Recap Notes: MAGP 8 "Running on Empty"
Spoiler Warning: this is a purely selfish exercise in remembering what the hell happened last season (from someone caught up thru MAGP31, 2/27/2025 & all of The Magnus Archives). No promises I'll keep up with it.
Summary: [on first looking up Forton Service Station] Mother-effers that's the most panopticon-looking structure I've ever seen.
Casement: CAT2RC3338-03022016-12022024
So I've a hunch this ep's doing the heavy lifting in teasing the metaplot via metaphor. Either that or I need to take a step back and hydrate. Walk my plants. Water my dog, that sort of thing.
But for now? Hold on, it's gonna be a bumpy one.
I think the best way to approach this episode is to follow along with the case. I really do apologise for the clunkiness, but if you've read any of my other posts you know we're flying by the seat of our pants, and none of this should be taken too seriously.
So! The visual similarities are undeniable. The tower at Lancaster (Forton) Services might not be circled by prison cells, but it is the spitting image of a panopticonic guard tower with its 360 degree views. Reminiscent, of course, of the tower. The Panopticon and the Institute merged. The place where the tether was cut. As stand-ins go, it's about as subtle as the school of architecture Forton station's an example of (i.e. not at all).
It also means it's not too far of a stretch to take this essay on liminal spaces and extrapolate to learn what happened after MAG 200's "Last Words" played out.
“Liminal’ spaces, derived from the Latin ‘limen,’ meaning ‘threshold,’ are transitional spaces normally inhabited for short periods. They have been shown to have marked effects upon the psychology of those exposed to them, and long-term exposure has been found to elicit anxiety responses (Augé, M. 1995), (Bachelard, G. 1994) and feelings of the uncanny (Trigg, D. 2012).”
Now. Threshold's a fun word here, because it harkens back to MAG 146. One of those great, classic TMA titles with multiple meanings, but the one I want to focus on is 146's clear allusion to the scar in reality at Hill Top as a threshold by virtue of the post statement. With what went down at the dethroning of the Watcher's special little boy, I think we have every reason to believe the site of The Magnus Institute, London is now a similar scar bleeding into Sam and Alice's world. It'd go a ways towards explaining Needles' cryptic "the land is definitely marked, now" along with Leonardo Kenning's recommendation that the building site of the Millennium Dome is unsuitable for The TMP Institute's purposes because of a "psychical poison" in the soil. JMart broke reality so good a new threshold was born.
According to Joseph Peterson, the result of this type of brutal liminal space is an "architectural hunger" which I think tracks well onto the noticeably almost-manic underpinning of ravenousness the fears have this season. The way people falling from one world to the other are emaciated and starving. The land itself is hungering for something, because the wound isn't sealed. It's in transition, and resents it.
At this point, you'd have every right to say: 'but hold on, that phenomenon is not exclusive to TMP's London" to which I'd say:
Yes.
[moving unto the Weird, capitalization intentional]
The Restaurant.
Either the restaurant at the top of Forton services (where Peterson finds himself after ascending an out-of-service elevator) is an isolated spook to enhance the flavour of the ep, or we're still in metaphor land. Considering the panoramic floor is chock full of diners with "oddly repeating elements to them" and this is the season of doppelgängers, I'd bet it's the latter. And while cannibalism's a nice jump scare for the end of a casement, what really made my blood run cold was the observation that outside the restaurant, past this space of brutal liminalism:
"There was nothing. Nothing above, nothing below, nothing at all. Nothing, save the tower and the restaurant."
What if the tower is a guard tower? The restaurant, the feeding grounds for all that Jon and Martin sent through is Sam and Alice and Gwen and Colin and Lena's world (concentrated, around the epicentre, but not exclusive to it). An unstable prison made in a last, desperate attempt to keep the fears it was pulling from one world contained.
There's nothing but the tower (TMA verse) the restaurant (TMP verse) and the void.
Would leave us a cheery prediction for the end of the show:
“And so when faced with the prospect of being eaten alive, or leaping out one of those windows into pure oblivion… it was no choice at all."
"I jumped.”
But it's just a thought.
...
...
GERRY!
Fork, in all that, I nearly forget this is the episode we get Gerry. Don't care a lick for anyone who says it was fan service, it's worth it to see him "SO DEEPLY, PLAINLY HAPPY". Thank you, transcripts for that gem. I will cherish it.
Nothing much else to say about the post casement. I would love Camden Epiphany to come back and be relevant, but I also held out hope "Grant us the sight that we may not know, grant us the scent that we may not catch, grant us the sound that we may not call" would lead to some great pay off down the line. Crafted an entire 'this is how we combat the Dread Powers' theory around it that (predictably) turned out to be wrong, so keep that in mind with everything above.
I like throwing angst-filled mud at the wall to see what sticks.
yousharknotpass
izzy806
prguitarman
amandla
tangentwithtanner