devices in other things they watch.
Everyone's gotta start somewhere.