Mexico travel poster issued by the Mexican Tourist Association (1945). Artwork by Alfonso X. Peña.
Aqua Utopia|海の底で記憶を紡ぐ
The Bowery Presents
The Stonewall Inn
occasionally subtle
Misplaced Lens Cap
Claire Keane
KIROKAZE

❣ Chile in a Photography ❣
Jules of Nature
No title available
$LAYYYTER

PR's Tumblrdome
Fai_Ryy

oozey mess
todays bird
𓃗
Show & Tell
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open
Mike Driver

seen from Czechia
seen from Türkiye
seen from Mexico
seen from Indonesia
seen from Mexico

seen from Brazil
seen from Türkiye
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from Dominican Republic
@un-diario-visual
Mexico travel poster issued by the Mexican Tourist Association (1945). Artwork by Alfonso X. Peña.
Ruth and James McCrea, Cover design for Men Without Women by Ernest Hemingway. Oil paint on board
Wild West, 1920, M.C. Escher
Medium: woodcut
unknown
Notebook affirmations of #OctaviaButler
Poetry is a merciless craft: it is notoriously undervalued (especially compared to other forms of art or writing), is made to seem hyper-sophisticated/esoteric and inaccessible, is often trapped in the ivory tower, and is bound to come with lots of rejection. It is easy to get bogged down by low slam scores or numerous rejections for publications or various opportunities. And it is difficult to find sustainable employment as a writer or teacher or poetry. So what keeps me going are two-fold: the way poems always seem to nourish me, and the way poetry communities ardently support each other.
Aerik Francis, interviewed for Shoutout Colorado (via bostonpoetryslam)
Morocco.Neighbourhood of Mouassine. Wool dyers.1977
'Housetop' quilts from the Gee's Bend Quiltmakers
Mary Lee Bendolph, 1980 // Nancy Pettway, n.d. // Rebecca Myles Jones, 1950s // Lucy T. Pettway, c.1970 // Katie Mae Pettway, 2002 // Lucy Mingo, 2008
Anna May Wong
Motion Picture vol. XLII no. 3, October 1931
Circle Limit with Butterflies, 1950, M.C. Escher
Dan Tribe Ivory Coast National Geographic July 1982 Michael and Aubine Kirtley
ITALY. Rome. Trastevere. Via della Lungarina. View from a window: Dance of the Dresses. 1953.
© Herbert List/Magnum Photos
Female Nude I, 1920, M.C. Escher
Zbigniew Herbert, as quoted by Ilya Kaminsky in ‘Of Strangeness That Wakes Us’
Shalom Harlow and Mark Vanderloo for Versace by Bruce Weber