bellefleur.

june i'm trying. the rest is confetti.

[mabellonghetti]

Ornella Muti in "Stregati" (dir. Francesco Nuti - 1986).

[theredgoddess]

Yeah, because I'm extremely romantic here. You know what is my fear? This postmodern, permissive, pragmatic etiquette towards sex. It's horrible. They claim sex is healthy; it's good for the heart, for blood circulation, it relaxes you. They even go into how kissing is also good because it develops the muscles here – this is horrible, my God! It's no longer that absolute passion. I like this idea of sex as part of love, you know: 'I'm ready to sell my mother into slavery just to fuck you for ever.' There is something nice, transcendent, about it. I remain incurably romantic.

Slavoj Žižek

same Zizek, same.

[lucidpast]

Fairy Bike Club, Kansas City, 1983

[dharmaart]

2023 has been quite trying, but I'm happy that I discovered a love of making these horse animations this year.

[mabellonghetti]

Jill Ireland in “Someone Behind the Door” (dir. Nicolas Gessner - 1971).

[prettiestboytoy2]

Me and my demons

Artists is nho eskape

[requiem-on-water]

"The Spirit Leaves the Body" (1968) by Duane Michals

[kuutamosonaatti]

The Gift (2000) | dir. Sam Raimi

[pierppasolini]

Pink Flamingos (1972) // dir. John Waters

[citizenscreen]

Birthday remembrance - Bill Paxton #botd

[trees-and-planets]

— Edith Sitwell, from "Fire of the Mind: The Complete Anthology of E. S.,"

[zegalba]

The nerves connected to the human jaw

[happyheidi]

don’t invite me unless these are the plans

[simplyspider]

by june bates

[zegalba]

近藍蓋小菇 Mycena Subcyanocephala fungi translates to the "blue-head" and measures at only a single millimeter.

[tunisian]

the craziest thing about being alive is that you have to live with other people’s interpretations of you

[memoryslandscape-deactivated202]

Nobody has the time … to be vulnerable to each other. So … we just go on.

John Cassavetes, from the screenplay Faces (Continental. 1968)